Publications & Texts

Solo Exhibition Catalogues and Important Publications

2022
Bourgeois, Caroline and Emma Lavigne, eds. Felix Gonzalez-Torres - Roni Horn. Éditions Dilecta/ Pinault Collection, 2022. [Texts by Felix Gonzalez-Torres, Roni Horn, Caroline Bourgeois, Elisabeth Lebovici, Elena Filipovic, and Julie Ault.]

2020
Kraft, Richard and Lisa Pearson eds. Photostats: Felix Gonzalez-Torres. New York: Siglio Press, 2020.

2018    
Breslin, David. Felix Gonzalez-Torres. New York: David Zwirner Books, 2018.

2016    
Filipovic, Elena, ed. Felix Gonzalez-Torres: Specific Objects Without Specific Form. London: Koenig Books, 2016.

2014    
Cruz, Amada and Matthew Drutt eds. Billboards: Felix Gonzalez-Torres. San Antonio: Artpace, 2014.

2012    
Ahn, Soyeon, ed. Felix Gonzalez-Torres, Double. Seoul: Samsung Museum of Art, 2012.

2010    
Cesarco, Alejandro, ed. A Selection of Snapshots Taken by Felix Gonzalez-Torres. New York: A.R.T. Press, 2010.

Cué, Anna Laura and Katnira Bella, ed. Félix González-Torres: Somewhere/Nowhere [Algún lugar/Ningún lugar]. Ciudad Universitaria, Mexico: Universidad Nacional Autónoma de Mexico, Museo Universitario Arte Contemporáneo, 2010.

2008    
Elgarte, Mercedes, ed. Félix González-Torres: Somewhere/Nowhere [Algún lugar/Ningún lugar]. Buenos Aries:MALBA – Fundación Costantini, 2008.

2007    
Spector, Nancy. Felix Gonzalez-Torres: America. New York: Guggenheim Museum Publications, 2007.

2006    
Ault, Julie, ed. Felix Gonzalez-Torres. Gottingen, Germany: Steidldangin, 2006.

Felix Gonzalez-Torres: 1. Oktober 2006 - 9. January 2007. Berlin: Neue Gesellshaft für Bildende Kunst (NGBK) and Hamburger Bahnhof, Museum für Gegenwart, 2006.

Fuentes, Elvis. Felix Gonzalez-Torres: Early Impressions. New York: El Museo del Barrio, 2006.

Hoffmann, Erika. Felix Gonzalez-Torres. Taura, Japan: Akira Ikeda Gallery, 2006: 11, 13, 15, 17, 19, 21 (ill).

Wagner, Frank, ed. Felix Gonzalez-Torres. Berlin: Neue Gesellshaft für Bildende Kunst (NGBK) and Hamburger Bahnhof, Museum für Gegenwart, 2006.

2001    
Basualdo, Carlos. Sem título (Bogotá, Caracas, São Paulo): A obra pública de Félix Gonzalez-Torres. São Paulo, Brazil: Museu de Arte Moderna de São Paulo, 2001.

Dallas Museum of Art. Felix Gonzalez-Torres, Joseph Beuys. Dallas, TX: Dallas Museum of Art, 2001.

Kramer, Mario. Paare [Couples]: Gilbert & George and Felix Gonzalez-Torres. Frankfurt am Main, Germany: Museum für Moderne Kunst, 2001: 33-59.

2000    
Biblioteca Luis Ángel Arango. sin título, bogotá. Bogotá, Colombia: Santa fé de Bogotá, 2000. [Essays by Carlos Basualdo, José Ignacio Roca, Jaime Cerón Silva, and Noah Chasin].

Corrin, Lisa G. Felix Gonzalez-Torres. London: Serpentine Gallery, 2000.

Creative Time. Felix Gonzalez-Torres. New York: Creative Time, 2000. [In conjunction with an exhibition at Andrea Rosen Gallery. Essay by Andrea Rosen].

Felix Gonzalez-Torres, 1 Jun. – 16 Jul. 2000. London: Serpentine Gallery, 2000.

Felix Gonzalez-Torres. London: Serpentine Gallery, 2000.

Felix Gonzalez-Torres. Montevideo, Uruguay: Museo Nacional de Artes Visuales, 2000. [Essays by Patricia Bentancur and Alejandro Cesarco].

1998    
Chapman, Christopher. Loverboy. Sydney and Adelaide, Australia: Yuill/Crowley and the Art Gallery of South Australia, 1998.

1997    
Elger, Dietmar, et al., ed. Felix Gonzalez-Torres: Catalogue Raisonné. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 1997. [Two volumes published to accompany an exhibition at the Sprengel Museum in Hannover, Germany: Vol. 1: Text, with essays by Roland Wäspe, Andrea Rosen, Dietmar Elger, Rainer Fuchs, and David Deitcher; Vol. 2: Catalogue Raisonné].

1996    
González, Manuel E. Félix González-Torres: acto de presencia en México. Mexico City: El Museo Rufino Tamayo, 1996. [Essay by Lewis Baltz].

1995    
Goetz, Ingvild. Felix Gonzalez-Torres – Roni Horn. Munich: Sammlung Goetz, 1995. [Essays by Nancy Spector and Christine Meyer-Stroll; interview by Robert Storr].

Spector, Nancy. Felix Gonzalez-Torres. New York: Guggenheim Museum Publications, 1995.

1994    
Camden Arts Centre Events: Symptoms of Interference, Conditions of Possibility: Ad Reinhardt, Joseph Kosuth, Felix Gonzalez-Torres. London: Camden Arts Centre, 1994.

Farrow, Claire, ed. A Reinhardt J Kosuth F Gonzalez-Torres: Symptoms of Interference, Conditions of Possibility. London: Academy Editions, 1994.

Felix Gonzalez-Torres. Berkeley, CA: Berkley Art Museum, the University of California, 1994. [Essay by Larry Rinder].

Felix Gonzalez-Torres, Rudolf Stingel. Graz, Austria: Neue Galerie am Landesmuseum Joanneum, 1994. [Essays by Jan Avgikos, Francesco Bonami, and Peter Weibel].

Felix Gonzalez-Torres: Traveling. Washington D.C.: Hirshhorn Museum and Sculpture Garden, The Smithsonian Institution, 1994.

Ferguson, Russell, ed. Felix Gonzalez-Torres. Los Angeles: The Museum of Contemporary Art, 1994. [Essays by Amada Cruz, Ferguson, Ann Goldstein, Bell Hooks, Joseph Kosuth, and Charles Merewether.]

Spector, Nancy. Symptoms of Interference, Conditions of Possibility: Ad Reinhardt, Joseph Kosuth, Felix Gonzalez-Torres. London: Camden Arts Centre, 1994: 10, 13-14, 15 (ill.), 16, 22.

1993    
Rollins, Tim, Susan Cahan, and Jan Avgikos. Felix Gonzalez-Torres. New York: Art Resources Transfer, Inc., 1993.

Sobel, Dean. Currents 22: Felix Gonzalez-Torres. Milwaukee, WI: Milwaukee Art Museum, 1993.

1992    
Magasin 3 Stockholm Konsthall. Felix Gonzalez-Torres. Stockholm: Magasin 3, Stockholm Konsthall, 1993. [Essay by David Deitcher].

Umland, Anne. Projects 34: Felix Gonzalez-Torres. New York: The Museum of Modern Art, 1992.

1991    
Cady Noland, Felix Gonzalez-Torres: Objekte, Installationen, Wanderbeiten. Berlin: Neue Gesellschaft für bildende Kunst, 1991. [Essays by Frank Wagner and David Deitcher].

Felix Gonzalez-Torres. Milan: Galleria Massimo De Carlo, 1991. [Essay by Stephen Evans].

1990    
Strange Ways: Here We Come; Felix Gonzalez-Torres and Donald Moffett. Vancouver, Canada: University of British Columbia Fine Arts Gallery, 1990. [Essay by Scott Watson].

1988    
I always wonder if men in uniform sleep better after performing their duties. New York: INTAR Latin American Gallery, 1988.

The Workspace: Felix Gonzalez-Torres. New York: The New Museum of Contemporary Art, 1988. [Essay by Laura Trippi].

1987    
The Culminating Experience and Other Stories: Felix Gonzalez-Torres. 80 Washington Square Galleries, New York University. 10 Mar. – 3 Apr. 1987.

 

Group Exhibition Catalogues

2023    
Acevedo-Yates, Carla, ed. Forecast Form: Art in the Caribbean Diaspora, 1990s-Today. MCA Chicago and DelMonico Books, 2023 (ill).

Curtis, Penelope, editor. Escala Escultura 1945-2000/Scale: Sculpture 1945-2000. Fundación Juan March, 2023 (ills).

de la Garza, Magnolia. En El Jardín/ in the Garden. Turner Publications, 2023.

Lavigne, Emma, editor. Avant l’orage: La Collection Pinault À La Bourse de Commerce. Dilecta Editions, 2023 (ill).

Martin, Owen. Before Tomorrow: Reflecting on the Astrup Fearnley Collection. Astrup Fearnley Museet, 2023 (ill).

Phillips, Lisa. Colección Jumex: Everything Gets Lighter. Fundación Jumex Arte Contemporáneo, 2023 (ill).

Schloen, Anne, et al. Who’s Afraid of Stardust? Positions of Contemporary Queer Art. Verlag Für Moderne Kunst, 2023.

2022          
Als, Hilton. Joan Didion: What She Means. Edited by Connie Butler, The Hammer Museum/ Del Monico/ Prestel, 2022.

Barber, Rehema. Unmasking Masculinity for the 21st Century. Kalamazoo Institute of Arts, 2020.

Bertand-Dorléac, Laurence, and Dimitri Salmon. Les Choses. Une histoire de la nature morte. Museé Du Louvre, 2022.

Bresciani, Ana María, and Tommaso Speretta. Every Moment Counts: AIDS and Its Feelings. Henie Onstad Kunstsenter, 2022.

Cerejido, Elizabeth. Radical Conventions: Cuban American Art from the 1980's. Lowe Museum of Art, 2022.

Dander, Patrizia. Future Bodies from a Recent Past—Sculpture, Technology, and the Body since the 1950s. Museum Brandhorst, 2022.  

Kost, Lynn, and Konrad Bitterli. Moment. Monument. Kunstmuseum Winterther, 2022: 51, 52 53 54 (ills).

Lavigne, Emma, ed. Une Seconde d'éternité. Bourse De Commerce - Pinault Collection & Editions Dilecta. 2022.

Meyers, James, ed. The Double: Identity and Difference in Art Since 1900. National Gallery of Art, 2022 (ill).

Miller, Peter N., and Soon Kai Poh, eds. Conserving Active Matter. New York: Bard Graduate Center, 2022.

Mohebbi, Sohrab, ed. Is It Morning for You Yet? 58th Carnegie International. Carnegie Museum of Art, 2022: 259 (ill).

Rooks, Michael. What Is Left Unspoken, Love. High Museum of Art, 2022 (ill).

Reini, Karen Monica, and Ana Maria Bresciani. Hvert Øyeblikk Teller: Følelser Av Aids. Henie Onstad Kunstsenter, 2022.

Vamvouklis, Nicolas. Icarus. K-Gold Temporary Gallery, 2022.

 

2021    
De Bellis, Vincenzo, and Arturo Galansino. American Art 1961-2001. Translated by Sylvia Notini, Marsilio Editori, 2021: 135 (ill).

Delahunty, Gavin. Psychic Wounds: On Art & Trauma. MW Editions, 2021: 266,267 (ill).

Désanges, Guillaume. Absalon Absalon. Paraguay Press, 2021: 26, 31, 40 (ill).

Kountouri, Elina, and Madeleine Grynsztejn. Portals. Former Public Tobacco Factory - Hellenic Parliament Library and Printing House, Athens, Greece, 2021.

Parisi, Chiara, and Anne Horvath. Arcimboldo Face to Face. Centre Pompidou-Metz, 2021: 356 (ill).

Scott, Peter. Everybody Dies!: Carriage Trade, 2021: 14, 15, 16, 17 (ill). 

Spieler, Reinhard, and Stella Jaeger. Elementarteile. Sprengle Museum Hannover. Snoeck Verlagsgesellschaft mbH, 2021.

2020    
Buck, Stephanie, et al. Crossing Borders - Collecting for the Future. Staatliche Kunstsammlungen Dresden, Kupferstich-Kabinett, 2020.

De Bellis, Vincenco, and Jadine Collingwood. The Paradox of Stillness: Art, Object, and Performance. Walker Art Center, 2020: 43, 128-131 (ills), 180-182 (ills).

Department of State, Office of Art in Embassies. Art In Embassies. Department of State, 2020: 138, 139 (ill).

Dimitrov, Slavcho. BROKENNESS. Museum of Contemporary Art Skopje, 2020.

Eccles, Tom, and Amy Zion. Closer to Life: Drawings and Works on Paper in the Marieluise Hessel Collection. Center for Curatorial Studies, Bard College, 2020.

Fox, James. Monochrome No.2. London: Ordovas, 2020: 38, 62-63 (ill), 72-73 (ill), 77.

Hammonds, Kit, et al. Al Filo de La Navaja/ On the Razor’s Edge. Colección Jumex. Fundación Jumex Arte Contemporáneo, 2020: 90-93 (ills).

Haq, Nav, and Tallon Steven. Monoculture - A Recent History. M HKA, 2020: 193 (ill).

Kölle, Brigitte. MOURNING: On Loss and Change. Hamburger Kunsthalle, 2020 (ill).

Kotyk, Tereza. Human Capital: Innsbruck Biennial of the Arts. 2020 (ill). 

2019         
Bethenod, Martin, and Mouna Mekour. Luogo e Segni. Venice: Palazzo Grassi, 2019.

Desrosiers, Daisy. Material Tells. Oakville Galleries, 2019: 2 (ill) (Digital)

Esparaza, Rubén, and Robb Hernandez. Forging Territories: Queer Afro and Latinx Contemporary Art. Edited by Steve Silverman, San Diego Art Institute, 2019: 25-26, 26 (ill)

Gygax, Raphael, and Heike Munder, editors. _United by AIDS: An Anthology on Art in Response to HIV/AIDS_. Migros Museum Fur Gegenwartskunst and Scheidegger & Spiess, 2019: 47 (ill), 61.

Getsy, David, and Jared Ledesma. Queer Abstraction. Des Moines Art Center, 2019: 13 (ill), 32-33, 34-35 (ill).

Høyersten, Erlend G, editor. Objects of Wonder: from Pedestal to Interaction. Narayana Press, 2019: p 20, 21(ill), 54.

Incheon Arts Station Project. On The Ground Underground. South Korea, Incheon Foundation for Arts & Culture, 2019.

Smith Rumsey, Abby. Coordinates: Maps and Art Exploring Shared Terrain. David Rumsey Map Center, Stanford Libraries, 2019: 68 (ill).

Young, Benjamin J. ed. Always, Already, Haunting, "Disss-Co", Haunt (A.A.H.D.H.). Whitney Museum of American Art, 2019.

2018         
Chavoya, C. Ondine, and David Evans Frantz (eds.). Axis Mundo: Queer Networks in Chicano L.A. Munich, Germany: Prestel, 2018.

Larratt-Smith, Philip. The Obscure Object of Desire. Sâo Paulo and Rio de Janeiro: Fortes D'Aloia & Gabriel, 2018.

Lauson, Cliff, Dawna Schuld, and Lynn Zelevansky. Space Shifters. London: Hayward Gallery Publishing, 2018.

Jetzer, Gianni. Brand New: Art and Commodity in the 1980s. New York: Rizzoli Electa, 2018.

Kondo, Kenichi, Takashiro Akio and Yuhara Kimihiro. Catastrophe and the Power of Art. Tokyo: Mori Art Museum, 2018.

Nakanishi, Hiroyuki, and Hiroaki Suzuki. The Myriad Forms of Visual Art: 200 Works with 19 Themes. Osaka: The National Museum of Art, Osaka, 2018.

Shiff, Richard and Robert Storr. David Zwirner: 25 Years. New York: David Zwirner Books, 2018.

Tan, Eugene and Russel Storer. Minimalism: Space. Light. Object. Singapore: National Gallery Singapore, 2018.

Tani, Ellen Y. Second Sight: The Paradox of Vision in Contemporary Art. New York: Scala Arts Publishers Inc., 2018.

2017    
Bajac, Quentin, and Olivier Michelon. Being Modern: MoMA in Paris. London: Thames & Hudson, 2017.

Barson, Tanya (ed.). Life World. Ciudad de México: Colección Isabel y Agustín Coppel, 2017.

Cosulich, Sarah. MUT 1 - Think of this as a Window. Fiorano, Italy: Mutina for Art, 2017.

Gallois, Christophe ed. L'image Papillon. Luxembourg City: Mudam éditions, 2017. [English edition]

Huldisch, Henriette. An Inventory of Shimmers: Objects of Intimacy in Contemporary Art. London: Prestel, 2017.

Lingwood, James (ed.). Inside: Artists and Writers in Reading Prison. London: Artangel, 2017.

Marcoci, Roxana. Louise Lawler: Receptions. New York: Museum of Modern Art, 2017.

Moura, Rodrigo. Doubles, Dobros, Pliegues, Pares, Twins, Mitades. Dallas, TX: The Warehouse, 2017.

Nahmad, Joseph. Bliss. London: Nahmad Projects, 2017.

Noriega, Chon A., Mari Carmen Ramirez, and Pilar Tompkins Rivas. HOME—So Different, So Appealing. Los Angeles, CA: UCLA Chicano Studies Research Center Press, 2017.

Pobric, Pat. Minimalism and Beyond. New York: Mnuchin Gallery, 2017.

2016    
Ault, Julie ed. Tell It To My Heart: Collected by Julie Ault (Vol. II) New York: Artists Space, 2016. 3, 33, 51-2, 88-9, 198,     123, 128, 132 (ills.)

Baier, Simon. Sculpture on the Move 1946-2016. Berlin: Hatje Cantz Verlag, 2016.

Baum, Kelly with Andrea Bayer and Sheena Wagstaff (eds.) Unfinished: Thoughts Left Visible. New York: The Metropolitan Museum of Art, 2016.

Benezra, Neal ed. The Campaign for Art: Gifts for the San Francisco Museum of Modern Art. San Francisco Museum of Modern Art (SFMoMA) San Francisco, CA. 2016.

Buchmann, Sabeth. to expose, to show, to demonstrate, to inform, to offer. Artistic Practices around 1990. Köln: Walther Köni, 2016.

Decter, Jacqueline (ed.). Selections from the Wieland Collection. Atlanta, GA: The Wieland Collection, 2016.

Goodyear, Anne et al. This Is a Portrait If I Say So: Identity in American Art, 1912 to Today. New Haven, CT: Yale University Press, 2016.

Missing Persons. Stanford, CA: Cantor Arts Center, Stanford University, 2016.

Raza, Asad and Dorothea von Hantelmann (eds.). Decor. Brussels: Boghossian Foundation, 2016.

Sileo, Diego, and Giacomo Zaza (eds). CUBA. Tatuare la Storia. Milan: SilvanaEditoriale, 2016.

Starke, Cara. Ellipsis. St. Louis: Pulitzer Art Foundation, 2016: 32-7 (ills.)

2015    
Canela, Juan. I Speak Knowing it's not About Speaking. Barcelona: la Caixa Foundation, 2015: 33 (ill)

Horodner, Stuart and Janie Welker. Bottom's Up: A Sculpture Survey. Lexington: University of Kentucky Art Museum, 2015: 7, 21(ill.)

Huska, Rock and Jonathan Katz. Art AIDS America. Tacoma: Tacoma Art Museum, 2015: 58, 78, 226-7 (ills.)

Gallois, Christophe ed. L’image Papillon. Luxeumbourg City: Mudam editions, 2015: 139-143, 174 (ills.)

Kvaran, Gunner B., ed. Good Morning America. Oslo: Astrup Fearnley Museet, 2015: 27-29 (ills.)

Ligon, Glenn with Alex Farquharson and Francesco Manacorda. Glenn Ligon: Encounters and Collisions. Nottingham and London: Nottingham Contemporary and Tate, 2015: 12, 14, 110-1(ill.), 114-8, 138-9, 167 (ill), 275.

Macel, Christine and Rachael Thomas eds. What We Call Love: From Surrealism to Now. Dublin: Irish Museum of Modern Art, 2015: 60 (ill), 61.

Maxwell, Claire Favre ed. Telling Time / L'Élogue de l'heure. Lausanne: mudac, Musée de design et d'arts appliqués contemporains, 2015: 182 (ill.)

Mosquera, Gerardo. The 4th Poly/Graphic San Juan Triennial: Latin America and the Caribbean Displaced Images / Images in Space. San Juan: Instituto de Cultura Puertorriqueña Programa de Artes Plásticas, 2015: 182-3 (ill.)

Ordovas, Pilar ed. The Big Blue. London, United Kingdom: Ordovas, 2015: 52-3 (ill.)

Schwartz, Alexandra, ed. Come As You Are: Art of the 1990s. Montclair, NJ and Oakland, CA: Montclair Art Museum and University of California Press, 2015: 99, 103, 111 (ill.), 196.

Siegel, Katy ed. "The heroine Paint" After Frankenthaler. Gagosian, New York, 2015. 195, 199 (ills.)

Starke, Cara. Ellipsis. St. Louis: Pulitzer Art Foundation, 2016: 32-7 (ills.)

Vo, Danh. Slip of the Tongue. Venice: Marsilio Editori, 2015.

Wolin, Joseph R., ed. Open This End: Contemporary Art from the Collection of Blake Byrne. Los Angeles, CA: The Skylark Foundation, 2014: 21, 54-55 (ill.).

2014    
ArtAids Foundation, ed. Perfect Lovers. Art in the Time of AIDS. Barcelona: ArtAids, 2014: 6 (ill), 7-8, 9 (ill), 10-11 (ills.)

Buchhart, Dieter, ed. The Nature of Disappearance. New York: Marriane Boesky Gallery, 2014: 80-81 (ill).

Burton, Johanna and Anne Ellegood; essays by George Baker, Julia Bryan-Wilson, Gavin Butt, and Darby English; contributions by Ann Butler and Marvin J. Taylor, Ruth Erickson, Leora Morinis, and Corrina Peipon. Take It or Leave It: Institution, Image, Ideology. Hammer Museum and Delomnico Books | Prestel: Los Angeles and Munich, London, and New York, 2014: 26, 100 (ill), 101 (ill), 197.

Bonami, Francesco. A Very Short History of Contemporary Sculpture. London: Phillips, 2014.

Carr, Adam, ed. YOU. Wales: MOSTYN, 2013: 12-13 (ill).

Chong, Herman ed. End Note(s). Rotterdam, The Netherlands, Witte de With Center for Contemporary Art, 2014, 121 (ill.), 154-155.

Fowle, Kate. The New International. Moscow: The Garage Museum of Contemporary Art, 2014. 6-7 (ill), 8.

Gustafson, Donna, ed. Striking Resemblance: The Changing Art of Portraiture. New Brunswick, NJ: Zimmerli Art Museum, 2014: 35, 78 (ill).

Morimura, Yasumasa. Art Fahrenheit 451: Sailing into the sea of oblivion. Yokohama Treinnale, 2014: 50 (ill), 56-7 (ill), 59 (ill), 310.

Moure, Gloria, ed. On The Road. Spain: Axencia Turismo de Galicia, 2014: 124-129 (ill).

Take Me I'm Yours. Monnaie de Paris, Paris: Éditions Dilecta, 2014: 4, 18, 30, 46.

Tatiana Cuevas, ed. Rastros y vestigios: Indagaciones sobre el presente. Mexico DF, Mexico: Colección Isabel y Agustin Coppel, CIAC, 2014: 149 (ill.), 183, 322.

The Contemporary Austin. A Secret Affair: Selections from the Fuhrman Family Collection. Austin, TX: The Contemporary Austin, 2014: 28-29, 46-47 (ill).

The Courtauld Institute of Art, ed. INTERACT: Deconstructed Spectatorship. London, United Kingdom: The Courtauld Institute of Art, 2014: 40-41 (ill).

2013  
0 – 60: The experience of time Through Contemporary Art. Raleigh: North Carolina Museum of Art, 2013: 76-79 (ill).

Altschuler, Bruce and Hans-Ulrich Obrist, ed. do it: the compendium. New York: Independent Curators International, New York and D.A.P, 2013: 186, 434.

Ault, Julie ed. Tell It To My Heart: Collected by Julie Ault. Basel: Museum fur Gegenwartskunst Basel, 2013.

Adams, Beverly and Vanessa K. Davidson, eds. Order, Chaos and the Space Between. Phoenix: Phoenix Art Museum, 2013: 55 - 57, 144 - 145 (ill).

Bal-Blanc, Pierre, ed. Reversibility: A Theatre of De-Creation. [CAC Bretigny]Mousse Publishing, 2013: 90, 98, 144 (ill).

Borchardt-Hume, Achim, ed. Think Twice: Twenty Years of Contemporary Art from Collection Sandretto Re Rebaudengo. London: Whitechapel Gallery and Collezione Sandretto Re Rebaudengo, 2013: 26, 94-95(ill).

Desclaux, Vanessa, ed. In a Sentimental Mood. Paris: La Galeries Des Galeries, 2013: 8, 22 (ill).

Dietz, Heinrich, Susanne Figner and Antonia Lotz ed. Der Schein: glanz, glamour, illusion [The Shine: gloss, glamour, illusion]. Hannover: Kestnergesellschaft, 2013: 26 - 28 (ill).

DiMeo Carlozzi, Annette. Through the Eyes of Texas: Masterworks from Alumni Collections. Austin: Blanton Museum of Art, 2013: 48, 108 (ills.)

Eye to I: 3,000 Years of Portraiture. New York: Katonah Museum of Art and Rose Press, 2013: 41 (ill).

Facing the Sublime in Water, CA. Pasadena: Armory Press / Armory Center for the Arts, 2013: 11 (ill).

Gaugin, Paul, ed. Neuland! Kunstler als Entdecker. Emden: Kunsthalle Emden, 2013: 155, 163 (ill).

Gioni, Massimilano and Gary Carrion-Murayari, ed. NYC 1993: Experimental Jet Set, Trash and No Star. New York: New Museum of Contemporary Art, 2013: 54-55 (ill).

Hoglund, Jessica ed. Upplyst Enlightened. Sweden: Artipelag Konsthall, 2013. 95 (ill).

Indifferent Matter. Leeds: Henry Moore Foundation, 2013.

Massimilano Gioni and Gary Carrion-Murayari, ed. NYC 1993: Experimental Jet Set, Trash and No Star. New York: New Museum of Contemporary Art, 2013: 14, 54-55 (ill), 128

Reinventing the Wheel: The Readymade Century. Melbourne: Monash University Museum of Art, 2013: 56 (ill).

Rêves De Venise. Bordeaux: L'Institut Culturel Bernard Magrez., 2013: 36-37 (ill)

Schneider, Claire ed. More Love: Art Politics, and Sharing since the 1990s. Chapel Hill: Ackland Art Museum. 2013: 18-19, 21, 32, 37, 103-107 (ill).

2012    
Bernasconi, Francesca, Marco Franciolli and Giovanni lovane, ed. A Window on the World. Milan: Skira Editore. 2012: 237 (ill).

Bosland, Joost, ed. Trade Routes Revisited. Cape Town and Johannesburg: Stevenson Gallery, 2012: 70 (ill), 105 (ill).

Brodie, Judith with Sarah Boxer, Janine Mileaf, Christine Poggi and Matthew Witkovsky. Shock of the News. Washington DC: National Gallery of Art, 2012/2013: 79 (ill), 111, 147.

Cherix, Christophe. Print/Out: 20 Years in Print. New York: Museum of Modern Art, 2012: 70, 73 (ill), 185 (ill).

Daderko, Dean, ed. It is what it is. Or is it? Houston: Contemporary Art Museum Houston, 2012: 21-22, 29 (ill), 67 (ill), 69 (ill), 123.

Dyke, Kristina. The Progress of Love. Houston: Menil Foundation, Inc., 2012: 95(ill).

Herford, Marta. gGmbH, ed. Asche und Gold: eine Weltenreise [Ashes and Gold: A World's Journey]. Köln: Wienand Verlag, 2012: 17 (ill).

Kent, Rachel. Marking Time. Sydney: Museum of Contemporary Art Australia, 2012: 35 (ill).

Luxury User Guide. Paris, FR: Passage de Retz, 2012.

Molesworth, Helen. This Will Have Been: Art Love & Politics in the 1980s. Chicago/New Haven: Museum of Contemporary Art Chicago and Yale University, 2012: 43, 253, 311, 338-339, 340-341 (ill).

Pfeffer, Susanne. The Recovery of Discovery. Berlin: Verlag der Buchhandlung Walther Konig, 2012: 14, 15 (ill).

Porter, Jenelle. Figuring Color: Kathy Butterly, Felix Gonzalez-Torres, Roy McMakin, Sue Williams. Boston and Ostfildern, Germany: The Institute of Contemporary Art and Hatje Cantz Verlag, 2012: 10-11, 91-92 (ill), 117-118 (ill), 132.

Rosenthal, Mark, Marla Prather, Ian Alteveer, and Rebecca Lowery. Regarding Warhol Sixty Artists, Fifty Years. New York: Metropolitan Museum of Art, 2012: 41, 45 (ill), 290.

Tovar, Jaoa. Paper. Nice: Musee d’Art moderne at d’Art Contemporain, 2012: 56-57, 58-59 (ill).

2011     
Bernardi, Claire et al. Collector: Œuvres du Centre National des Arts Plastiques. Milan and Paris: Skira Flammarion, 2011. 154, 155 (ill).

Corn, Wanda M, and Tirza True Latimer. Seeing Gertrude Stein (Five Stories). Berkeley: University of California Press, 2011: 331-333, 332 (ill).

Cremin, Mary, ed. Conversations: Photography from the Bank of America Collection. Dublin: Irish Museum of Modern Art, 2011: 103 (ill), 105.

Di Pietrantonio, Giacinto and M. Cristina Rodeschini, ed. Il Belpaese Dell’Arte: Etiche ed Estetiche della Nazione [The Wonderful Land of Art: The Ethics and Aesthetics of The Nation]. Busto Arsizio, Italy: Nomos Edizioni, 2011: 213 (ill), 250.

Doring Jurgen. Power to the Imagination: Artists, Posters and Politics. Hamburg: Germany Museum fur Kunst und Gewerbe, 2011: 154, 155 (ill.)    

Eleey, Peter. September 11. New York: MoMA PS1, 2011: 62, 110-111 (ill.) 238.

Kisin, Peter and Beti Zerovc, eds. 29. Graficni Bienale / The 29th Biennial of Graphic Arts: Dogodek / The Event. Ljubljana: Mednarodni graficni likovni center / The International Center of Graphic Arts, 2011, 202, 203 (ill).

Kvaran, Gunnar B., ed. Em Nome dos Artistas: Arte Contemporanea Norte-Americana na Colecao Astrup Fearnley [In The Name of the Artists American Contemporary Art from the Astrup Fearnley Collection. Sao Paolo: Fundacao Bienal de Sao Paulo, 2011: 54 – 57 (ill), 236 – 241.

Miller Dana, ed. Legacy – The Emily Fisher Landau Collection. New York: Whitney Museum of American Art, New York, 2011: 7, 15, 16, 23, 100, 101-105 (ill.), 318-320 (ill.).

Orth, Klaus H., Anne Schloen and Harriet Zilch. Goldrausch: gegenwartskunst aus, mit oder uber gold. Nürenberg; Verlag fur Moderne Kunst Nürnberg, 2012: 120, 121-125 (ill).

Rondeau, James and Anne Rorimer. Contemporary Collecting: The Judith Neisser Collection: Minimal and Postminimal Innovation. Chicago, New Haven, and London: The Art Institute of Chicago and Yale University Press, 2011: 58-59 (ill), 156.

Salmon, Béatrice et al. Échos. Paris: Université Paris - Sorbonne (Paris IV) and Les Arts Décoratifs, 2011: 14, 19, 26-31, 48-9 (ill), [page of 1 of exhibition images - unpaginated (ill)].

Unter Helden: Vor-Bilder in der Gegenwartskunst [Among Heroes: Pre-Images in Contemporary Art]. Eds. Harriet Zilch and Angela Lohrey. Bielefeld, Germany: Kerber Verlag, 2011: 38.

2010    
Blessing, Jennifer and Nate Trotman. Haunted: Contemporary Photography/Video/Performance. New York: Guggenheim Museum, 2010: 57-58, 59 (ill), 64 (ill), 65 (ill).

Graphic Design Museum Breda. I don’t know where I’m going but I want to be there. Amsterdam: BIS Publishers, 2010: 136 (ill).

Hering, Michael. Marked by Life – Passion in Modern Works on Paper. [Vom Leben Gezeichnet Leidenschaft In Der Grafik Der Moderne] Hanover, Germany: The Sprengel Museum Hannover, 2010: 58-59 (ill), 38 (ill).

Hoffmann, Jens, ed. Huckleberry Finn. San Francisco: CCA Wattis Institute for Contemporary Arts, 2010: 50, 50 (ill.), 80 (ill.).

Kasahara Michiko. Love’s body: art in the age of AIDS. Tokyo: Tokyo: Tokyo Metropolitan Museum of Photography, 2010: 96-109 (ill), 178-179.

Katz Jonathan and David Ward. Hide Seek Difference and Desire in American Portraiture. National Portrait Gallery, The Smithsonian Institution, Washington DC, 2010: 54 (ill), 55, 224, 225 (ill), 233.

Kraus, "Jeder Künstler ist ein Mensch!" Positionen des Selbstportraits. Ed. Karola Kraus. Baden-Baden: Staatliche Kunsthalle Baden Baden, 2010: 60-61 (ill), 63 (ill).

Rosenthal, Stephanie, ed. Move: Choreographing You. London: Hayward Publishing, 2010: 146.

Sørenson, Jens Erik, Bjarne Bækgaarde and Lise Mortensen. I Love You. Aarhus, Denmark: ARoS aarhus kunstmuseum, 2010: 88 (ill), 89.

2009    
"Artpace Mounts First-Ever Survey of Felix Gonzalez-Torres Billboards" Artpace Winter/Spring 2009-2010: 29-31 (ill).

Bishop, Janet, ed. San Francisco Museum of Modern Art: 75 Years of Looking Forward. San Francisco: San Francisco Museum of Modern Art, 2009: 436, pl. 350 (ill).

Centro Galego de Arte Contemporanea. En Todas Partes: Políticas de la Diversidad Sexual en el Arte. Santiago de Compostela, Spain: Centro Galego de Arte Contemporánea, 2009: n.p. (ill), 291, 300, 333.

Eleey, Peter. The Quick and the Dead. Minneapolis, MN: Walker Art Center, 2009: 220, 221 (ill), 282, 321.

Gingeras, Alison M., and Francesco Bonami, eds. Mapping the Studio: Artisti dalla collezione Francois Pinault [Artists from the Francois Pinault Collection]. Venice, Italy: Palazzo Grassi, 2009: 156-159 (ill), 162 (ill), 249 (ill), 275 (ill).

McGlashan, Sean, and Fiona MacLeod, eds. Sh[OUT]: Contemporary art and human rights. Glasgow, Scotland: Glasgow Museums Publishing, 2009: 18 – 19 (ill).

Musée d'art moderne de La Ville de Paris. Deadline. Paris: Paris-Musées, 2009: 88 (ill), 89-90, 91-94 (ill).

Musée national des beaux-arts du Québec. Emporte-Moi: Sweep Me Off My Feet. Québec, Canada and Vitry-sur-Seine, France: Musée national des beaux-arts du Québec and MAC/VAL, 2009: 110, 111 (ill), 180.

Museum of Modern Art (New York, N.Y.), and Christian Rattemeyer. Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection. New York: Museum of Modern Art, 2009: 177 (ill).

Museum of Modern Art. Artist's Choice + Vik Muniz: Rebus. New York: Museum of Modern Art, 2008.

Shiner, Eric C. The End. Pittsburgh, PA: The Andy Warhol Museum, 2009: 7.

2008    
Biesenbach, Klaus, ed. Political/Minimal. Nürnberg [Nuremberg], Germany: Verlag für moderne Kunst Nürnberg, 2008: 10, 11 (ill), 20, 21, 30 – 33, 64, 65 (ill), 140, 143.

Bonami, Francesco, and Sarah Cosulich Canarutto, eds. Gods & Goods: Spiritualità e Confusione di Massa [Spirituality and Mass Confusion]. Passariano, Codroipo, Italy: Azienda Speciale Villa Manin, 2008: 86, 87 – 89 (ill).

Bray, Natalie, and Cara Baldwin. Transformed. Virginia Beach, VA: the Contemporary Art Center of Virginia, 2008: 4, 9, 20 (ill), 21 (ill), 35, 38.

Concannon, Kevin, and John Noga. AGENCY: Art and Advertising. Youngstown, OH: McDonough Museum of Art, 2008: n. pag. (ill).

Cullen, Deborah, ed. Arte No Es Vida: Actions By Artists of the Americas, 1960 – 2000. New York: El Museo del Barrio, 2008: 33 – 34, 40 – 41, 49, 70 – 71, 76, 187 – 188, 235 – 286, 238, 284.

De Rooij, Marie Jeanne, ed. Den Haag Sculptuur [The Hague Sculpture] 08: Freedom. Rotterdam, the Netherlands: Veenman Publishers, 2008: 40 – 42, 190.

Désanges, Guillaume, and Mélanie Mermod. La Foule (Zéro – Infini): Chapitre 1 (unite – dualité – la meute – la masse) [The Crowd (Zero – Infinity): Chapter 1 (unity – duality – the pack – the multitude)]. Clermont- Ferrand, France: L’Espace d’Art Contemporain La Tôlerie, 2008.

Désanges, Guillaume, and Mélanie Mermod. La Foule (Zéro – Infini): Chapitre 2 (chaos – contrôle) [The Crowd (Zero – Infinity): Chapter 2 (chaos – control)]. Clermont-Ferrand, France: L’Espace d’Art Contemporain La Tôlerie, 2008: cover (ill), 13 – 15.

Draganovic, Julia. L’Impresa dell’Arte [The Enterprise of Art]. Napoli [Naples], Italy: Electa Napoli, 2008: 17, 66 (ill), 67 – 68, 69 (ill), 111 (ill), 112.

El Museo del Barrio. Arte No Es Vida: Actions By Artists of the Americas 1960-2000. New York: El Museo del Barrio, 2008: n.p.

Enwezor, Okwui. Archive Fever: Uses of the Document in Contemporary Art. New York: International Center of Photography, 2008: 28, 89, 90 – 91 (ill).

Escalante, Mireya. Las Implicaciones de la Imagen [Implications of the Image]. Mexico City: Universidad Nacional Autónoma de México, Dirección General de Artes Visuales, Museo Universitario de Ciencias y Arte, 2008: 190, 191-193 (ill), 208, 209 (ill), 231, 241.

Fitzsimmons, Claire, and Jens Hoffmann, eds. The Wizard of Oz. San Francisco, CA: California College of the Arts, 2008: 32, 33 (ill), 72.

Frieling, Rudolf, Boris Groys, Robert Atkins, and Lev Manovich. The Art of Participation: 1950 to Now. San Francisco, CA and New York: the San Francisco Museum of Modern Art and Thames and Hudson, 2008: 35, 148, 149 – 151 (ill), 202, 206, back endsheet (ill).

Garrels, Gary. Oranges and Sardines: Conversations on Abstract Painting. Los Angeles: Hammer Museum, 2008: 34, 42 – 43 (ill).

Grigoteit, Dr. Ariane, Britta Färber and Christina März. Visuell Blind Date Meet the Brand New Acquisitions from the Deutsche Bank Collection for the First Time Frankfurt: Deutsche Bank Art, Frankfurt am Main, 2006: 34 (ill), 209.

Han, Heng-Gil. Jamaica Flux: Workspaces & Windows 2007. Jamaica, NY: Jamaica Center for Arts & Learning, 2008: 7 – 8, 150, 151 (ill), 186.

Longwell, Alicia. Sand: Memory, Meaning, and Metaphor. Southampton, NY: The Parrish Art Museum, 2008: 4 – 5 (ill), 48, 134.

MacDonald, Anna. Intimacy. Southbank, Australia: Australian Centre for Contemporary Art, 2008: n. pag. (ill).

Metsola, Satu, and Arja Miller, eds. Full House: Kouri-Kokolema Ja Minimalistisia Seikkailuja Amerikasta [The Kouri Collection and American Minimalist Adventures]. Helsinki, Finland: Nykytaiteen museo Kiasma [Museum of Contemporary Art Kiasma], 2008: 11 – 12, 14 – 15 (ill), 16 – 17, 25 – 26, 30 – 31, 72 (ill).

Meyer-Stoll, Christiane. Knockin’ on Heaven’s Door. Vaduz, Lichtenstein: Kunstmuseum Lichtenstein, 2008: n. pag.

Miami Art Museum. Objects of Value. Miami, Florida: Miami Art Museum, 2008: n.p.

Moore, Padraic E., ed. Now’s the Time. Dublin: Dublin City Gallery, The Hugh Lane, 2008: 24, 25 (ill).

Museum of Contemporary Art Kiasma. Exhibition Guide: Full House: The Kouri Collection and American Minimalist Adventures. Helsinki: Museum of Contemporary Art Kiasma, 2008: 4-5.

Phipps, Barry, and Lizzie Fisher. Beyond Measure: conversations across art and science. Cambridge, United Kingdom: Kettle’s Yard, 2008.

Schall, Jan, and Robert Storr. Sparks!: The William T. Kemper Collecting Initiative at the Nelson-Atkins Museum of Art. Kansas City, MO: The Nelson-Atkins Museum of Art, 2008: 7 (ill), 80, 81 (ill).

Sirmans, Franklin, ed. NeoHooDoo: Art for a Forgotten Faith. Houston, TX: The Menil Foundation, Inc., 2008: 20, 104 – 105 (ill), 136.

Slovak, Richard, ed. Now You See It. Aspen, CO: Aspen Art Museum, 2008: 8 – 9, 58 – 59 (ill), 60 – 61 (ill), 84 – 85.

Shpungin, Diana. Delicatessen. Boca Raton, FL: Florida Atlantic University, 2008: n. pag, n. pag (ill).

Torp, Marianne. Reality Check. Copenhagen, Denmark: Statens Museum for Kunst, 2008: 90, 91 (ill), 138, 141.

2007    
Aballí, Ignasi, and Han Nefkens. Las partes y el todo [The Parts and the Whole]: Colección H + F. Barcelona: Fundación Foto Colectania, 2007: 92 – 93 (ill), 113, 115.

Biesenbach, Klaus, ed. Into Me/Out of Me. Ostfildern, Germany: Hatje Cantz Verlag, 2007: 56 – 57, n. pag (ill), 236 – 237 (ill), 526 – 527, 561.

Brand, Heather, ed. Constructing a Poetic Universe: The Diane and Bruce Halle Collection of Latin American Art. Houston, TX: The Museum of Fine Arts, Houston, 2007: 1-5 (ill), 8-9 (ill), 23, 126-127 (ill), 147, 151, 154, 265.

Davidson, Susan, ed. Art in the USA: 300 Años de Innovación. New York and Bilbao, Spain: The Solomon R. Guggenheim Foundation and the Guggenheim Bilbao Museoa: 229, 244 – 245 (ill).

Davidson, Susan, ed. Art in the USA: 300 Years of Innovation. New York: The Solomon R. Guggenheim Foundation, 2007: 37, 39, 40 (ill), 299, 319 (ill).

De Corral, Maria, and John R. Lane, eds. Fast Forward: Contemporary Collections for the Dallas Museum of Art. Dallas, TX: Dallas Museum of Art, 2007: 290-291 (ill).

Erf, Lisa. Collected Visions: Modern and Contemporary Works from the JPMorgan Chase Art Collection. Istanbul, Turkey: Pera Museum, 2007: 12, 58, 59 (ill), 146.

Filipovic, Elena. Let Everything Be Temporary, or When is the Exhibition? New York: apexart, 2007: n. pag (ill).

Gardner, Belinda Grace, Michael Buhrs, Dick Luckow, and Gerald Matt, eds. True Romance: Allegorien der Liebe von der Renaissance bis heute [Allegories of Love from the Renaissance to the Present]. Köln [Cologne], Germany: DuMont Buchverlag, 2007: 217, 238 (ill), 257.

Grigoteit, Dr. Ariane, Dr. Filiz Çağman, Selmin Kangal, and Daniela Lewin. Blind Date Istanbul. Frankfurt, Germany and Istanbul: Deutsche Bank Kunst and Art & Sakip Sabanci Müzesi, 2007: 192 – 193.

Hillings, Valerie L. Guggenheim Collection: 1940s to Now. Melbourne, Australia and New York: National Gallery of Victoria and the Solomon R. Guggenheim Foundation, 2007: 266, 267 (ill), 288.

Kung, Samuel. Art in America Now. Shanghai: MoCA Shanghai, 2007: 84, 85 (ill).

Kunsthalle Göppingen. Leibesübungen: Vom Tun und Lassen in der Kunst [Physical Exercise]. Göppingen, Germany: Kunsthalle Göppingen, 2007: n. pag.

Malevich, Kazimir Severinovich, and Hubertus Gassner. Das Schwarze Quadrat: Hommage an Malewitsch. Hamburger [Hamburg]: Hamburger Kunsthalle, 2007: 170-171, 172-175 (ill), 223.

MARTa Herford Museum für zeitgenössische Kunst und Design. MARTa schweigt. "Garde le silence, le silence te gardera". Die Kunst der Stille von Duchamp bis heute. Das Mysterium der Etrusker. [MARTa is silent. "Garde le silence, le silence te gardera." The Art of Silence from Duchamp to the present. The Mystery of the Etruscans]. Herford, Germany: MARTa Herford MARTa Herford Museum für zeitgenössische Kunst und Design, 2007.

Seifermann, Ellen, and Jörg Heiser. Romantischer Konzeptualismus [Romantic Conceptualism]. Bielefeld, Germany: Kerber Verlag, Bielefeld/Leipzig, 2007: 25, 26, 39 – 44, 78, 79 (ill), 80, 81 (ill).

Storr, Robert. Think with the Senses, Feel with the Mind: La Biennale di Venezia. Vol. 1. Verona, Italy: Marsilio, 2007: 130-133.

Storr, Robert. Think with the Senses, Feel with the Mind: La Biennale di Venezia. Vol. 2. Verona, Italy: Marsilio, 2007: 144-145.

2006    
Ault, Julie, and Martin Beck. Installation. Vienna: Secession, 2006: 5, 6 (ill), 7-8, 9 (ill), 10, 22 (ill), 23-24, 25 (ill), 26, 43 (ill), 90.

Bankowsky, Jack, and Alison M. Gingeras, eds. Where Are We Going?: Selections from the Francois Pinault Collection. Venice, Italy: Palazzo Grassi, 2006: 196-201 (ill).

Bostein, Leon, et al. Wrestle: The Marieluise Hessel Collection. Annandale-on-Hudson, NY: the Center for Curatorial Studies, Bard College, 2006: 161 (ill), 164 (ill), 175 (ill), 207 (ill), 208-209 (ill), 210, 211 (ill).

De Beauvais, Jean-Baptiste, ed. Nuit Blanche: Sleepless Night. Paris: Mairie de Paris, 2006: 92 (ill).

Episalla, Joy, Joy Garnett, and Amy Lipton. Out of the Blue. Jenkintown, PA: Abington Art Center, 2006.

Ha, Paul, and Susan E. Cahan. Contemporary Masterworks: Saint Louis Collects. St. Louis, MO: Contemporary Art Museum St. Louis, 2006: 10 (ill), 11.

Hanor, Dr. Stephanie. TRANSactions: Contemporary Latin American and Latino Art. San Diego, CA: Museum of Contemporary Art, San Diego and D.A.P., 2006: 66 (ill), 67.

Heinzelmann, Markus, ed., Personal Affairs: Neue Formen der Intimität [New Forms of Intimacy]. Leverkusen, Germany: Museum Morsbroich, 2006: 84 (ill), 85, 177-178.

Kaufman, Jason Edward. Felix Gonzalez-Torres to represent US at Venice in 2007. The Art Newspaper Bulletin.

Kunstmuseum Bern ed. Six Feet Under: Autopsie unseres Umgangs mit Toten [Autopsy of Our Relation to the Dead. Bielefeld, Germany: Kerber Verlap, Bielefeld/Leipzig, 2006: 187, 194 (ill), 212, 216.

Lagnado, Lisette, and Adriano Pedrosa, eds. 27th Annual Bienal de São Paulo Como Viver Junto. São Paulo, Brazil: Fundação Bienal de São Paulo, 2006: 4 (ill), 382-383 (ill).

Lagnado, Lisette, and Adriano Pedrosa, eds. 27th Annual Bienal de São Paulo Guia. São Paulo, Brazil: Fundação Bienal de São Paulo, 2006: 72, 73 (ill).

Pérez-Oramas, Luis. Transforming Chronologies: An Atlas of Drawings. New York: The Museum of Modern Art, 2006.

Sanchez, Filipa. Ellipse Foundation Contemporary Art Collection. Cascais, Portugal: Ellipse Foundation, 2006: n. pag., n. pag (ill).

Shani, Annushka. Dark Matter. London: Jay Jopling/White Cube, 2006: 26, 27 (ill), 35, 43.

Vanderlip, Diane Perry. Radar: Selections from the Collection of Kent and Vicki Logan. Ed. Laura Caruso. Denver, CO: Denver Art Museum, 2006: 96, 97 (ill), 98, 99(ill).

Wagner, Frank, ed. Das Achte Feld: Geschlechter, Leben und Begehren in der Kunst Seit 1960 [The Eighth Square: Gender, Life and Desire in the Visual Arts since 1960]. Ostfildern, Germany and New York: Hatje Cantz Verlag and D.A.P, 2006: 38, 39, 122, 125, 152 (ill), 226.

Waschek, Matthias, and Emily Rauh-Pulitzer. Portrait/Homage/Embodiment. St. Louis, MO: The Pulitzer Foundation for the Arts, 2006: 3, 4, 5 (ill).

The Wrong Gallery, eds. Down By Law: The Wrong Gallery Project for the 2006 Whitney Biennial. New York: The Whitney Museum of American Art, 2006: 4-5 (ill), 18 (ill), 32.

2005    
Alison, Jane, ed. Colour After Klein: Re-thinking Colour in Modern and Contemporary Art. London: Black Dog, 2005: 92, 93-95 (ill), 186.

Archibald, Sasha, Sarah Lookofsky, Cira Pascual Marquina, and Elena Sorokina. At the Mercy of Others: The Politics of Care. New York: The Whitney Museum of American Art, 2005: 16 (ill), 18, 31.    

Baume, Nicholas. Getting Emotional. Boston: Institute of Contemporary Art, 2005: 27, 98-99 (ill), 132.

Clark, Martin. This Storm Is What We Call Progress. Bristol, United Kingdom: Arnolfini, 2005: 38-39 (ill), 59 (ill), 64-65 (ill),74-75 (ill), 84-85 (ill), 123.

Cué Vega, Ana Laura, ed. Morir de Amor: Permanencia Voluntaria. Mexico City: Museo Universitario de Ciencias y Arte, Universidad Nacional Autónoma de México, 2005: 22, 23, 25, 26, 92, 93 (ill), 143, 145, 170, 171.

Darling, Michael, and Ann Goldstein. The Blake Byrne Collection. Los Angeles, CA: Museum of Contemporary Art, Los Angeles, 2005: 17, 38 (ill), 82.

Dunn, Julie, and Adriano Pedrosa, eds. Farsites: Urban Crisis and Domestic Symptoms in Recent Contemporary Art. San Diego: Installation Gallery, 2005: 72-73(ill), 170-171 (ill), 203.    

Gerveno, Marta, Alejandro Jodorowsky, and Rafael Doctor Roncero. Sujeto [Subject]. Barcelona: ACTAR/MUSAC, 2005: 154, 155 (ill).

Gielen, Denis, ed. Le Tableau des Éléments. Grand-Hornu, Belgium: Musée des arts contemporains, 2005: 82 (ill).

Higgs, Matthew. General Ideas: Rethinking Conceptual Art. San Francisco, CA: California College of the Arts, 2005: 2, 3 (ill), 4 (ill).

Inselmann, Andrea, and Oren Slor. Material Matters. Ithaca, NY: Herbert F. Johnson Museum of Art at Cornell University, 2005: 38, 39 (ill), 76.

Dahlgren, Kari, ed. Universal Experience: Art, Life and the Tourist’s Eye. New York: D.A.P., 2005: 187-188, 189(ill), 190-191.

Logan, Kent, and Dean Sobel. Post Modern Portraiture from the Logan Collection. Vail, CO: The Logan Collection Vail, 2005: 9, 12, 16 (ill), 52-53 (ill), 314, 317.

Lupton, Ellen, Abbott Miller, and Marion Boulton Stroud. Swarm. Philadelphia, PA: Fabric Workshop and Museum, 2005: 30-31(ill), 92.

Martin, Amy Rosenblum. Collection Remixed. Bronx, NY: Bronx Museum of the Arts, 2005: 107 (ill).

Molesworth, Helen. Part Object, Part Sculpture. Columbus, OH: Wexner Center for the Arts, Ohio State University, 2005: 214 (ill), 215, 217-221 (ill), 276.

Renaud, Jean-François. Beyond Redemption: Gay Erotic Art. Vancouver, British Columbia: Belkin Satellite, 2005: 23, 24 (ill), 25.

Rose, Bernice, ed. Logical Conclusions: 40 Years of Rule-Based Art. East Greenwich, RI: Meridian Printing, 2005:110,111 (ill), 162-165.

Ségalot, Philippe. Empreinte Moi: une Exposition de Philippe Ségalot. Paris: Galerie Emmanuel Perrotin, 2005: n. pag. (2 ill).

Teerlinck, Hilde, et al, ed. The Suspended Moment: H & F Collection. Altkirch, France: CRAC Alsace, 2005: 25, 26 (ill), 27 (ill), 28 (ill), n.p.

Waschek, Matthias, and Emily Rauh Pulitzer. Minimalism and Beyond. St. Louis, MO: The Pulitzer Foundation for the Arts, 2005: n. pag. (3 pp., ill).

Yarlow, Loretta. The Miraculous in the Everyday. Amherst, MA: University Gallery, the University of Massachusetts, 2005.

2004    
Adams, Beverly, and Laurie J. Rufe. Contemporary Art and Latin America: Selections from the Diane and Bruce Halle Collection. Tucson, AZ: Tucson Museum of Art, 2004: cover (ill), n.p. [Essay by Beverly Adams, text, ill].

Alemani, Cecilia. If it’s not love, it’s the bomb. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 2004: 1, 2, 4.

Antell, Joan, and Martha Zoubek, eds. Off the Wall: Works from the J.P. Morgan Chase Collection Greenwich: Bruce Museum and JPMorgan Chase, 2004: 19 (ill), 71.

Basilio, Miriam, and Deborah Cullen. Latin American & Caribbean Art: MoMA at El Museo. New York: El Museo del Barrio, Museum of Modern Art, 2004: back cover (ill),141, 142 (ill), 143-144, 146-147.

Biesenbach, Klaus, and Susan Sontag. Die Zehn Gebote: Eine Kunstausstellung Des Deutschen Hygiene-Museums. Dresden, Germany: Hatje Cantz Verlag, 2004: 216-217 (ill).

Chillida, Alicia, and Nancy Spector. Paisaje y Memoria. Madrid, Spain: Artes Gráficas Palermo, 2004: 94-97.

Dennison, Lisa, and Nancy Spector. Singular Forms (Sometimes Repeated): Art from 1951 to the Present. New York: Guggenheim Museum Publications, 2004: 150-152 (ill), 163.

Gördüren, Petra, and Herausgegeben von Dirk Luckow. Porträt ohne Antlitz: Abstratkte Stragtegien in der Bildniskunst. Kiel, Germany: Kunsthalle zu Kiel, 2004: 66 – 67 (ill).

Elderfield, John, ed. Visions of Modern Art: Painting and Sculpture from the Museum of Modern Art. New York: The Museum of Modern Art, 2004: 305, 324 (ill).

Higgs, Matthew. Likeness: Portraits of Artists by Other Artists. San Francisco, CA: Wattis Institute for Contemporary Art, California College of the Arts, 2004: 40 (ill) 67, 69.

Hlavajova, Maria. Cordially Invited. Utrecht, the Netherlands: thinkingforward, 2004: 60, 61 (ill).

Hlavajova, Maria and Jill Winder, eds. Who if not we…?: 7 episodes on (ex)changing Europe. Amsterdam, the Netherlands: Artimo, 2004: 55, 66-67 (ill).

Johnson, Anne Sewell. Around the World in Forty Years. Washington, D.C.: The United States Department of State, 2004.

Küng, Moritz. Entropie: über das Verschwindendes Werkes. Bozen, Italy: AR/GE Kunst Galerie Museum Bozen, 2004: n. pag. (ill).

Küng, Moritz. Schöner Wohnen. Waregem, Belgium: BE-PART, Platform voor actuele kunst and Tijdsbleed & Pièce Montée, 2004: 2004: 27 (ill), 28, 31(ill), 32, 35 (ill), 36, 75, 76, 85.

Martín, Patricia, ed. Edén. Mexico City: La Colección Jumex, 2004: 46, 52, 53, 57, 60, 128 – 129 (ill), 155.

Obrist, Hans-Ulrich. do it. New York: e-flux, 2004: 118 – 119.

Ramírez, Mari Carmen. Trienal Poli/Gráfica de San Juan: América Latina y el Caribe. San Juan, Puerto Rico: Instituto de Cultura Puertorriqueña, 2004: 181 – 182 (ill), 183 – 185, 186 (ill).

Shani, Annushka. Eclipse: Towards the Edge of the Visible. London: Jay Jopling/White Cube, 2004: 15 (ill), 49, 53.

Solomon, Andrew. The ART in Embassies Program, 40th Anniversary. Washington, D.C.: ART in Embassies Program, U.S. Department of State, 2004: endsheets.

Trevor, Tom. Arnolfini Gallery: Reopen 10.09.05. Bristol, England: Arnolfini, 2004.

Weitman, Wendy and Deborah Wye. Modern means: Continuity and Change in Art, 1880 to the Present: highlights from the Museum of Modern Art. New York: Museum of Modern Art, 2004: 141 (ill.), 181 (ill.).

2003    
Auchincloss, Pamela, and Klaus Ottmann. Social Strategies: Redefining Social Realism. New York: Arts Management, 2003: 33 (ill).

Batchelder, Ann. Self and Soul: The Architecture of Intimacy. Asheville, NC: Asheville Art Museum, 2003: 3 (ill), 5 (ill).

Collins, Thom, and Michel Foucault. Somewhere Better Than This Place/Nowhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art. Ed. David Frankel and Kathryn Russell. Cincinnati, OH: Contemporary Arts Center, 2003: 9, 10-11 (ill), 13-18, 20, 37, 39, 43, 210.

Danoff, Michael and Heidi L. Steiger. Crosscurrents at Century’s End: Selections From the Neuberger Berman Art Collection. New York: Neuberger Berman, 2003: 48, 49 (ill).

Dickinson Roundell. Aftershock: The Legacy of the Readymade in Post-War and Contemporary American Art. New York: Dickinson Roundell, 2003: 106, 107 (ill).

Elderfield, John, ed. Visions of Modern Art: Painting and Sculpture from the Museum of Modern Art. New York: The Museum of Modern Art, 2003: 19, 305, 324 (ill), 346.

Grynsztejn, Madeleine, ed. Supernova: Art of the 1990s from the Logan Collection. New York: D.A.P., 2003: 12, 14, 28, 44, 45- 53 (ill), 183.

Kosinski, Dorothy, and Charles Wylie. Celebrating Sculpture: Modern and Contemporary Works from Dallas Collections. Dallas: Dallas Museum of Art, 2004: cover (ill).

Kwon, Miwon. Work Ethic. University Park, PA: The Pennsylvania State University Press, 2003: 92-93, 94-95 (ill), 96, 168, 194, 195 (ill).

Meyer-Stoll, Christiane. Migration. Köln: Walter Konig, 2003: 168-169 (ill), 170-181.

Miami Art Museum. American Tableaux: Many Voices, Many Stories. Miami, FL: Miami Art Museum, 2003.

Moore, Emily. Pulse: Art, Healing, and Transformation. New York: D.A.P., 2003: 92 (ill), 93, 94 (ill), 95.

The Museum of Modern Art, Queens. Artist’s Choice: Mona Hatoum, Here is Elsewhere. New York: The Museum of Modern Art, 2003: 5 (ill).

The Smithsonian Institution. Gyroscope. Washington D.C, 2003: front cover (ill), 1-2 (brochure).

Frondl, Dr. Gerbert. Trauer. Wien [Vienna]: Atelier Augarten, Zentrum für zeitgenössische Kunst der Österreichischen Galerie Belvedere, 2003: n. pag.

2002    
Barrero, Manuela. Comer o no Comer [To Eat or Not to Eat]. Salamanca, Spain: Centro de Arte de Salamanca, 2002: 47 (ill).

Barrero, Manuela. To Eat or Not to Eat, or Relationships of Art With Food in the Twentieth Century. Salamanca, Spain: Centro de arte de Salamanca, 2002: 450, 451 (ill).

Botwinick, Michael, Carter Ratcliff, and Arthur Zajonc. The Magic of Light. New York: The Hudson River Museum, 2002: 19 (ill).

Chambers, Robert, and Amy Capellazzo. globe>Miami<island. Miami Beach, FL: Bass Museum of Art, 2001.

Corbeira, Darío, Carlos Jiménez, and Eugeni Bonet. Comer o no Comer: O Las Relaciones del Arte con La Comida en el Siglo XX ; Carta No. 6. Salamanca, Spain: Consorico Salamanca, 2002: 47 (ill), 70.

Cruz, Amada, et al. Center for Curatorial Studies Tenth Anniversary. New York: Center for Curatorial Studies, Bard College, 2002: 24, 25 (ill).

Diez, Marion, and Catherine Ojavlo, eds. Quel meilleur endroit. Paris: Paris-Musées, 2002.

Engberg, Juliana. Melbourne Festival Visual Arts Program 2002. Ed. Crusader Hillis. Melbourne, Australia: Melbourne Festival, 2002: 48, 49 (ill).

Herkenhoff, Paulo, Roxana Marcoci, and Miriam Basilio. Tempo. New York: D.A.P., 2002: 18 (ill), 61 (ill).    

Higgs, Matthew. To Whom it May Concern. San Francisco, CA: California College of Arts and Crafts, 2002.

Küng, Moritz, Mark Kremer, and Lieven De Cauter. Lost Past: 2002- 1914; De toekomst van het verleden/Memorial signs for the present. Eds. Geert Breine and Sophie Demeyere. Ypres, Belgium and Gent: Anno ‘02/Ludion, 2002: 83, 88, 89- 92 (ill).

Martín, Patricia, and Mari Spirito. Sunday Afternoon. New York: 303gallery, 2002.

McShine, Kynaston, and Anne Umland. To Be Looked At: Painting and Sculpture From the Collection. New York: The Museum of Modern Art, 2002: 142 (ill).

Moss, Karen, and Nicolas Bourriaud. Touch: Relational Art from the 1990s to Now. San Francisco, CA: San Francisco Art Institute, 2002: 12 (ill).

Posner, Helaine, ed. The Culture of Violence. Amherst, MA: University Gallery, the University of Massachusetts Amherst, 2002: 16, 64 (ill).

Roberts, Catsou, et al. Shimmering Substance: View Finder. Bristol, England: Arnolfini, 2002: 13, 22, 42-43 (ill).

Smith, Elizabeth A. T., Alison Pearlman, and Julie Rodrigues Widholm. Life Death Love Hate Pleasure Pain: Selected Works from the Museum of Contemporary Art, Chicago, Collection. Chicago, IL: Museum of Contemporary Art Chicago, 2002: 216, 217 (ill), 227, 332-333.

Smith, Royce, and Fay Brauer. With and Without You: Re-visitations of Art in the Age of AIDS. Sydney, Australia: Ivan Dougherty Gallery, 2002.

Woltmann, Marit, ed. Passajer: Betrakteren som Deltaker [Passenger: The Viewer as Participant]. Oslo, Norway: Astrup Fearnley Muséet for Moderne Kunst, 2002: cover (ill), 9 (ill), 50 (ill), 81.

2001    
American Federation of Arts: 2001 Exhibitions Program. New York: American Federation of Arts, 2001: 69 (ill).

Arning, Bill. "Sobre la pérdida de una palabra de cuatro letras." Carta 1: Comer o no Comer. Salamanca, Spain: Consorcio Salamanca 2002, 2001: 4 – 5 (ill).

Bradley, Fiona, Katrina Brown, and Andrew Nairne. Trauma. London: Hayward Gallery Publishing, 2001: 28-29, 30-33 (ill).

Cabrera, Pere and Guim Costa. Tancat Per Obres: Els artistes s’apropien l’arquitectura [Closed for Repairs: The Appropriate Architecture Artists]. Barcelona, Spain: Collegi d-Arquitectes de Catalunya, 2001: 3, 4 (ill).

Carotti, Elena, Terry Piazzoli, and Joy Ledgister-Holness, eds. Il Dono: Offerta Ospitalità Inside [The Gift: Generous Offerings Threatening Hospitality]. Milan: Edizioni Charta, 2001: 373 (ill), 442 (ill).

Cohen, Lisa, ed. Pictures, Patents, Monkeys, and More…On Collecting. New York: Independent Curators International (iCI), 2001: 22 (ill).

Cortés, Jose Miguel G. Lugares de la Memoria [Places of Memory]. Castello, Spain: Espai d’Art Contemporani de Castello, 2001: 18, 20, 123 (ill), 128 (ill), 134 (ill), 143 (ill), 146-147 (ill), 152-153 (ill), 156-157 (ill).

Danzker, Jo-Anne Birnie. Hautnah: Die Sammlung Goetz. München [Munich], Germany: Museum Villa Stuck, 2001: 39-41 (ill).

Fischer, Dr. Hartwig. Weiss: Sculpturen und Bilder des 20 Jahrhunderts aus der Offentlichen Kunstsammlung Basel und der Emanuel Hoffmann-Stiftung [White: 20th Century Sculptures and Paintings from the Offentliche Kunstsammlung Basel and the Emanuel Hoffmann Foundation]. Basel, Switzerland: Öffentliche Kunstsammlung Basel, 2001: 44, 45 (ill), 52.

Greenwald, LouAnne. In Between Art & Architecture. Los Angeles: MAK Center for Art and Architecture, 2001: cover (ill), 3.

Herbert, Lynn M., Klaus Ottoman, and Peter Schjeldahl. The Inward Eye: Transcendence in Contemporary Art. Houston, TX: Contemporary Arts Museum, 2001: 27, 43 (ill), 101.

Morsiani, Paola. Subject Plural: Crowds in Contemporary Art. Houston, TX: The Contemporary Arts Museum, Houston, 2001: 49 (ill).

Molesworth, Helen. Body Space. Baltimore, MD: Baltimore Museum of Art, 2001: frontispiece (ill), 5 (ill).

Motz, Frank, et al. Play’s the Thing: Critical and Transgressive Practices in Contemporary Art. New York: The Whitney Museum of American Art, 2001: 26.

The Museum of Modern Art. Parkett: Collaborations & Editions Since 1984. New York: Parkett Publishers, 2001: 111 (ill).

Perez, Pilar, ed. Extra Art: A Survey of Artists’ Ephemera, 1960-1999. Santa Monica: Smart Art Press, 2001: 83 (ill), 154 (ill).

Sammlung Hauser und Wirth in der Lokremise St. Gallen. The Oldest Possible Memory. Koln: Oktagon, 2001: 81 (ill), 84.

Siegel, Katy, and Sian Foulkes. Everybody Now: The Crowd in Contemporary Art. New York: The Bertha and Karl Leubsdorf Art Gallery, Hunter College, 2001: 14, 15 (ill), 31.

Siegel, Katy. "Young Americans." Public Offerings. Ed. Howard Singerman. New York: Thames & Hudson, 2001: 192-207.

Unterdörfer, Michaela, ed. Wechsel-strom. St. Gallen, Switzerland: Sammlung Hauser, 2001: 11, 15, 43 (ill).

2000    
Ardenne, Paul, and Christine Macel. Micropolitiques. Grenoble, France: Magasin, Centre National d’Art Contemporain de Grenoble, 2000: 42 (ill).

Cochrane, Gail, et al, eds. Dire AIDS: Arte nell’epoca dell’Aids [Art in the Age of AIDS]. Milan: Edizioni Charta, 2000: 38-39, 70, 71 (ill), 72-73 (ill).

Durand, Régis. Bruit de Fond. Paris: Centre National de la Photographie, 2000: 13 (ill).

Faguet, Michéle. "Félix-González-Torres." Versiones del Sur: No es sólo lo que ves: pervirtiendo el minimalismo. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofia, 2000: 21, 76, 78-85 (ill).

Galassi, Peter. Walker Evans & Company. New York: The Museum of Modern Art, 2000: 198- 199 (ill).

I’m Not Here. Harrisburg, PA: Susquehanna Art Museum, 2000: postcard cover (ill), poster cover (ill).

Jacobson, Karen, ed. Let’s Entertain: Life’s Guilty Pleasures. Minneapolis, MN: Walker Art Center, 2000: 126-127, 297, 305.

Jenkinson, Peter, et al. In Memoriam. Walsall, United Kingdom: The New Art Gallery Walsall, 2001: 13, 26-27.

Jones, Karen E. Environmentally Concerned. New York: Dieu Donné Papermill, 2000: n. pag (ill).

Jones, Karen E. Environmentally Concerned 2. Bronx, NY: Bronx River Art Center and Gallery, 2000.

Kovats, Tania, Jonathan Watkins, and Irit Rogoff. Lost. Birmingham, United Kingdom: Ikon Gallery, 2000: 53 (ill).

Liotti, Laura, ed. Tempo! Rome: Castelvecchi Editoria, 2000: 12 (ill).

Love, Reeve, ed. La Luz: Contemporary Latino Art in the United States. Albuquerque, NM: National Hispanic Cultural Center of New Mexico, 2000: cover (ill).

Martín, Jean-Paul, ed. Au-Delá du Spectacle. Paris: Le Musée national d’art moderne, Le Centre Georges Pompidou, 2000: front cover, back cover (ill).

Mesquita, Ivo, and Adriano Pedrosa. Versiones del Sur: F[r]icciones. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofía, 2000: 44-45 (ill), 178-179 (ill).

Mosquera, Gerald. Territorios Austentes [Absent Territories]. Madrid, Spain: Casa de América, 2000: 25, 31, 67 (ill), 92, 93, 94 – 95 (ill), 130 – 133.

Murphy, Patrick T., and Richard Torchia. The Sea & The Sky. London: The Pale Green Press, 2000: 36, 38 (ill).

Pagé, Suzanne, et al. Voilá: le Monde dans la Tête. Paris: Les Musées de la Ville de Paris, 2000: 496-497 (ill).

Ravenal, John B. Vanitas: Meditations on Life and Death in Contemporary Art. Richmond, VA: Virginia Museum of Fine Arts, 2000: 18, 19 (ill) 49 (ill).

Ross, David, et al. Quotidiana: Immagini della vita di ogni giorno nell' arte del xx secolo [Quotidiana: The Continuity of the Everyday in 20th Century Art]. Milan: Edizioni Charta, 2000: 78-79 (ill).

Soutif, Daniel. Le Temps, vite [Time, Quickly!]. Paris: Brodard et Taupin à la Flèche, 2000.

Varnedoe, Kirk, Paola Antonelli, and Joshua Siegel, eds. Modern Contemporary: Art at MoMA Since 1980. New York: The Museum of Modern Art, 2000: 285 (ill), 304-306 (ill). [Hardcover and softcover].

Wolin, Joseph R. Icon + Grid + Void: Art of the Americas from The Chase Manhattan Collection. New York: The Americas Society, 2000: n. pag. (ill).

1999    
Benezra, Neal, Olga M. Viso, and Arthur C. Danto. Regarding Beauty: A View of the Late Twentieth Century. Ed. Jane McAllister. Ostfildern, Germany: Hatje Cantz Verlag, 1999: 179- 181 (ill), 199, 208 (ill).

Ericsson, Camilla, and Magnus Jensner, eds. …om det sublime…[…on the sublime...]. Malmö, Sweden: Rooseum, Center for Contemporary Art, 1999: 40- 41 (ill).

Frankel, David S., ed. CI: 99/00/V.01: Carnegie International 1999/2000. Pittsburgh, PA: The Carnegie Museum of Art, 1999: 36- 37 (ill), 172.

Frankel, David S., ed. CI: 99/00/V.02: Carnegie International 1999/2000. Pittsburgh, PA: The Carnegie Museum of Art, 1999: 12-13 (ill), 54-55 (ill).

Friis-Hansen, Dana ed. Other Narratives. Houston: Contemporary Art Museum, Houston, 1999: 13, 19, 22, 46, 66-7 (ils.), 82.

Gagnon, Paulette, and Sandra Grant Marchand. Culbutes: Oeuvre d’Impertience or Head Over Heels Into the Millennium. Montréal, Canada: Museé d’art contemporain de Montréal, 1999: 36 (ill), 37, 67, 84-85.

Institut de Cultura de Barcelona, ed. Dobles Vides (Double Lives). Barcelona: Institut de Cultura de Barcelona Electa, 1999: 70-71 (ill), 142-143.

Kiehl, David. Contemporary Narratives in American Prints. New York: Whitney Museum of American Art, 1999: 1 (ill).

Luckow, Dirk, et al. Dream City. Munich, Germany: Kunstraum München, Kunstverein München, Museum Villa Stuck, Siemens Kulturprogramm, 1999: 103-104, 105 (ill), 261, 272.

Matt, Gerald ed. Cuba- Los Mapas del Deseo/Landkarten der Sehnsucht [Cuba- Maps of Desire]. Wien-Bozen, Austria: Folio Verlag, 1999: 36, 101, 148-149, 298- 301, 302 (ill), 308, 314-315.

Morgan, Jessica. Collectors Collect Contemporary: 1990-99. Boston: The Institute of Contemporary Art, Boston, 1999: 8-9, 14 (ill), 45.

Phillips, Lisa. The American Century: Art & Culture 1950- 2000. New York: Whitney Museum of American Art; Norton & Company, 1999: 290, 327 (ill), 328, 355- 356 (ill).

Ragasol, Tania, ed. Colección Jumex. San Ángel, Mexico: Instituto Nacional de Bellas Artes/Museo de Arte Alvar y Carmen T. de Carrillo Gil, 1999: 14 (ill) 15, 16-17 (ill).

Rosenblum, Robert. Art at Work: Forty Years of The Chase Manhattan Collection. New York: The Chase Manhattan Corporation, 2000: 15.

Russell, Emily, ed. Art at Work: Forty Years of the Chase Manhattan Collection. New York: The Chase Manhattan Corporation, 2000: 20, 146 – 147 (ill), 324.

Toudoir, Narcisse, Luc Tymans, and Roland Van de Sompel, eds. Trouble Spot: Painting. Ghent, Belgium: Imschoot, 1999: 61 (ill).

1998    
Bürgi, Bernhard. Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen [Art of the 90s in Swiss Collections, Contemporary Art in the Mirror of Swiss Collections]. Zürich: Kunsthalle Zürich, 1998: 5.

Deecke, Thomas, and Peter Friese. Minimal/Maximal: Die Minimal Art und ihr Einfluß auf die internationale Kunst der 90er Jahre [Minimal Art and Its Influence on International Art of the 1990s]. Bremen, Germany: Neues Museum Weserburg Brem und Verlagumschau/Braus, 1998: 116 – 121, 117 (ill), 118, 119 (ill), 261.

Elliot, David, and Pier Luigi Tazzi, eds. Wounds: Mellan Demokrati och Förlösning I Samtida Konst [Between Democracy and Redemption in Contemporary Art]. Stockholm: Moderna Muséet, 1998: 48 (ill), 130, 176.

Fast Forward: Trademarks. Hamburg, Germany: Kunstverein In Hamburg, 1998.

Fleck, Robert, Maria Lind, Barbara Vanderlinden. Manifesta 2: European Biennial of Contemporary Art. Luxembourg: Agence luxembourgeoise d'action culturelle, 1998: 54-57(ill.)

Guralnik, Nehama, ed. On the Edge: New Art from Private Collections in France. Tel Aviv, Israel: Tel Aviv Museum of Art, 1998: 142 – 143 (ill), 175, 180.

Janus, Elizabeth, and Marion Lambert, eds. Veronica’s Revenge: Contemporary Perspectives on Photography (Lambert Art Collection). Zurich, Switzerland: Scalo, 1998.

Kortun, Vasif, and Ivo Mesquita. Fotogramas: Arte e Cinema na colecao Marieluise Hessel [Stills: Art and Cinema from the Marieluise Hessel Collection]. Rio de Janerio, Brazil: Centro Cultural Light, 1998: 11-12, 13 (ill), 36-38.

Lippard, Lucy R. Emanations: Real and Imagined Light in Art. Gainesville, FL: Samuel P. Harn Museum of Art, University of Florida, 1998: cover (ill).

Mesquita, Ivo. Stills: Art and Cinema from the Marieluise Hessel Collection. Annandale-on-Hudson, NY: Center for Curatorial Studies, Bard College, 1998: 4 (ill).

Meyer-Stoll, Christiane, Axel Jablonski, and Martina Fuchs, eds. Stillehalten. München [Munich], Germany: Kulturreferat der Landeshauptstadt, 1998: 4, 24(ill.), 28(ill.), 30(ill.), 31-37, 48.

Mullins, Charlotte. artranspennine98: an exhibition of international contemporary art. London: Aspen Publishing, 1998: 25 (ill), 115.

Neuman, David. ARKIPELAG. Stockholm: Stockholm- Cultural Capital of Europe, 1998. [2 VHS tapes].

Neuman, David. Magasin 3 Stockholm Konsthall: 10 År Years, 1988-1998. Stockholm, Sweden: Magasin 3 Stockholm Konsthall, 1998: 25, 26 (ill). [Text by Carlos Basualdo].

Poetter, Jochen. I Love New York: Crossover der aktuellen Kunst [I Love New York: Crossover of Contemporary Art]. Köln [Cologne], Germany: DuMont Buchverlag and Museum Ludwig Köln, 1998: 74 – 75, 76 – 79 (ill), 235 – 236, 261.

Spector, Nancy, Klaus Biesenbach, and Hans Ulrich-Obrist. Berlin/Berlin. Ostfildern, Germany: Hatje Cantz Verlag, 1998: 109-110 (ill), 192.

Stals, José Lebrero. Artificial. Figuracions contemporànies [Artificial: Contemporary Figurations]. Barcelona: Museu d’Art Contemporani de Barcelona, 1998: 49 (ill), 69 (ill.), 73, 92, 117.

Wiehager, Renate, ed. Fotografie als Handlung [Photography as Concept]: 4th International Foto-Triennale, Esslingen 1998. Ostfildern, Germany: Erschienen im Cantz Verlag, 1998: 74 – 75 (ill).

1997    
Baykal, Emre, ed. Yaşam, güzellik, çeviriler/aktarimlar ve diğer güçlükler üstüne [On life, beauty, translations and other difficulties]: 5th International Istanbul Biennial. Istanbul, Turkey: Istanbul kültür ve sanat vakfi [Istanbul Foundation for Culture and Arts], 1997: 100-101 (ill).

Blackman, Thomas. Art Chicago 1997. Chicago, IL: Thomas Blackman Associates, 1997: 394 (ill), 509.

Dector, Joshua. A/Drift. Annandale-on-Hudson, NY: Bard College, 1997: 12 (ill), 15, 104 – 105.

Eickel, Nancy, ed. The Hirshhorn Collects: Recent Acquisitions, 1992 - 1996. Washington, D.C.: The Smithsonian Institution, 1997: 44.

Gonzalez-Foerster, Dominique, et al, ed. Moment Ginza: City Guide. Stockholm: Magasin and Färgfabriken, 1997: 1.

Jacobson, Karen A., ed. Present Tense: Nine Artists in the Nineties. San Francisco, CA: the San Francisco Museum of Modern Art, 1997: 10 (ill), 20, 21 (ill), 34, 39-40.

Köb, Edelbert, et al, ed. KünstlerInnen: 50 Gespräche [Artists: 50 Conversations]. Bregenz, Austria: Kunsthaus Bregenz und Museum in Progress, 1997: 101 – 105, 252.

Köb, Edelbert. KünstlerInnen: 50 Positionen zeitgenössischer internationler Kunst [50 International Contemporary Art Positions]. Bregenz, Austria: Kunsthaus Bregenz, 1997: 13 (ill), 31.

Montornés, Frederic. Lux/Lumen. Barcelona: Fundació Joan Miró, 1997: 11, 34 (ill), 35, 41, 42-43 (ill), 54-57, 59, 70, 71, 77-78, 85, 86, 92-93.

Obrist, Hans-Ulrich. do it. New York: Independent Curators International (iCI), 1997: 42.

Obrist, Hans-Ulrich, and Stella Rollig. Travelling Eye. Wien [Vienna]: Oktagon and Museum in Progress, 1997: n. pag. (7 pp.)

O’Rourke, Meg, and Caroline Schneider. Broken Home. New York: Greene Naftali Gallery, 1997: n. pag. (ill).

Osaka, Eriko, and Hiromi Ohashi, eds. Flexible Coexistence. Ibaraki, Japan: Contemporary Art Center, Art Tower Mito, 1997: 8, 18-21(ill.), 58–61(ill.), 83, 91-92, 102.

Pasquale, Amy Di, et al. As Time Goes By: History, Memory, and Sentimentality. New York: The Whitney Museum of American Art, 1997: 3 (ill), 16, 18, 19 (ill), 23 (ill), 24-26.

Ross, David A., et al. 1997 Biennial Exhibition. New York: The Whitney Museum of American Art, 1997: 174-175 (ill), 183, 195.

Sobel, Dean, and Marc J. Ackerman. Identity Crisis. Milwaukee, WI: Milwaukee Art Museum, 1997: 11, 40-41 (ill), 69.

Storr, Robert. On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection. New York: The Museum of Modern Art, 1997: 16 (ill), 17, 58, 59 (ill), 60, 61 – 65 (ill), back cover (ill).

Thorkildsen, Åsmund. Laying Low. Olso, Norway: Kunstnernes Hus, Leif Gabrielsen, Åsmund Thorkildsen, 1997: 16-17, 25 (ill), 28-29 (ill), 61, 76-77.

Vastella, Katarina, et al. Produkt: Kunst!: Wo bleibt das Original? Bremen, Germany: Neues Museum Weserburg Bremen, 1997: 88 – 89 (ill), 106.

1996    
Cabrera, Luis Edwardo, and Alberto Márquez, eds. Sin Fronteras: Arte Latinoamericano Actual. Caracas, Venezuela: Museo Alejandro Otero, 1996: 37, 51 (ill), 74, 83-84.

Cooke, Lynne, ed. Jurassic Technologies Revenant: 10th Biennale of Sydney 1996. Sydney, Australia: Biennale of Sydney Ltd., 1996: 60, 77 (ill), 122 – 123, 153.

Duncan, Michael, Bonnie Clearwater, and Allan Schwartzman. Defining the 90s: Consensus-making in New York, Miami, and Los Angeles. Miami, FL: The Museum of Contemporary Art, 1996.

Haarmann, Fritz, et al. Sex & Crime: Von den Verhältnissen der Menschen. Hannover, Germany: Sprengel Museum, 1996: 28 – 29 (ill), 60 – 61.

Mosquera, Gerardo, et al. Latino. Madrid, Spain: ARCO/Feria de Madrid, 1996: cover (ill), 13-19.

Prévost, Jean-Marc, et al. Propositions. Rochechouart, France: Musée Departmental d’Art Contemporain de Rochechouart, 1996: 8 – 13, 14 – 19 (ill), 83-87.

Wye, Deborah. Thinking Print: Books to Billboards, 1980 – 95. New York: Museum of Modern Art, 1996: inside cover, back cover (ill), 16, 23 (ill), 124, 139.

1995    
Bradow Waldron, Wendy, and Steven P. Henry, eds. Margo Leavin Gallery: 25 Years Vol. 1. Los Angeles: Margo Leavin Gallery, 1995: 19, 124.

Cherix, Christophe. Notes on Print: With and After Robert Morris. Genève [Geneva], Switzerland: Cabinet des estampes, 1995: 22-23 (ill), 46, 53, 57.

Glasmeier, Michael. Yksityinen/Julkinen [Private/ Public]. Helsinki, Finland: Museum of Contemporary, 1995.

Greenberg, Jeanne, and Robert Nickas. Altered States: American Art in the 90s. St. Louis, MO: Forum for Contemporary Art, 1995: inside cover (ill), 13 (ill), 26.

Grynsztejn, Madeleine. About Place: Recent Art of the Americas. Chicago, IL: The Art Institute of Chicago, 1995: 72, 73- 75 (ill).

Jaukkuri, Maaretta, ed. Ars95 Helsinki: Yksityinen/Julkinen [Private/Public]. Helsinki, Finland: Museum of Contemporary Art, 1995: 126 (ill), 127.

Johnson, Diana L. and George Hoffmann. Color In Space: Pictorialism in Contemporary Sculpture. Providence, RI: Brown University, David Winton Bell Gallery, 1995: 26, 27 (ill).

Kirmura, Mitsuhiro, and Fram Kitagawa. A "New Century" for City and Public Art: Faret Tachikawa Art Project. Tokyo: Gendaikikakushitsu Publishers, 1995: 98 (ill), 206.

Lineker, Bruce, and Maurice Berger. Civil Rights Now. Winston-Salem, NC: Southeastern Center for Contemporary Art, 1995: 10 (ill), 15, 49.

Longing and Belonging From Faraway Nearby Site Santa Fe 1995. Santa Fe: Site Santa Fe, 1995: 1323 (ill.), 148

Mesquita, Ivo. Das Américas. São Paulo, Brazil: Museu de Arte de São Paulo, 1995: 5- 6 (ill).

Nickas, Robert. Pictures of the Real World (In Real Time). Dijon, France: Temps réel, 1995: n. pag. (ill).

Pagé, Suzanne, et al. Passions Privées: Collections particulières d’art moderne et contemporain en France. Paris: Paris-Musèes, 1995: 654, 660 (ill), 663 (ill).

Schwartz, Sheila, ed. Face Value: American Portraits. Southampton, NY: The Parrish Art Museum, 1995: 16, 17 (ill), 22, 47, 82, 123.

Storr, Robert, et al. New Works for a New Space: Annette Messager, Felix Gonzalez-Torres, and Jesse Amado. San Antonio, TX: The Pace Roberts Foundation for Contemporary Art: 12 -14 (ill), 19.

1994    
Bergman, Shelia, and Janeil Engelstad, eds. Artworks: Artists and Teenagers Collaborate on the Polaroid 20 x 24 Camera. New York: International Center of Photography (ICP) and Education Project, 1994: 35 – 39.

Decter, Joshua. Don’t Look Now. New York: Thread Waxing Space, 1994: 7 (ill), 16, 18.    

Ekeid, Sven- Erik. Thema: Aids. Hagen, Germany: Karl Ernst Osthaus Museum, 1994: 38 (ill).

Meseure, Anna, et al. Die Orte der Kunst. Ostfildern, Germany: Hatje Cantz Verlag, 1994.

Phillips, Sandra R., et al. Public Information: Desire, Disaster, Document. San Francisco, CA: The San Francisco Museum of Contemporary Art, 1994: 164, 165- 167 (ill), 172.

Pryor, Gerald. Live Art. New York: Art Projects International, 1994: n. pag. (ill).

Wagner, Frank. GEWALT/Geschäfte. Berlin: Neue Gesellschaft für Bildende Kunst, 1994: 37, 38-39 (ill), 40.

1993    
The Aldrich Contemporary Art Museum. Simply Made in America. Ridgefield, CT: The Aldrich Contemporary Art Museum, 1993: 27 (ill).

Antelo-Suarez, Sandra, et al. Space of Time: Contemporary Art from the Americas. Eds. Diane Garvey, Elizabeth Ferrer, and John Alan Farmer. New York: Americas Society, 1993: 63 (ill), 76-77 (ill).

Arning, Bill. The Naming of the Colors. New York: White Columns, 1993: 18 (ill).

Brunon, Bernard P. Autoportraits Contemporains (Contemporary Self-Portraits): Here’s Looking at Me. Lyon, France: Espace Lyonnais d’Art Contemporain, 1993: 69 (ill).

Buchholz, Daniel and Gregorio Magnani, ed. Multiples. Köln:Verlang der Buchhandlung Walther König / Tokyo: Spiral / Wacoal Art Center, 1993: 81 (ills), 82 (ills.).

Diedrichsen, Diedrich, Jan Avgikos, and Veit Loers. Nachtschattengewächse [The Nightshade Family]. Kassel, Germany: Museum Fridericianum Kassel, 1993: 45, 88 (ill), 107, 112, 122.

Fehr, Michael, et al. Thema: AIDS. Hagen, Norway: Karl Ernst Osthaus-Museum, 1993: 16, 18, 38 (ill).

Gonzalez, Manuel E. Photography By Cintas Fellows. Miami, FL: The Art Museum at Florida International University, 1993: 11, 15 (ill), 25, 28, 29.

Heyler, Joanne. Felix Gonzalez-Torres, Albert Oehlin and Christopher Williams – theatre vertie. Los Angeles: Margo Leavin Gallery, 1993: 131.

Lebe in Heinem Kopf [Live in Your Head]. Vienna, Austria: Hochschule für Angewandte Kunst, 1993.

Levin, Kim, et al. Thema: AIDS. Høvikodden, Norway: Henie-Onstad Kunstsenter, 1993: 16, 37.

Nickas, Robert. Aperto 1993: An Essay on Liberation. Venice, Italy: la Biennale, 1993.

Obrist, Hans-Ulrich, ed. Hôtel Carlton Palace, Chambre 763. Köln [Cologne], Germany: Oktagon Verlag, 1993.

Peterson, John D., et al. Living With Art: The Collection of Ellyn & Saul Dennison. Morristown, NJ: The Morris Museum, 1993: 37, 44 (ill), 94.

Phillips, Lisa. Photoplay. New York: The Chase Manhattan Corporation, 1993: 78-79 (ill), 187.

Troncy, Eric. L’Endroit Idéal [The Ideal Place]. Ed. L’Ile du Roy, Centre d’Art et Jardin. Val de Reuil, France: 1993: 76, 77 (ill), 175.

Watson, Simon, and John S. Weber. Dissent, Difference and the Body Politic. Portland, OR: Portland Art Museum, 1993: 28 – 29 (ill), 49-50, 57.

Weski, Thomas, et al., eds. Konstruktion Ziat: Kollektive Bilder in her Fotographie [Construction Quotation: Collective Images in Photography]. Hannover, Germany: Sprengel Museum Hannover, 1993: 74, 75-77 (ill).

1992    
Bolge, George S. New Jersey Collects: Photography. Summit, New Jersey: New Jersey Center for Visual Arts, 1992: 10.

Bourriaud, Nicolas. Not Quiet. Paris: Galerie Jennifer Flay, 1992: 3-6, 7-8 (ill), 23-27.

Dector, Joshua. Transgressions in the White Cube: Territorial Mappings. Bennington, VT: Suzanne Lemberg Usdan Gallery, Bennington College, 1992: 11, 18.

Deitch, Jeffrey. Post Human – Neue Formen der Figuration in der Zeitgenössischen Kunst. New York: Deitch Projects, 1992: 96 (ill), 97 (ill).

Grazioli, Elio, et al. Paradise Europe. Københaven [Copenhagen], Denmark: BizArt, 1992: 15 – 17 (ill).

Pakesch, Peter, et al. Plakate. Graz, Austria: Grazer Kunstverein, 1992: n. pag.

Schmidt-Wulffen, Stephan, and Martin Schwander. Gegendarstellung – ethik und ästhetik im zeitalter von aids [Against Representation: Ethics and Aesthetics in The Age of AIDS]. Hamburg, Germany and Luzern, Switzerland: Kunstverein in Hamburg and Kunstmuseum Luzern, 1992: 23 - 25 (ill).

Schwander, Martin. Kunstmuseum Luzern 1992: Bilder der Ausstellungen [Images in the Exhibition]. Luzern, Germany: Kunstmuseum Luzern, 1992: 25 (ill).

White, Nicola. Read My Lips: New York AIDS Polemics. Glasgow, Scotland: Tramway, 1992: n. pag. (ill).

1991    
Atkins, Robert, and Thomas W. Sokolowski. From Media to Metaphor: Art About AIDS. New York: Independent Curators Incorporated, 1991: 37 (ill), 69.

Bernard, Christian. No Man’s Time. Nice, France: Villa Arson, 1991: 62 - 67 (ill), 207, 219 - 221.

Cameron, Dan. Just what is it that makes today’s homes so different, so appealing? Glens Falls, NY: The Hyde Collection, 1991: 20.

Le Galerie du Mois. L’Esprit Bibliotheque. Paris: La Galerie du Mois, 1991: 6 (ill), 18.

Menocal, Nina. 15 Artistas Cubanos [Fifteen Cuban Artists: The Diaspora of the 80s]. Mexico City: Ninart Centro de Cultura, 1991: 7, 11 (ill), 36 (ill), 37, 45.

Nickas, Robert. The Museum of Natural History. Amsterdam, the Netherlands: Galerie Barbara Farber, 1991: 13-14 (ill).

Palmer, Sara, ed. The New Museum of Contemporary Art: 1990-1991. Englewood: Enterprise Press, 1991: 12 (ill), 13.

Scanlan, Joseph, ed. The Body. Chicago, IL: The Renaissance Society at the University of Chicago, 1991: 2 (ill).

The Whitney Museum of American Art. 1991 Whitney Biennial. New York: The Whitney Museum of American Art, 1991: 21, 86-87, 88 (ill), 89 (ill).

1990    
Candau, Antoine and Gérard Delsol. All Quiet on the Western Front? Paris: A Roques & Fils, 1990: n. pag.

Casorati, Cecilia, Cornelia Lauf, and Tatiana Salzirn, eds. Artedomani: 1900 Punto di Vista. Milano [Milan], Italy: Fabbri Editori, 1990: 33-37., 40-43 (ill).

Deichter, David, et al. Cady Noland/Felix Gonzalez-Torres. Berlin: Neue Gesellschaft für Bildende Kunst, 1990.

Dimitrijevic, Nena, et al. Rhetorical Image. New York: The New Museum of Contemporary Art, 1990: 21, 46-47 (ill), 48, 96.

Fundación Caja de Pensiones, ed. El Jardín Salvaje [The Savage Garden]. Madrid, Spain: Fundación Caja de Pensiones, 1990: 42-43 (ill), 44, 70-75 (ill), 123, 148-151 (ill).

Liu, Catherine, Curtis Mitchell, and Andrea Rosen. Stendhal Syndrome: The Cure. New York: Andrea Rosen Gallery, 1990: n. pag.

Nickas, Robert, and Xavier Douroux. Red. Eds. Michel Baudson and Luc Derycke. Gent, Belgium: Imshoot, 1990: 5 (ill), 55 (ill).

Quéloz, Catherine, et al. Hyperbate. Genève [Geneva], Switzerland: Sous-Sol, Ecole Supérieure d’Art Visual, 1990: 42 (ill), 44-45, 47 (ill).

Simon Watson Gallery. Reconnaissance. Madrid, Spain: Balcon, 1990: 20-21 (ill: Group Material).

Wagner, Frank. Übers Sofa – Auf Die Strasse!: Kunst und Schuule Kultur im Aids-Zeitalter. Berlin: Neue Gesellschaft für Bildende Kunst, 1990: 46- 51 (ill).

Wernicke, Ralph. Art Supplies and Utopia. Stuttgart, Germany: Ralph Wernicke, 1990: n. pag.

1988    
White Columns. Update 1988 – 1989. New York: White Columns, 1988.

1987    
Rascón, Armando, ed. Corporate Crime/Malicious Mischief; Power and Mediation: A Fin de Siécle Tautology. San Diego: Installation Press, 1987: 6 (ill), 27-28 (ill).


 

Selected Writing/Bibliography:

 

2019    
“The 25 Works of Art That Define the Contemporary Age.” The New York Times, T-Magazine, The New York Times, 15 July 2019, www.nytimes.com/2019/07/15/t-magazine/most-important-contemporary-art.html.

Alfonsi, Isabelle. “Les Guerres De Représentation Pendant La Crise Du Sida Aux Etats- Unis, Fondations d’Un Art

Queer.” Pour Une Esthétique De l’Émancipation, Éditions B42, 2019: 107-135, 111-112 (ills).

Ancira, Andrea. "En Nombre de un Amor Imperfecto. Félix González-Torres." Capitel Magazine, January 2019: 114-117.

Badajoz, Joaquin. Pan Fresco. Textos Criticos En Torno Al Arte Cubano. Almenara Press, 2019: 196-197 (ill).

"Billboards by Felix Gonzalez-Torres." CRASH, 25 February 2019.

Bingel, Ulrike, et al. Placebo 2.0. Rüffer & Rub Sachbuchverlag GmbH, 2019: 256-258, 257 (ills).

Brown, Mariel, and Melanie Archer, editors. A To Z of Caribbean Art. Robert & Christopher Publishers, 2019: 103 (ill).

Campbell, Andy. “Letter to My Students the Day After the Election.” Suffering From Realness, Mass MoCA and MelMonico Books/ Prestel, 2019: 40–47, 46 (ill).

DuVall, Ben. "Lyrical/Photographic: Felix Gonzalez-Torres, 'Untitled', 1991." Amalgam Journal, 2019.

Farrell Okamura, Sara. "Possible Selves: Queer Foto Vernaculars." The Greylock Glass 18 January 2019.

Frederic, Paul, editor. Points De Rencontres. Editions of Centre Pompidou, 2019: 101 (ill).

Getsy, David, et al. Elmgreen & Dragset: Sculptures. Edited by Leigh Arnold and Anita Iannacchione, Nasher Sculpture Center and Hatje Cantz Verlag, 2019: 19 (ill).

Gockel, Cornelia, et al. Generations. Ostfildern, Germany: Hatje Cantz, 2019.

Jones, Amelia, et al. “2013: The Year in ‘Re-".” Thresholds, vol. 47, May 2019: 199 - 201, 201(ill).

Karol, Peter. “Permissive Certificates: Collectors of Art as Collectors of Permissions.” Washington Law Review, Oct. 2019: 101–156.

Kee, Joan. "Nobody Owns Me." E-Flux, January 2019, Issue 96.

Lewis, Robin Coste, et al. Untitled (America)/Debris Field/Synecdoche/Notes for a Poem on the Third World. Regen Projects, 2019: 78 (ill).

Pietroiusti, Lucia. "Curator's Key: Curators talk about an artwork they keep coming back to." Spike Art Magazine. June 2019: 118-119 (ill).

Pilcher, Alex. Love. Tate Publishing, 2019: 44-45 (ill).

Rouart, Julie, editor. L’Art à Ciel Ouvert. Flammarion S.A., 2019: 202 (ill).

Spector, Nancy, editor. “Felix Gonzalez-Torres.” Guggenheim Museum Collection: A to Z, Guggenheim Museum Publication, 2019: 148–149 (ill).

Storr, Robert. Interviste sull’arte. Milan: Il Saggiatore, 2019.

Yoshitake, Mika. Topologies. Dallas, TX: The Warehouse, 2019.

2018    
Allen, Greg. Art Sold Seperately: Why Are People Buying Free Felix Gonzalez-Torres Posters? greg.org, 26 May 2018. Web.

Berg, Tatiana. "Must-See Art Guide: Mexico City." Artnet News 28 Feb. 2018.

Boas, Natasha. Dark Matters. New York: Perrotin, 2018.

Cahill, James. Flying Too Close to the Sun: Myths in Art from Classical to Contemporary. London: Phaidon Press, 2018.

Chambers-Letson, Joshua. After the Party: A Manifesto for Queer of Color Life. New York: New York University Press, 2018.

Fahrnschon, Benedikt. "Ein stetiger Wandel. Auflosung und Erneuerung als zentrale Aspekte im Werk von Felix Gonzalez-Torres." BilderGewalt. Petersberg, Germany: Michael Imhof Verlag, 2018: 140, 141 (ill), 142 (ill), 143-144, 145 (ill), 146-147, 148 (ill), 149 (ill), 150-153, 171 (ill).

"Felix Gonzalez-Torres, "Untitled", 1995 at Sonora 128, Mexico City." Mousse Magazine, Feb. 2018.

Garzo, Isabel. "La cara y la cruz de los movimientos migratorios." Yorokobu Jan. 2018.

Getlein, Mark. Living with Art. 12th ed. New York: McGraw-Hill, 2018.

Hanru, Hou. The Street. Where the world is made. Rome, Italy: MAXXI Museum, 2018.

Kasahara, Michiko. Gender Photography 1991-2017. Tokyo: Satoyamasha, 2018.

Montgomery, Harper (ed.). Copy, Translate, Repeat: Contemporary Works from the Patricia Phelps de Cisneros Collection. New York: Hunter College Art Galleries, 2018.

Murphy, Michael J., and Brytton Bjorngaard (eds.). Living Out Loud: An Introduction to LGBTQ History, Society, and Culture. Abingdon, United Kingdom: Routledge, 2018.

Phillips, Owen. 101 Art Destinations. New York: Rizzoli, 2018.

Puchault, Mélanie (ed). Tadao Ando, le défi. Paris, France: Flammarion, 2018.

Thompson, Susan. Dahn Vo: Take My Breath Away. New York: Solomon R. Guggenhiem Museum, 2018.

Viveros-Fáune, Christian. Social Forms: A Short History of Political Art. New York: David Zwirner Books, 2018.

White, Michelle. Mona Hatoum: Terra Infirma. New Haven, CT: Yale University Press / The Menil Collection, 2018.

2017    
An, Kyung, and Jessica Cerasi. Who's Afraid of Contemporary Art? London: Thames & Hudson, 2017.

"'An Inventory of Shimmers' at MIT List Visual Arts Center, Cambridge, MA." Artnews 15 June 2017. Web.

Cain, Abigail. "This Art Project Is Putting Work From The Guggenheim In A Bronx Pet Shop And A Harlem Church." New York, NY: Artsy Editorial, 14 March 2017. Web.

Cohen, Kris. Never Alone, Except for Now: Networked Life between Populations and Public. Durham, NC: Duke University Press, 2017.

"Felix Gonzalez-Torres in Chelsea." Cuban Art News, 2 May 2017. Web.

Green, Alison. When Artists Curate: Contemporary Art and the Exhibition as Medium. London: Reaktion Books, 2017.

Griffith, Phillip. "Felix Gonzalez-Torres." The Brooklyn Rail, 1 June 2017. Web.

Israel, Matthew. The Big Picture: Contemporary Art in 10 Works by 10 Artists. New York: Prestel Publishing, 2017.

Krasinski, Jennifer. "Two Decades After His Death, The Legacy of Felix Gonzalez-Torres Lives On." Village Voice 31 May 2017.

Kwon, Sowon. S as in Samsam. New York: Secretary Press and Triple Canopy; 2017.

Marks-White, Judith. "Imagine That." Westport, CT: Wesport Magazine, 2017.

McQuaid, Cate. "Getting up close and personal at MIT." The Boston Globe 31 May 2017. Web.

Miller, M.H. "A Colossal New Show Revists a Conceptual Art Icon." The New York Times Style Magazine, 11 May 2017. Web.

Molina, Ángela. "Una cierta ensoñación." El País 10 June 2017. Web.

Paul, Stella. Chromaphilia: The Story of Colour in Art. London: Phaidon Press, 2017.

Pires, Leah. "Kindling." Art in America 1 July 2017.

Rothkopf, Scott. Laura Owens. New York: Whitney Museum of American Art, 2017.

Rounthwaite, Adair. Asking the Audience: Participatory Art in 1980s New York, NY. Minneapolis, MN: University of Minnesota Press; 2017.

Smallwood, Christine. "Why Are So Many Artists Making Work That Lies on the Floor?" The New York Times, 17 August 2017.

Soppelsa, Walter (ed.). Daros at Beyeler. Zurich: Daros Services AG, 2017.

Stokstad, Marilyn, and Michael Cothren, eds. Art History, Vol. 2, 6th ed. Upper Saddle River, New Jersey: Pearson Education, 2017.

Storr, Robert. Interviews on Art: By Robert Storr. London: HENI Publishing, 2017.

Tilley, John. "Felix Gonzalez-Torres Broke all the Right Rules." Clara Arts: What To See, 30 April 2017. Web.

Verhagen, Marcus. Flows and Counter-Flows: Globalization in Contemporary Art. Berlin: Sternberg Press, 2017.

Watlington, Emily. "Can the Subaltern Tweet?" frieze 4 July 2017. Web.

Wang, Alice and Carol Bove. "The Space of Free Play". X-TRA, Summer 2017.

Wei Rales, Emily, et al. Roni Horn. New York: Delmonico Books - Prestel, 2017.

2016    
Adamson, Glenn and Julia Bryan-Wilson. Art in the Making: Artists and their Materials from the Studio to Crowdsourcing. New York: Thames & Hudson, 2016: 203 (ill.).

ART + NYC: A Complete Guide To New York City Art And Artists. New York, NY: Museyon Inc., 2016: 150, 152, 202 & 219.

Baltz, Lewis (ed.). Lewis Baltz Texts. Gottingen, Germany: Steidl, 2016.

Benezra, Neal ed. The Campaign for Art: Gifts for the San Francisco Museum of Modern Art. San Francisco, CA: SFMOMA, 2016: 274 (ill.)

Bouchara, Claire. "10 Must See Exhibitions in Asia This November." Blouin Art Info. 3 November 2016. Web.

Bryan-Wilson, Julia. "No Time to Wait. Julia Bryan-Wilson on Mounting Frustration" Artforum Summer. 2016: 113.

Cohen. Alina. "The Art in This Show Followed Me Out of the Museum, Told Me I Was Going to Die." The Observer. 16 September 2016. Web.

Dama, Francesco. "The Open Works of Felix Gonzalez-Torres" Hyperallergic. 9 June 2016. Web.

Davies, Penelope J.E., Walter B. Denny, Frima Fox Hofrichter, Joseph Jacobs, Ann M. Roberts and David L. Simon. Janson’s History of Art: The Western Tradition. Reissued 8th edition. London: Prentice Hall, 2016: 1076, 1098 (ill).

Douglas, Stan (ed.). ArtCenter Talks: Graduate Seminar, The First Decade 1986–1995. New York, NY: David Zwirner Books and Pasadena, CA: ArtCenter Graduate Press, 2016.

Deitcher, David. Stone's Throw. New York: Secretary Press, 2016.

Embuscado, Rain. "What Andrea Rosen Wants You to Know about Felix Gonzalez-Torres." Artnet. 27 May 2016. Web.

Fang, Alex. "Gonzalez-Torres' ephemeral art on view in Shanghai." Shanghai Daily. 4 November 2016. Web.

"Felix Gonzalez-Torres at Andrea Rosen Gallery." Art In America. May 2016. Web.

Gassner, Hubertus. Eight Centuries of Art: A Guide to the Collection. Hamburg, Germany: Hamburger Kunsthalle, 2016.

Gebremedhin, Thomas. "Three New Shows Celebrate the Work of Felix Gonzalez-Torres" WSJ Magazine. 5 May, 2016. Web.

Getlein, Mark and Annabel Howard. Art Visionaries. London: Laurence King Publishing, 2016: 284-7 (ills.)

Getlein, Mark. Living with Art. 11th ed. New York: McGraw-Hill, 2016: 50, 514 (ills.)

Getsy, David J., ed. Queer. London and Cambridge, Massachusetts: Whitechapel Gallery / The MIT Press, 2016.

"Goings on About Town: Felix Gonzalez-Torres." New Yorker 20 June 2016: 14.

Gonzalez-Torres, Felix. "Pratiche: Il Problema Della Divisione Del Lavoro Culturale." Flash Art, June – Sept. 2016: 58-61.

Gregory, Mary. "Now art belongs to you and me." Strauss Media. 17 October 2016. Web.

Güner, Fisun. "Felix Gonzalez-Torres: playfully teasing, deadly serious." Guardian. 18 May 2016. Web.

Harris, Susan, Mary Staniszewski (eds.). Exit Art: Unfinished Memories: 30 Years of Exit Art. Göttingen, Germany: Steidl, 2016.

Hodge, Susie. Why is Art Full of Naked People? London, United Kingdom: Thames & Hudson, 2016: 55.

Hoover, Justin. San Francisco Museum of Modern Art: 360°. Views on the Collection. San Francisco, CA: SFMOMA, 2016.

Jentleson, Katherine L. and Thomas J. Lax. Fever Within: The Art of Ronald Lockett. Chapel Hill, NC: The University of North Carolina Press, 2016.

Judah, Hettie. "Felix Gonzalez-Torres at Hauser & Wirth, London." Artnet. 31 May 2016. Web.

Kay, Hannah Sage. "Take Me (I'm Yours)." The Brooklyn Rail, 04 Oct. 2016. Web.

Lambert, Tiffany. "Instruments of Change." Cultured Apr.-May 2016: 112.

Li, Alvin. Critics Guide: Shanghai. frieze. 8 November 2016. Web.

Mclean, Matthew. "Felix Gonzalez-Torres" frieze, No. 181, September 2016: 168-9 (ills.)

McDowell, Tara. "The Post-Occupational Condition." Australian and New Zealand Journal of Art, 10 November 2016.

Rhee, Robert. “Personal Boundaries” Art in America. June – July 2016: 47-50 (ill.)

Searle, Adrian. "Felix Gonzalez-Torres review - holding a mirror up to love and loss" Guardian. 27 May 2016. Web.

Shaw, Anny. "A trifecta of shows on Felix Gonzalez-Torres to open in London, New York and Milan" The Art Newspaper. 28 January 2016. Web.

Simmons, William J. "Felix Gonzalez-Torres." Mousse Magazine, Milan: Summer 2016: 214-17 (ills.)

Smith, Roberta. "The Jewish Museum Is Giving Away Art. You Get What You Pay For." New York Times 20 Oct. 2016: C24.

Yerebakan, O.C. "New York - Felix Gonzalez-Torres is on view at Andrea Rosen Gallery through June 18th, 2016" Art Observed. 16 June 2016. Web.

Yuan, Jiawei. "The Boundaries of Rockbund Art Museum and the Appearance of Felix Gonzalez-Torres." Leap: The International Art Magazine of Contemporary China 15 Dec. 2016. Web.

2015    
"'Damage Control' at Kunsthaus and BRUSEUM, Graz." Mousse Magazine (online.) 7 Jan. 2015.

Chung Young-mok, Postmodern Art in Korea. Seoul: Hollym, 2015: 84 (ill)

Dogramaci, Burcu. Heimat: Eine künstlerische Spurensuche. Wien Köln Weimar: Böhlau Verlag, 2015: 42 (ills.)

Erharter Christiane, Dietmar Schwärzler, Ruby Sicar and Hans Scheirl. Pink Labor on Golden Streets: Queer Art Practices. Wien: Academy of Fine Arts Vienna / Sternberg Press, 2015: 241 (ill.)

Forrest, Nicholas. "Glenn Ligon on His 'Encounters and Collisions' in Nottingham." Artinfo. 10 April. 2015. Web.

Getsy, David J. Abstract Bodies: Sixties Sculpture in the Expanded Field of Gender. New Haven and London: Yale University Press, 2015: 254-6 (ills.)

Greenthal, Kathryn. "Engaging the Viewer: Augustus Saint-Gaudens, Remembrance, and Participatory Art in Contemporary Times." Boston, Nichols House Museum Incorporated Library: 2015, 14-21 (ills).

Obrist, Hans Ulrich. Lives of the Artists, Lives of the Architects. London: Allen Lane / Penguin books, 2015: 109-119.

Indrisek, Scott. "'Come As You Are': '90s Flashback in New Jersey." Artinfo. 10 Feb. 2015. Web.

Ménzil, Éric, ed. Andreas Serrano: Ainsi soit-il. Paris, France: Collection Lambert / Éditions de l'Amateur, 2015: 41 (ill.).    

Rebentisch, Juliane. "Forms of Participation in Art." qui parle: Critical Humanities and Social Sciences. 23.2 (2015): 37-38, 39(ill.)

Reimer, Karen ed. Centennial: A History of the Renaissance Society 1915-2015. Chicago, Renaissance Society, 2015.

Rivière, Jean-Loup, and Éric Mézil. Patrice Chéreau: Un Museée Imaginaire; Collection Lambert, Avignon; 2015. 164 (ill.).

Robbins, Christa Noel. "Together Apart." Art in America, January 2015: 43 (ill), 44-5.

Staff, Craig. Monochrome: Darkness and Light in Contemporary Art. London and New York: I.B. Tauris, 2015: 117.

Tanaka, Koki. "One on One: Koki Tanaka on Felix Gonzalez-Torres." Artasiapacific. May/Jun. 2015: 27 (ill.)

Whitney Museum of American Art: Handbook of the Collection. New York, NY and New Haven, CT: Whitney Museum of American Art and Yale University Press, 2014: 24 (ill), 140 (ill.)

Yablonsky, Linda. "The Curious Nineties." ARTnews Feb. 2015: 72-3 (ill).

Zuckerman, Heidi ed. Gabriel Kuri: With personal thanks to their contractual thingness. Aspen: Aspen Art Museum Press, 2015: 231 (ill.)

2014    
Binlot, Ann. "Moscow Exhibition Explores The Post-Cold-War Era’s Impact on Art." Forbes. 18 Aug. 2014. Web.

von Bismark, Beatrice. "Zeit/Raum-Forschung Ausstellung." ArteFakte: Wissen ist Kunst - Kunst ist Wissen.

Daniel, Daroa. “For Just Five Days, Wade Guyton, Dana Schutz, and Rashid Johnson at de la Cruz Collection.” Artnews 11 Dec 2014. Web.

Harmann Parzinger and Stefan Aue, Günter Stock, eds. Bielefeld, transcript Verlag, 2014: 457 (ill.).

Blood, Peggy and Lee Ransaw. Below the Surface: Ethnic Echoes in America’s Modern and Contemporary Art. Dubuque: Kendall Hunt, 2014. 61, 62 (ill), 63.

Braddock, Christopher. Performing Contagious Bodies: Ritual Participation in Contemporary Art. Basingstroke & New York: Palgrave Macmillian, 2013. Xv, 5, 6 (ill).

Clintberg, Mark. “Kidnapping the Canon, and Other Stories.” Canadianart.ca. 16 Jul., 2014. Web.

Danicke, Sandra. Kunst ohne Titel. Stuttgart: Belser Gesellschaft für Verlangsgeschäfte GmbH, 2014: 36 (ill), 37-38.

Genioli, Ana Amélia C. Identidader[s]. A produção da diferença em Arte Contemporânea. São Paulo: Genioli, 2014: 24-25 (ill.)

George, Herbert. The Elements of Sculpture: A Viewer’s Guide. London and New York: Assouline Pub., 2010. 310 (ill), 311 (ill).

Gesellschaft für Medienwissenschaft (Hg.): Zeitschrift für Medienwissenschaft 10. Zurich: Diaphanes, 2014: 89 (ill).

Goetz, Ingvild and Karsten Löckemann eds. Happy Birthday: 20 Years of the Goetz Collection. Munich: Sammlung Goetz, 2014: 140-1 (ills).

Halperin, Julia. "At Harvard, three become one. " Art Newspaper 11 November 2014. Web.

Haraka, Maha and Mizuki Takahashi. Every Door is Entrance: 6 Easier Accesses to Contemporary Art. Toyko: Shodensha, 2014. 165 (ill.)

Israel, Matthew. "Dan Flavin’s ‘Monument’ / Can Minimalism Protest a War?" The Huffington Post 12 November 2014. Web.

Javanovic, Rozalia. "Garage Museum Canonizes the Nineties." Artnews 17 Sept 2014. Web.

Kabanova, Olga. "Garage’s 90s as a Breaking Point. " Vedomosti.ru 1 August 2014. Web.

Knight, Christopher. "Loss Permeates Jim Hodges' Art; Prepare for Heartbreak." LA Times 13 Oct. 2014. Web.

Lavant, Nina & Alvaro Pascual-Leone eds. The Multisensory Museum. Maryland: Rowman & Littlefield, 2014: 63 - 66, 64 (ill).

Niek. "Witte de With; The Part In The Story Where A Part Becomes A Part of Something Else." Lostpainters.nl 20 Jul. 2014. Web.

Øvstebø, Solveig ed. Gabriel Sierra: Did you Know Who Built Your House? Chicago: The Renaissance Society, 2014: 163 (ill.)

Parkesch, Peter. "For the Wein." Spike Art Quarterly Autumn 2014: 153 (ill).

Ricco, John Paul. The Decision Between Us. Chicago & London: The University of Chicago Press, 2014.

Roselione-Valadez, Juan, ed. Rubell Family Collection: Highlights & Artists’ Writings. Vol 1. Miami, FL: Rubell Family Collection/Contemporary Arts Foundation, 2014: 252-3 (ill.).

Rozell, Mary. The Art Collector’s Handbook: A Guide to Collection Care and Maintenance. London: Lund Humphries, 2014: 137-138, plates section (ill).

Rub, Timothy ed. Philadelphia Museum of Art Handbook. Philadelphia: Philadelphia Museum of Art, 2014: 338-9, 205 (ills.)

RxArt coloring book: between the lines: a coloring book of drawings by contemporary artists. Vol. 4. New York: Prescription Art, 2013: 88-89 (ill).

Qi Li and Douglas Crimp. "Non-Normative Notions. " Leap. Jun. 2014: 93 (ill), 94 (ill).

Visconti, Jacopo Crivelli. Novas Derivas. São Paulo: WMF Martins Fontes Ltda, 2014: 117, 118-19(ill.), 120.

Vitello, Chris. "Auckland’s 'More Love', Nasher’s 'Mutu' receive national honors." Indyweek.com. 25 Jun. 2014. Web.

Worley, Taylor. "From Hostility to Hospitality." SEEN Fall 2014: 20-23 (ills.)

2013    
Bang Larsen, Lars. "The Long Nineties: Revisiting Art's Social Turn and the 1990s - The Decade That Has Yet to End." Frieze Jan. – Feb. 2013: 92.

Bell, Kristy. The Artist’s House. Berlin: Sternberg Press, 2013: 17-18 (ill), 80-81 (ill).

Brinson, Katherine, ed. Christopher Wool. New York: Guggenheim Museum Publications, 2013: 42 (ill).

Boucher, Benjamin. "New Museum Goes '90s Retro" Art in America February 2013: 19.

Braddock, Mathew Performing Contagious Bodies: Ritual Participation in Contemporary Art. United Kingdom: Palgrave Macmillan, 2013: xv, 5-7 (ill).

Budick, Ariella. "NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York, NY." Financial Times, 27 Feb. 2013. Web.

Carson, Matthew, Russet Lederman & Olga Yatskevich, eds. 10 x 10 American Photobooks. New York: 10 x 10 Photobooks & bookdummy-press, 2013.

Cotter, Holland. "A Time of Danger and Pain, Two Long Decades Ago." The New York Times, 14 Feb. 2013.

Gauthier, Michel and Martin Bethenod. Art Lovers - Stories of Art in the Pinault Collection. Paris: Lienart editions, 2014: 51, 103, 123 (ill).

Goeduern, Petra. Das Portrat nach dem Portrat. Berlin: Gebr Mann Verloag, 2013:165-201 (ill), 335-341 (ill)

Grove, Jeffrey, and Olga Viso, eds. Jim Hodges: Give More Than You Take. Minneapolis, MN: Dallas Museum of             Art/Walker Art Center, 2013: 56, 111 (ill), 172-174(ill), 175-185.

Hutson, Laura. "A Tale of Two Roses Two Installation of Felix Gonzalez-Torres' "Untitled (Ross in L.A.)'" Nashvillescene.com 7 Oct 2013. Web.

Jones, Jonathan. “The Show is Over: has painting really had its day?” Guardian [United Kingdom] 10 Oct. 2013: Web.

Some Book: Saale: Burg Giebichenstein University for Art and Design in Halle, 2013: 56 (ill).

Stokstad, Marilyn and Michael W. Cothren, Art History. London: Laurence King Publishing Limited, 2013: 1120 (ill).

Sudbrack, Eli. "My Influences." Frieze 152 2013: 129 (ill).

Verhagen, Marcus. "On the Contradictions Inherent in Globalization", Art Monthly 364, London: Britannia Art Publications Limited, 2013: 14 (ill).

Wischhoff, Mona. Artists Expressed Criticism of the Present: The Political Potential of a "Relational Aesthetics." Dienadel. 2013: 67.

Wullschlager, Jackie. "A long goodbye," Financial Times, 12 Oct. 2013.

2012    
Ahn, Soyeon. "Immortal Life Through Repetition and Reproduction." On Felix Gonzalez-Torres, Double at Samsung Museum of Art, Seoul. SPACE Magazine August 2012: 108-111(ill).

Berry, Ian and Jack Shear, ed. Twice Drawn. Munich, New York, London: The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College and Prestel Verlag, 2012: 41 - 43.

Buys, Anthea. "Trade Routes Over Time." Arts South Africa. Winter 2012. 76.

Castiglia, Christopher and Christopher Reed. If Memory Serves: Gay Men, AIDS, and the Promise of the Queer Past. Minneapolis and London: University of Minnesota Press, 2012: 186-200.

Chiantore, Oscar and Antonio Rava. Conserving Contemporary Art: Issues, Methods, Materials, and Research. Los Angeles: Getty Publications, 2012: 18-19, 173-174 (ill).

Cho, Yihan. Arts: Brushing The Tears From Your Eyes. Seoul: Chusubat, 2012: 98 - 108.

Cohn, Susan. Unexpected Pleasures: The Art and Design of Contemporary Jewelry. New York: Rizzoli International Publications, 2012: 98.

Cook, Greg. "The ICA’s 'Figuring Color'." The Phoenix. 23 Feb 2012. Web.

de la Barra, Pablo Léon. "Somewhere Better Than This Place. Nowhere Better Than This Place. On Untitled (12th Istanbul Biennial), 2011 / Algún Lugar Mejor que Éste. Ningún Lugar Mejor que Éste. Sobre sin Título (XII Bienal de Estambul), 2011."Review of Untitled (12th Istanbul Biennial)." Arte al Día International Jan. – Feb. 2012: 98-102.

Dunne, Susan. "'Passing Time,' 'Apothecary' Among Shows at Wesleyan." The Hartford Courant. 15 Feb. 2012. Web.

Feinberg, Jody. "Artists Explore the Body in Unexpected Ways at the ICA." The Patriot Ledger. 21 Feb. 2012. Web.

Foster, Hal. "September 11." Artforum Jan. 2012: 208-9 (ill), 210-11.

Flaskova, Zuzana. “Felix Gonzalez-Torres." Fotograf. Public Art Vol. 22, no. 20: 32-39 (ill.).

Graves, Jen. "A Gay Romp: Two Artists Talk Back to Hide/Seek." TheStranger.com. 3 Apr 2012. Web.

Hanley, Sarah Kirk. "Ink: The State of the Art is Elsewhere: 'Print/Out' at the Museum of Modern Art." Blog Art 21. 2 Mar 2012. Web.

Johnson, Ken. "Gauging the Power of the Print." The New York Times 17 Feb. 2012: C29. Web.

Keats, Jonathan. "How Felix Gonzalez-Torres Continues Making Art 16 Years After His Death." Forbes.com 30 Aug. 2012. Web.

Kim, Sung Won & Geun-jun Lim. "Special Artist: Felix Gonzalez-Torres." Art in Culture August 2012: 116-135 (ill).

Lorenz, Renate. Queer Art: A Freak Theory. Bielefeld: Transcript, 2012: 125 (ill.), 136-144

Matsui, Midori and Tuko Hasegawa. An Essential Guide to The Contemporary Artists: From the 1980s to Today. New York: BT Books, 2012: 16-21 (ill).

Marien, Mary Warner ed. 100 ideas that changed photography. London: Laurence King Publishing Limited, 2012: 28 (ill).

Molesworth, Helen, ed. Josiah McElheny: Some Pictures of the Infinite. Ostfildern, Germany and Boston, MA: Hatje Cantz Verlag and The Institute of Contemporary Art, 2012: Catalogue: 19 (ill.), 126, 127 (ill.).

Rothkopf, Scott. Wade Guyton OS. New York: Whitney Museum of American Art, 2012: 32 (ill).

Rousseau, Caryn. "AIDS, Nukes and the 1980s in New Chicago MCA Show." ABC News. ABC News Network, 11 Feb. 2012. 23 Feb. 2012. Web.

Stamberg, Susan. "Print Inspired Art: All The News That’s Fit To Paint." NPR.com 25 Sep. 2012. Web.

Steinhauer, Jillian. "Baltimore Museum of Art Gets a New Contemporary Wing." The Partiot Ledger, 30 Mar 2012. Web.

Untitled. Wettern, Belgium: Cultura. 2012: 202-203 (ill).

Volner, Ian. "A New Exhibition from MoMA's Print Collection Investigates (and Broadens) the Meaning of the Term 'Print.'" Capital New York 22 Feb. 2012. Web.

Worley, Sam. "Will the 80s Ever End? The MCA's 'This Will Have Been' Suggests the Answer is No." The Chicago Reader 16 Feb. 2012. Web.

2011    
"12th Istanbul Biennial." Art Newspaper 17 September 2011. Web.

Ades, Dawn. Tate Latin American Acquisitions Committee: Celebrating 10 Years. New York: American Patrons of the Tate, 2011: 34 (ill), 35.

Akay, Latifa. "12th Istanbul Biennial." Today’s Zama 16 September 2011. Web.

"Amnesia at Andrea Rosen." Contemporary Art Daily. 14 January 2011. Web.

App, Volkhard. "Ausstellung Felix Gonzalez-Torres im Museum für moderne Kunst Frankfurt." Deutschlandradio / Fazit 28 January 2011.

The Art Institute of Chicago: Member Magazine. Vol. 6. Nov./Dec. 2011: 20.

Art NYC: A Complete Guide to New York City Art and Artists. New York: Museyon, 2011: 48 (ill), 51, 188, 220.

"Au L.A.C., la rencontre de deux collections." Midi Libre 29 Jul. 2011. Web.

"Auction Reviews: New York, NY." Art +Auction January 2011: 86 (ill.).

Badenoch, Isla. "Art: Constellation." Article 7 Jul. 2011. Web.

Barbieri, Claudia. "A French Artist’s Solitary Path." The New York Times 13 October 2011. Web.

Birnbaum, Daniel. "12th Istanbul Biennial." Artforum. Dec. 2011: 245.

Borcherdt, Gesine. "Die Gegenwärtigkeit der Geister." Artnet 8 February 2011. Web.

Boucher, Brian. "12 Istanbul Biennial." Art in America Online 16 September 2011. Web.

Bowman, Matthew. "On Felix Gonzalez-Torres: Specific Objects without Specific Form." Rebus 5 (Summer 2011).

"Brazil Trades Summer for Major Artist Debuts.” Art in America International Review 2011. Web.

Calderwood, Brent. "Hide/Seek: Difference and Desire in American Portraiture." A&U 27 August 2011. Web.

Cantwell, Lucy. "Robert Smithson: Entropy and the Newer Monuments." Artwrit.com Spring 2011. Web.

Carroll, Brendan S. “Making Sense of Trauma Through Art.” Hyperallergic 13 October 2011. Web.

Castro, Leslie Moody, Noah Simblist and Andy Campbell. “Felix Gonzalez-Torres Billboards.” might be good. 21 January 2011.

Cotter, Holland. "'Mixed Messages': 'A(I)DS, Art + Words.'" The New York Times 23 Jun. 2011.

Cotter, Suzanne et al. Defining Contemporary Art - 25 Years in 200 Pivotal Works. London and New York: Phaidon Press Limited and Phaidon Press Inc, 2011: 46, 80, 88-9 (ill), 124.

Coulson, Amanda. "Felix González-Torres: Museum für Moderne Kunst, Frankfurt am Main." Frieze d/e Summer 2011: 122-3

Crow, Kelly. "Istanbul Rising" The Wall Street Journal 17 September 2011. Web.

Cypriano, Fabio. "Latinos organizam bienias europeias." Folha de Sao Paolo [Brazil]. 4 January 2011: E4 (ill.).

"Das ist dein Blut." uMag 1 March 2011.

Davies, Penelope J.E., Walter B. Denny, Frima Fox Hofrichter, Joseph Jacobs, Ann M. Roberts and David L. Simon. Janson’s History of Art: The Western Tradition. 8th edition. London: Prentice Hall, 2011: 1076, 1098 (ill).

Davila-Vila Ursula, Recovering Beauty, The 1990s in Buenos Aires. Austin, Texas: Blanton Museum of Art, 2011: 46 (ill.).

"Der Subversive: großartige Retrospektive von Felix Gonzalez-Torres kommt jetzt nach Frankfurt." Prinz [Germany]. 2011, No. 2. 1 February 2011.

Donoghue Katy. "Gary Carrion-Murayari." WhiteWall Spring 2011: 55.

Earhart, Nick. "Om Is Where the Art Is." ARTnews 20 October 2011. Web.

"Exhibition Examines Artists' Expressions of Intimate Personal Experience." ArtDaily.org (2011). Web.

"Exhibitions: Constellations Manchester." The Guardian: The Guide. 25 Jun. – 1 Jul. 2011: 38.

Feldman, Melissa. "Huckleberry Finn." Frieze 137 (March 2011).

"Felix Gonzalez-Torres." Atelier (Prague) 10 March 2011.

"Felix Gonzalez-Torres." Ver.di Publik 1 February 2011.

"Felix Gonzalez-Torres building-board project held in Tokyo by January 22." Kalonsnet. 5 January 2011.

"Felix Gonzalez-Torres-Specific Objects without Specific Form." Journal Frankfurt [Germany]. 4 February 2011.

Filipovic, Elena. "What is an Exhibition?" Ten Fundamental Questions of Curating. Milan: Mousse Publishing/Contrappunto, 2011: 164-165. [Insert in Mousse Magazine]

Fineberg, Jonathan. Art Since 1940: Strategies of Being. London: Laurence King Publishing, 2011: 527 (ill.).

Firsching, Ulrich Raphael. "Félix González-Torres in Frankfurt." Kunstmarkt 9 Feb. 2011.

Fowler, Susanne. "A Simplified and Secretive Istanbul Biennial." New York Times 14 September 2011.

Frank, Patrick. Prebles’ Artforms An Introduction to the Visual Arts. Upper Saddle River, New Jersey: Pearson Educational, Inc., 2011: 9 (ill), 119.

Frenzel, Sebastian. "Untitled (12th Istanbul Biennial)." Monopol [Germany] Nov. 2011: 126-127.

Frèrot, Christine. "'Untitled' 12th Istanbul Biennial 2011." ArtNexus Dec. 2011 - Feb. 2012: 84-90.

Fundacion Constantini. Malba: Diez Años. Buenos Aires: Fundación Eduardo F Constantini, 2011:86-87 (ill).

Gamerman, Ellen. "The Changing Face of Portraits." The Wall Street Journal 5 August 2011. Web.

Golonu, Berin. “Title Forthcoming: Q+A With Jens Hoffman and Adriano Pedrosa.” Art in America Online 26 August 2011. Web.

Groys, Boris. "O Universalismo Fraco." Serrote Nov. 2011: 86-101 (ill).

The Guardian: The Guide. 25 Jul. – 1 Jun. 2011: 38.

Guinard-Terrin, Martin. "Felix Gonzalez-Torres." Trans. Bernard Schütze. Espace [Canada] Summer 2011: 19-22.

Harney, Elizabeth. "A Nomad's Revolutionary Beauty." Ed. Okwui Enwezor, Salah M. Hassan, Chike Okeke-Agulu. Nka Journal of Contemporary African Art 28 (Spring 2011): 118 (ill), 121-22.

Hapgood, Susan and Lauf, Cornelia. In Deed: Certificates of Authenticity in Art. Amsterdam: Roma Publications, 2011: 24, 80, 89.

Hoffmann, Jens, Adriano Pedrosa, Bige Örer, Jessica Morgan, Julieta González, João Ribas, Chus Martinez, and Aykut Köksal. Untitled (12th Istanbul Biennial), 2011: Catalogue. Ed. Jens Hoffmann and Adriano Pedrosa. Istanbul: 2011.

Hoffmann, Jens, and Adriano Pedrosa, eds. Untitled (12th Istanbul Biennial) 2011: The Companion. Istanbul: Istanbul Foundation for Culture and Arts, 2011: 18-80.

Hopkins, Elizabeth. “MMK Museum fur Moderne Kunste/Felix Gonzalez-Torres: Specific Objects Without Specific Form.” The New York Times [Global Edition] 29-30 January 2011.

Johnson, Ken. "A Wing Where Contemporary Art Can Converse." New York Times 22 September 2011: C30. Web.

Johnson, Lewis. "Public (private): Shadow of Felix Gonzalez-Torres." Istanbul Contemporary Etc. Nov. – Jan 2010/2011: 68 - 70 (ill.).

Karich, Swantje. "Vom Unbehagen an der Welt." FAZ Frankfurter Allgemeine Zeitung [Germany]. 11 February 2011.

Kosiewski, Piotr. "Chlopiec z cukierkami." Art eon (Poland) 1 April 2011: 6-8.

Kramer-Allig, Annette. “Ohne Titel zu den Wahrheiten.” Darmsadter Echo [Germany]. 1 February 2011.

"Leckeres Kunstobjekt." Ludwigsburger Kreiszeitung [Germany] 26 January 2011.

"Lesson 3." Kohkoku 386 (Jul. 2011): 45 (ill.).

Lorch, Catrin. "Himmelblau und wolkenweiß gestreift." Süddeutsche Zeitung [Germany]. 23 February 2011.

Ludwig, Astrid. "Bonbons mit Botschaft." Frankfurter Rundschau [Germany] 8 February 2011.

Macel, Christine. "Let's Dance: Art, Dance and the Social Turn." Flash Art Jul. – Sep. 2011: 77 (ill).

Mackie, Alastair and Coline Milliard. Alastair Mackie. London: All Visual Arts, 2011: 13 (ill).

Maliszewski, Lynn. “Legacy: The Emily Fisher Landau Collection.” Whitewall Summer 2011: 34.

Marien, Mary Warner. Photography: A Cultural History. London: Prentice Hall, 2011: 396 (ill), 435, 519.

Mazassek, Volker. "Flüchtiges Wesen Kunst." Frankfurter Rundschau 19 April 2011.

Mayer, Mariano. "Arte." NEO2 September 2011: 110-111(ill).

Merjian, Ara. "Critics' Picks: Mixed Messages. " Artforum Jun. 2011. Web.

Milliard, Coline. "The Istanbul Biennial Reinvigorates the Big International Art Festival By Thinking Small." Artinfo UK 20 September 2011. Web.

Murakami, Takashi. 艺术战斗论 (Theory of Artistic Conflict). Black Swan and Harper's Bazaar Art and Shidai China, 2011: 20 (ill).

Nefkens, Han. Han Nefkens - 10 Years of Patronage. Amsterdam: Atlas Publishers, 2011.

Papachlimitzou, Regina. "The Sea Wall: Haegue Yang with inclusion by Felix Gonzalez-Torres." Aesthetica 30 August 2011. Web.

Paynter, November. "12th Istanbul Biennial." Artforum Sep. 2011. 157.

“Permanenter Wandel Das MMK Frankfurt beherbergt auf Zeit Prozesskunst von Felix Gonzalez-Torres. Informationsdienst Kunst [Germany] 469. 13 January 2011.

Prechel, Anja. "Jetzt noch mal zugreifen." Frankfurter Neue Presse 19 April 2011.

"Principales acquisitions." La revue des musées de France Acquisitions 2009-2010. Paris: rmn Grandpalais, 2011: 88 (ill).

Quattrone, Raffaele. "Modernità e campo dell’arte: consumatori, consum-attori, consum-autori [Modernity and Art Field: living in a consumer world]." Equipèco [Italy] 28 (2011): 16-21.

Rashid, Shaheen. "A Glimpse into the 12th Istanbul Biennial." Dep Art [Bangladesh] 2:1 ( 2011): 10, 11.

Ribeiro, Cecilia. "Istanbul With No Time or Space." Arte! Brasileiros. Nov.-Dec. 2011: 12, 38-9.

Robinson, Gaile. "'Silence and Time' carves out space to contemplate present, future." Star-Telegram 5 Jun. 2011: E03.

Rosen, Andrea. "'Untitled' (The Neverending Portrait)." Commerce by Artists. Ed. Luis Jacob. Toronto: Art Metropole, 2011: 152-7.

Rosenberg, Karen. "Simple Truths in Matters of Life and Death." The New York Times 24 March 2011.

Rosenberg, Karen. "Some Favorite Things Not Hanging on a Wall." The New York Times 30 Dec. 2011: C23, C29.

"'Rubell Family Collection Showcases 'American Exuberance' For Art Basel Miami Beach 2011." Art+Auction 26 Jul. 2011. Web.

Ruyters, Domeniek. "Reviews: Untitled (12th Istanbul Biennial)." Metropolis M. Dec. 2011 - Jan. 2012: 86.

Schmidt, Martha. “Poesie des Vergehens.” Offenbach Post [Germany]. 31 January 2011.

Schum, Matthew. "The First International Felix Gonzalez-Torres Biennial." Flash Art Oct. 2011: 36.

"The Sea Wall: Haegue Yang with an Inclusion by Felix Gonzalez-Torres." Other Criteria 17 August 2011. Web.

Sellamann, Annika. "'Untitled' (work in progress)." Stuz 132 (1 March 2011): 52.

Marti, Silas. "Istanbul Homenageia Gonzalez-Torres." Folha de São Paulo 17 Sep. 2011: E12 (ill).

Silberman, Seth Clark. “Learning to Read Mixed Messages for Visual Aids.” The Archive: The Journal of the Leslie/Lohman Gay Art Foundation Summer 2011: 17-18.

Smith, Terry. Contemporary Art: World Currents. Upper Saddle River: Pearson Education, Inc., 2011: 308-9, 319.

"Sonntag, 13. März." Bild Frankfurt 11 March 2011.

Soondrum, Natalie. "Wie die Zeit Vergeht. Und das Leben." Frankfurter Rundschau [Germany]. 29 January 2011.

"Specific Objects without Specific Form." Good Life 1 April 2011: 24.

Starr, Robin. "Contemporary Art in Boston: Exploring the Linde Family Wing at the MFA." Skinnerinc.com 20 October 2011. Web.

Stein, Mark D. "A puzzler on the South Shore." Staten Island Advance. 20 January 2011.

Tallman, Susan. "Embracing the Whole Story: A Conversation with Deborah Wye." Art in Print 1:1 (2011): 10-11 (ill), 12.

Tan, Adele. "200 Artworks 25 Years." Leap: The International Art Magazine of Contemporary China 1 Aug. 2010. Web.

Tate. Tate Report 2010-11. London: Tate Publishing 2011: 26 (ill).

Thompson, Carol. Radcliffe Bailey: Memory as Medicine. Atlanta: High Museum of Art and Delmonico Books, 2011: 133 (ill).

"To do and undo: Felix Gonzalez-Torres." ArtReview. 10 January 2011. Web.

Strong, Lester. "Staying Connected." A&U Jul. 2011.

"Suße Kunst." Nordbavaricher Kurier [Germany]. 26 January 2011.

"Suße Kunst MMK." Wetzlarer Neue Zeitung [Germany]. 26 January 2011.

"Susser Teppich." Offenbach Post [Germany]. 4 February 2011.

"Suße Objekte." Frankfurter Rundschau [Germany]. 25 January 2011

"Teppich aus silbrig glitzernden Bonbons." Wetterauer Zeitung [Germany]. 1 February 2011.

"To do and undo: Felix Gonzalez-Torres." ArtReview 10 January 2011. Web.

Utkan, Hatice. "Istanbul Biennial Depicts Human Universality. " Hurriyet Daily News 15 September 2011. Web.

Wolters Dierk. "Bonbonhauefen, demokratisch." Frankfurter Neue Presse [Germany]. 28 January 2011

Wackenhunt, Celeste. Sandy Skoglund The Cocktail Party. San Antonio: The McNay Art Museum, 2011: 5 (ill), 6.

Wallace, Isabelle Loring, and Jennie Hirsh, eds. Contemporary Art and Classical Myth. Surrey: Ashgate Publishing Limited, 2011: 135-155.

Walther, Rudolf. "Licht, das unter dem Nagel brennt." Freitag 17 Feb. 2011.

"Wandernde Objekte: Schau im MMK ist ständig in Bewegung." Frankfurter Neue Presse 12 April 2011.

Walters, Sarah. "Art That's Designed to Melt the Heart." Manchester Evening News City Life 1 Jul. 2011.

Walters, Sarah. "The Art That Isn't Always Made to Last." Metro 5 Jul. 2011.

Walters, Sarah. "Exhibition: Constellations @ Cornerhouse." CityLife 1 Jul. 2011. Web.

Watts, Patricia. "Untitled (12th Istanbul Biennial)." Artnet.com 13 October 2011. Web.

Weber, Grit. "Über Liebe, und Einsamkeit, über Erotik und Tod." Artkaleidoscope Jan. – March 2011.

Wente, Ann. "Felix Gonzalez-Torres – Specific Objects without Specific Form." FRIZZ 1 March 2011.

Wolters, Dierk. "Der Glühbirne geht ein Licht auf." Frankfurter Neue Presse 19 March 2011.

Wysocan, Erik. "Onderdanige Ondoor-grdelijkheid. Carol Bove Over Tentoonstellen" ["Submissive Inscrutability. Carol Bove On Exhibiting"]. Metropolis M Dec. 2011 - Jan. 2012: 70-1, 114-5.

Yablonsky, Linda. "Artifacts: The Activist Inside Us." The New York Times Style Magazine. 30 Nov. 2011. Web.

Yemni, Yesim. "The 12th Istanbul Biennial: 'Untitled'." The Guide Istanbul 25 August 2011. Web.

Zarobell, John. "Huckleberry Finn." Art Practical 2.3.

Z.B. "'Untitled' (12th Istanbul Biennial)." Istanbul Contemporary Etc. Nov. Dec. Jan 2010/2011: 66. 67 (ill.).

Zuckerman Jacobson, Heidi. "Art as a Lens for Societal Reckoning. The Huffington Post 10 October 2011. Web.

2010    
"6 x Felix Gonzalez-Torres." Flux News [Belgium]. 1 Feb 2010: 3 (ill.).

Adler, Phoebe, Tom Howells and Nikolao Kostopoulos, eds. Contemporary Art in Latin America. London: Black Dog Publishing, 2010.

Alandere, Christian. "Deadline." Revue JBCQVF. 1 Feb. 2010.

Albrecht, Philipp. “Rätselhafte Plakate ohne Auflösung." Tages-Anzeiger. [Switzerland] 21 Jul. 2010. (ill.).

Annecourt, Louis. "Félix Gonzalez Torres au Wiels." Art News. Mar. 2010: 40-44 (ill.).

"Artpace Goes Statewide: Felix Gonzalez-Torres: Billboards." Artpace Spring 2010, 2 (ill), 3, 10-11 (ill), 12 (ill).

"Artpace Goes West: Felix Gonzalez-Torres: Billboards." Artpace Fall 2010, 30-1 (ill).

"Auf gestapelten schönen rotten Papierbögen…." Oberbadische (Die), Lörrach [Germany]. 22 May 2010.

"Austellung Fondation Beyeler zeigt Retrospektive zu Felix Gonzalez-Torres." Schweizerische Depeschenagentur AG [Switzerland]. 21 May 2010.

Ault, Julie. Show and Tell: A Chronicle of Group Material. Ed. London: Four Corners Books, 2010: 131 (ill),133,141, 176,179, 182, 183, 189, 191, 198, 206, 210, 230, 239, 244, 247, 249.

"AV Festival 10:Energy." UnDo.net [Italy]. March 2010.

Baker, Kenneth. "'Exhibition Copy' Can Be Duplicate, Print." SF Gate 13 May 2010. Web.     

Beatrice Luca. "Teatro del Sogno Da Chagall A Fellini." Milano: Guinti, 2010: 192, 193 (ill.).

Bennett, Steve. "Public Art Redefined—Gonzalez Torres’ Billboards." San Antonio Express News 24 Feb. 2010: E1. My San Antonio. Web. 24 Feb. 2010.

Bennett, Steve. "Art for the Everyman." Houston Chronicle 25 February 2010: E8.

Blondeel, Claude. "Felix Gonzalez-Torres." L’Eventail. [Belgium] 1 Feb. 2010: 60 (ill.).

"Bonbonhaufen, Papierstapel: Gonzalez-Torres-Retrospektive in der Fondation Beyeler." Badische Zeitung, Lörrach [Germany]. 22 May 2010

"Bonbons über Bonbons." Badisches Tagblatt [Germany]. 9 September 2010.

Brüning, Gisela. "Personlichkeit des Künstlers im Blickpunkt." Badiches Tagblatt [Germany]. 6 September 2010.

"Bruxelles: Felix Gonzalez-Torres." Sortir [Switzerland] 21 Jan. 2010.

Bronwasser, Sacha. "Gloednieuw en vers van de bakker." Volkskrant. [Netherlands] 22 Jan. 2010: 14.

Ceelen, Door Han. "Snoepjes om over n ate denken." De Morgen. [Belgium] 5 Feb. 2010: 38 (ill.).

Chambers-Letson, Josh Takano. "Contracting Justice: The Viral Strategy of Felix Gonzalez-Torres." Criticism 51.4 (2010): 559-587, 568 (ill.).

Clark, Martin. "What to see this month." Art Review 1 March 2010: 42.

Coletti, Mimmo. "Perugia, terra di grande concretezza esalta il genio sulla scia del sogno." La Nazione [Italy]. 16 October 2010: 35.

Coletti, Sofia. "Quando il sogno diventa arte sublime." La Nazione [Italy]. 25 September 2010: 27.        "Contagieux!" Pauline Boudry & Renate Lorenz." Ch-arts [Switzerland]. 11 Jun. 2010.

Cochard, Catherine. "Histoire résumée de la difference." Le Temps. [Switzerland] 2 Jul. 2010: 27.

Felix Gonzalez-Torres En El Muac.

Cooke, Lynn and Karen Kelly, eds. Robert Lehman Lectures on Contemporary Art, No. 4. New York: D.A.P., 2009: 103.

Cotter, Holland. Sexuality in Modernism: The (Partial) History." The New York Times, 10 December 2010.

"Das inszenierte Selbst." Südkurier [Germany]. 6 November 2010.

D’Arcy, David. "Shining a Light on Environmental Directives." Art Newspaper 1 Mar. 2010: 21.

"David Hominal, Pauline Boudry/Renate Lorenz." Art Report [Switzerland]. Jun. 2010.

De Brugerolle, Marie. "Elena Filipovic: A Sensitive Response." Flash Art (International Edition) 43 March – April 2010: 58.

de Léon, Oscar Cid. "Invitan en el MUAC a ‘deshacer’ obras." Reforma [Mexico] 27 Feb. 2010.

Davis, Ben. "The Age of Sem- Post- Postmodernism." Artnet 15 May 2010.

"De Naakte Mens." Agenda (Brussel Deze Week) [Belgium] 11 Feb. 2010.

De León, Oscar Cid. "Invitan en el MUAC a ‘deshacer’ obras." Reforma [Mexico] 27 Feb. 2010: 15 (ill).

Delavaux, Céline and Christian Demilly. Art Contemporain. France: Palette, 2009: 45 (ill.).

"Der Künstler der Aids-Epoche." Thurgauer Zeitung [Germany] 22 May. 2010.

Deschka-Hoek, Katharina. "Bittere Bonbons fur den Vater." FAZ Rhein-Main Zeitung Schauseiten [Germany]. 27 December 2010.

Donuts, Anne. "V comme…Felix Gonzalez-Torres." Victoire. [France] 6 Mar. 2010: 4-5 (ill.).

Dosogne, Christophe. "Les bleus à la vie de Felix Gonzalez-Torres." Le Généraliste. [France] 25 Feb. 2010: 28-29 (ill.)

"Eberle, Birgit. "In Basel ist alles im Fluss." Südwest Presse [Germany]. 27 May 2010.

"Eine Flucht in die Kreativität: Die Retrospektive zu Felix Gonzalez-Torres wird neu installiert." Basler Zeitung [Switzerland]. 31 Jul. 2010: 48 (ill.).

"Eine Lichterkette auf der Rheinbrücke." Basellandschaftliche Zeitung AG [Switzerland]. 19 Jun. 2010: 28.

"Ein hellblauer Bonbonteppich." Artefakt [Germany]. 19 September 2010.

"Ein Wundermann und eine Wunderkammer." Basler Zeitung [Switzerland]. 25 May 2010: 28 (ill.).

"Emotions." A + Architecture, [Belgium] 1 December, 2009: 14.

Enlow, Callie. "artpace: the first 15." San Antonio Magazine May 2010: 70-73.

"Expo itinérante Gonzalez-Torres." La Liberté [Switzerland]. 5 August 2010: 30 (ill.).

"Felix Gonzalez-Torres." 20 Minuten Schweiz [Switzerland]. 2 Jul. 2010: 35 (ill.).

"Felix Gonzalez-Torres." Akzent Magazin [Switzerland]. 4 August 2010: 34 (ill.).

"Felix Gonzalez-Torres." Basler Zeitung [Switzerland]. 1 Jul. 2010: 41 (ill.).

"Felix Gonzalez-Torres: Billboards in the rear-view." Artpace. Winter 2010:29-31 (ill.).

"Felix Gonzalez-Torres." Collect Arts Antiques Auctions [France] 1 Feb, 2010: 8 (ill.).

"Felix Gonzalez-Torres." L’Eventail [France]. 1 Feb, 2010: 60 (ill.)

"Felix Gonzalez-Torres." Kunst-Bulletin [Switzerland]. 1 Jul. 2010: 49 (ill.).

"Felix Gonzalez-Torres." Tages-Anzeiger [Switzerland]. 28 May 2010: 33.

"Felix Gonzalez-Torres En El Muac." Codigo [Mexico]. Feb/March. 2010: 55 (ill).

"Felix Gonzalez-Torres en el MUACV." Marvin [Mexico]. 1 Mar. 2010:9 (ill).

"Felix Gonzalez-Torres in Wiels Brussels." H Art [Belgium]. 4 Mar. 2010

"Felix Gonzalez-Torres: Le grand artiste américain d'origine cubaine au Wiels." Mosquito (Tele Moustique) [Belgium] 17 Feb. 2010: 5 (ill.).

"Felix Gonzalez-Torres: Riehen, Fondation Beyeler." Regio Nachrichten AG [Switzerland]. 6 August 2010: 74.

"Felix Gonzalez-Torres: Specific Objects without Specific Form." Mad (Le Soir) [Belgium]. 3 Feb. 2010: 50.

"Felix Gonzalez-Torres: Wiels." Relance [Portugal] 1 Mar, 2010; 61 (ill.).

Filipovic, Elena. "Via à Vis: Danh Vo and Carol Bove." Kaleidoscope 7: Summer 2010.

Fisch, Sarah. "Art: Artifacts (notes on culture)." San Antonio Current. 17-23 Feb. 2010.

Fisch, Sarah. "Generous Gestures." San Antonio Current. 5 May 2010.

Fitzgerald, Shannon. "Aesthetic Negotiations: A Philosopher’s Thoughts on Contemporary Art." Art Focus Oklahoma Volume 26 No. 1 Jan/Feb 2011: 8, 9 (ill.)

Flores, Javier A. "Roadside art in Texas." Conexión 11 Mar 2010: 4.

"Fondation Beyeler." Segno [Italy]. 1 Jul. 2010: 8 (ill.).

Fouché, Pierre. "Gonzalez-Torres bring sterk boodskap oor verlies." Burger (Kaap Stedelik). [South Africa] 30 Jan 2010: 10 (ill.).

Fouché, Pierre. "Soeke na balans bly ‘n dryfveer." Beeld Naweek. [South Africa] 30 Jan. 2010: 13 (ill.).

Fronz, Hans-Dieter. "Identität als Rollenspiel." Badische Zeitung [Germany]. 14 September 2010

Getlein, Marc. Living with Art. 9th edition. New York: McGraw-Hill, 2010: 48 (ill).

Gielen, Denis. "Repetition et Tautologie." Dits [Belgium] publication du Musee des Arts Contemporains de la Communaute francaise de Belgique, 2010: 17 (ill).

Gilsoul, Guy. "Sous le signe de l’infini." Le Vif. [Belgium] 15 Jan. 2010: 94 (ill.).

"Glitzer und Zauber." Neue Zürcher Zeitung [Switzerland]. 17 Jul. 2010: 51.

Gopnik, Blake. "Hide/Seek finds a frame for showing sexual identity." The Washington Post, 5 November 2010

Gribaumont, Gwennaëlle. "Mangez-moi!" Le Vif. [Belgium] 12 Feb. 2010: 84 (ill.).

Hartmann, Serge. "Portrait de l'artiste.” DNA Reflets [France], 2 October 2010.

Hauger, Gabriel. "Anfassen ist erlaubt: Experimentell: Arbeiten von Felix Gonzalez-Torres inmitten der Beyeler-Sammlung." Oberbadische (Die), Lörrach. [Switzerland] 22 May 2010. (ill.).

Heinich Nathalie. "Ethnographier l'art contemporain." Dits [France] Spring/Summmer 2010.

Hering, Michael. Marked by Life – Passion in Modern Works on Paper. [Vom Leben Gezeichnet Leidenschaft In Der Grafik Der Moderne] Hanover, Germany, The Sprengel Museum Hannover, 2010: 58-59 (ill), 38 (ill).

Hernández, Édgar Alejandro. "Sutilez y vacío para comer en el museo." Excelsior [Mexico]. 27 Feb. 2010.

Hernández, Édgar Alejandro. "Todos los lugares de González-Torres." Excelsior [Mexico]. 4 Feb. 2010.

Hirsch, Faye. "Seeing Queerly." Art in America. 4 February 2011. Web.

Hübl, Michael. "Wie mache ich mich zu einem Exportschlager." Badische Neueste Nachrichten [Germany]. 9 September 2010.

Hunter, Becky. "Felix Gonzalez-Torres & William McKeown @ MIMA." Whitehot Magazine of Contemporary Art. April 2010. Web.

"In Focus: Artists of Our Time: Felix Gonzalez-Torres." Monthly Art Magazine Bijutsu Techo [Japan] Vol 62 no. 933 Feb. 2010: 26 (ill), 27 (ill), 28 (ill), 29 (ill), 30 (ill), 31 (ill).

Jacobson, Heidi Zuckerman. "It is too late now." Restless Empathy. Ed. Richard Slovak. New York: D.A.P Distributed Art Publishers, Inc, 2010: 69 (ill).

"Jeder Künstler ist ein Mensch!" Kurstadt-Nachrichten [Germany] 8 September 2010.

"Jens Hoffmann Curates His Way Across America." ArtInfo 25 May 2010. Web.

Jeppesen Travis. "Brussels: Felix Gonzalez-Torres." Arforum. Feb. 2010. Web.

Jodido, Philip. Tadao Ando Venice. New York: Skira Rizzoli International, 2010: 34 (ill.), 72 (ill.).

Kastner, Jeffrey. Artforum Dec. 2010: 214 (ill), 215.

Keller, Samuel. Interview by Ewa Hess. "Wenn Kunst ein Wahn ist, dann einer, der den Wahnsinnigen gut tut." Sonntags Zeitung [Switzerland]. 13 Jun. 2010: 23 (ill.).

"Kippenberger in der ' Schäm-dich-Ecke'." Kanal 8 [Germany]. 8 September 2010. Web.

Kono, Michiko. "Felix Gonzalez-Torres." Artinside. 9 Jun. 2010: 23. (ill.).

Kuiper, Stefan. "Om op te kauwan." Vrij Nederland [Netherlands] 13 Feb. 2010: 76.

"Kunstwerke aus Alltagsobjekten." Zürcher Oberländer [Switzerland]. 27 May 2010: 28 (ill.).

"Kunst: Einflussreich." Basler Zeitung [Switzerland]. 21 May 2010: 48 (ill.).

"Kunst zum Nachdenken." Baslerstab [Switzerland]. 15 Jun. 2010: 7 (ill.).

Kwakkenbos Lars. "Kijk door een kralengordijn!" DS Film & Culture (De Standaard) [Belgium] 23 Jan. 2010: 6 (ill.).

Kwon, Sowon. Dongghab. New York: Linco Printing, 2010: 19 (ill.), 23(ill.).

"Lamé a doppio taglio." Vernissage [Italy]. 1 August 2010: 14 (ill.).

Latimer, Quinn. "Felix Gonzalez-Torres at the Foundation Beyeler, Basel." Art Agenda, 24 Jun. 2010. Web.

Lekkerkerk, Niekolaas Johannes. "'Untitled' (Constants Are Changing) - On the Body Metaphor and the Painterly in the Works of Felix Gonzalez-Torres." London, 2010.

Lequeux, Emmanuelle. "La Force Vitale de Felix Gonzalez-Torres." Le Monde [France] 6 Mar. 2010:23.

Lequeux, Emmanuelle. "Transfusions d’or à Bruxelles, Gonzalez-Torres: l’oeuvre d’une vie, et ses battements fragiles." Beaux Arts. [France] Mar. 2010.

"Le Wiels En Peril." Le Journal des Arts. [France] 16 Apr. 2010: 10, 17 (ill.).

Liefooghe, Maarten. "Felix Gonzalez-Torres: Specific Objects without Specific Form." De Witte Raaf. [Belgium] May-Jun. 2010: 13 (ill.).

Louis, Charles-Arthur. "Felix Gonzalez-Torres invite au Wiels." La Gazette de l’Hôtel Drouot. [France] 12 Feb. 2010: (ill.).

Marcelis, Bernard. "Felix Gonzalez-Torres." ArtPress. April 2010: (ill.).

Martin Clark. "What to See this Month." ArtReview [United Kingdom] 1 Mar. 2010: 42 (ill.)

Mignon, Olivier. "Le Fils Prodigue." L’Art Même. [Belgium] 1 Mar. 2010: 38-39 (ill.).

“Minimalism in Wiels." De Zondag [Belgium] 17 Jan. 2010: 29 (ill.).

Morgenthaler, Daniel. "Auf ein Bonbon mit Carol Bove: Die Künstlerin stellt die Felix-Gonzalez-Torres-Schau in der Fondation Beyeler um." Basler Zeitung [Switzerland]. 18 August 2010: 31 (ill.).

Morgenthaler, Daniel. "Hier essen oder mitnehmen? Felix Gonzalez-Torres wird in der Fondation Beyeler verteilt." Basler Zeitung. 22 May 2010: 45. (ill.).

Müller, Gerald. "Vom Selbsportrait zur Selbstinszenieurung." Badisches Tagblatt [Germany]. 9 September 2010.

Muller, Robert-Jan. "Felix Gonzalez-Torres." Museumtijdschrift. [Netharlends] 31 Mar. 2010: 26-28 (ill.).

Murakami, Takashi. Geijutsu Toso-ron (Theory of Artistic Conflict). Tokyo, Japan: Gentosha, 2010: 63.

Murg, Stephanie. "Tate Modern Turns Ten, Focuses on Building Global Collection." Mediabistro 24 May 2010.

Obrist, Hans Ulrich. "Worauf wir achten." [Switzerland] Welkunst. 1 Jun. 2010.

O’Donnell, Annie. "A certain distance, endless light." Art Art Art, Issue 8. Web.

"Om van te snoepen." Trends [Holland] 7 Jan. 2010: 95 (ill.).

"Orologi, gioielli e arte contemporanea." Il Tempo [Italy]. 12 Jun. 2010: 28.

P., v.J. "Felix Gonzalez-Torres: Specific Objects Without Specific Form." The Art Newspaper 1 Jan. 2010:69.

Pagliuca, Francesca. "Diary." Mousse Magazine [Italy] Feb. 2010: 137.

"Papierstaper: Gonzalez-Torres-Retrospektive in der Fondation Beyeler." Badische Zeitung [Germany] 22 May 2010

Perra, Daniele. "Prendi l’arte e portala a casa. Tranquillo, è gratis." GQ Italia. [Italy} Jan. 2010: 176 (ill.).

Peers, Alexandra. "Gallery Grawler: Wednesday to the Weekend." The New York Observer. 6 Jul. 2010.

Peers, Alexandra. "Art: The Lookie-Loo Lemmings.” The New York Observer. 28 Jun. 2010.

Pérez Rivera, Tatiana. "Huellas de un ausente: La obra de Félix González Torres es revisada por ojos jóvenes en el MAC." El Nuevo Día [Puerto Rico] 24 Aug. 2010: 62-3.

Post, Hans-Maarten. “Snoepjes rapen in het museum." Het Nieuwsblad. [Belgium] 30 Jan. 2010: 52 (ill.)

"Protagonisti: Felix Gonzalez-Torres." Terra [Italy]. 18 Jul. 2010: 13 (ill.).

"Radicaal en diep humaan." Knack [Belgium] 27 Jan. 2010: 56 (ill.)

Ramirez Aponte Marrianne, Ramos Collado Lilliana, Face-offs/takeover:25 years of the Puerto-Rico Museum of Contemporary Art. San Juan, PR: The Puerto Rico Museum of Contemporary Art, 2010: 318, 319.

Raymond, Yasmin. "The Circle Principle of Rivane Neuenschwander." Rivane Neuenschwander: A Day Like Any Other, ed. Michelle Piranio and Mauro Gaspar. New York and Dublin: New Museum and Irish Museum of Modern Art 2010: 27 (ill).

Robertson, Jean, and Craig McDaniel. Themes of Contemporary Art: Visual Art after 1980. 2nd ed. New York and Oxford: Oxford University Press, 2010: 31, 94, 121 (ill), 283, 316.

Romero, Ivette. "Art Exhibition: A Look at Felix Gonzalez-Torres Artistic Production in Puerto Rico." Repeating Islands, August 13: 2010. Web.

Rondeau, James. Contemporary Collecting: The Donna and Howard Stone Collection. Chicago: The Art Institute of Chicago, 2010: 18, 24, 60 (ill), 62 (ill).

Rounthwaite, Adair. "Split Witness: Metaphorical Extensions in the Art of Felix Gonzalez-Torres." Representations 109, University of California Press, Winter 2010: 35-55.

Rubin, Susan Goldman. Breaking the Rules: What is Contemporary Art? Los Angeles: Museum of Contemporary Art, 2010. 24, 25 (ill).

Russeth, Andrew. "In New York: The Avalanche of Gallery Openings This Thursday." ArtInfo. 24 Jun. 2010.

Sandretto Re Rebaudengo, Patrizia. "Patrizia Sandretto Re Rebaudengo." Weltkunst [Switzerland]. 1 Jun. 2010.

"Zeitgesit. Variations & Repetitions." Save As…Publications May. 2010: 26 (ill).

Scanlan, Joe. "The Uses of Disorder On the Art of Felix Gonzalez-Torres." Artforum 48:6 Feb. 2010: 162 (ill), 163 (ill), 164 (ill), 165 (ill), 166 (ill), 167 (ill), 168 (ill), 169 (ill).

Scanlan, Joe. "Previews: Brussels: Felix Gonzalez-Torres: Specific Objects Without Specific Form, Weils Contemporary Art Center." Artforum 48: 5 Jan. 2010: 100.

Schellenberg, Samuel. "Manifeste de l’anorma." Le Courrier. 1 Jul. 2010: 16.

Scherlippens, Björn. "Felix Gonzalez-Torres: Specific Objects Without Specific Form." Staalkaart. [Belgium] 1 Jan. 2010: 105 (ill.).

Schneede M. Uwe. Die Geschichte der Kunst im 20. Jahrhundert. Munich: C.H. Beck, 2010: 308 (ill.).

Schweighofer Kerstin. "Eine instabile Werkschau." Art Das Kunstmagazin [Germany] Jan. 2010: 102 (ill).

"Selbstporträts in der Kunsthalle." Badiche Neueste Nachrichten [Germany]. 11 August 2010

"Selbstwahrnehmung und Fremdblick." Badische Neuste Nachrichten [Germany]. 28/29 August 2010.

Sharp, Chris. "Deadline." Modern Painters Apr. 2010.

Sheerin, Mark. "Felix Gonzalez-Torres and William McKeown team up and light up MIMA." Culture 24. 8 April 2010.

Sierra, Sonia. "Crítica política y aomr, con González-Torres en el MUAC." Kiosko [Mexico] 27 Feb. 2010: 18 (ill).

Smith, Roberta. "At Tate Modern, Seeds of Discontent by the Ton." The New York Times 19 Oct. 2010: C1-2. Print

Smith, Tim. “BMA's West Wing to undergo a year of renovation." The Baltimore Sun. 30 December 2010.

"Süss: Felix Gonzalez-Torres in der Fondation Beyeler.” Basler Zeitung [Switzerland]. 22 May 2010: 43 (ill.).

Szczesniak, Paulina. "Melancholie mit Pfeferminzaroma." Tages-Anzeiger [Switzerland]. 28 May 2010: 33 (ill.).

Szczesniak, Paulina. "Melancholie mit Pfefferminzaroma." Thurgauer Zeitung [Switzerland] 28 May 2010. (ill.).

Szczesniak, Paulina. "Melancholie mit Pfefferminzaroma." Berner Zeitung BZ. [Switzerland] 28 May 2010. (ill.).

"The Tell-Tale Heart (Part 2)." Fanzine. 13 Jul. 2010.

"The Tell-Tale Heart." TimeOut New York, NY. August 2010.

Trembley, Nicolas. "L’art en partage." Numéro. [France] Mar. 2010.

Turine Roger, Pierre. "Les petets riens du grand Felix Gonzalez-Torres." La Libre Belgique [Belgium] 20 Jan 2010: 48 (ill.).

Ulaby Neda. "Express Yourself: A Major New Showcase of Gay Portraiture." NPR 13 November 2010.

Ursprung Philip. Die Kunst Der Gegenwart 1960 bis heute. Munich: Verlag C.H. Beck, 2010: 85 (ill.)

Van Bogaert, Pieter. "Een Kwestie van Dialectiek: Dahn Vo remixt tentoonstelling Felix Gonzalez-Torres in Wiels Brussel." H Art. [Belgium] 25 Mar. 2010: 14

Van Bogaert, Pieter. "Genereuze Kunst: Felix Gonzalez-Torres in Wiels Brussels." H Art. [Belgium] 21 Jan. 2010: 11 (ill.).

Van Bogaert, Pieter. "Onweerstaanbaar Uitzwermend: Felix Gonzalez-Torres in Wiels Brussels." H Art. [Belgium]11 Feb. 2010: 9.

Van Bogaert, Pieter. "Een Kwestie Van Dialectiek." H Art. [Belgium] 25 March. 2010: 14.

Van Parys, Yoann. "Le temps retrouvé." Flux News. [Belgium] April-May-Jun. 2010: 29-31 (ill.).

"Veranstaltung der Woche: Felix Gonzalez-Torres." Basler Zeitung [Switzerland]. 20 May 2010: 47 (ill.).

Vo, Danh. "1000 Words: Talks About "Felix Gonzalez-Torres: Specific Objects Without Specific Form." Artforum 48:6 Feb. 2010: 160 (ill), 161.

Völzke, Daniel. "Review." Monopol [Germany] Mar. 2010: 91 (ill), 92-93.

Vuegen, Christine. "Félix González-Torres." Kunstbeeld. [Belgium] 31 Mar. 2010: 11 (ill.).

Vuegen, Christine. "Snoepjes met een ziel." De Huisarts. [Belgium] 4 Feb. 2010: 32-33 (ill.).

Wesseling, Janneke. "Ik geefje dit suikerding." NRC Handelsblad [Netherlands] 2 Feb. 2010: 28.

Wynants, Jean-Marie. "L’infinie vanité des choses." Le Soir. [Belgium] 5 Feb. 2010: 38 (ill.).

Zimmermann, Raphael. "Jeux d'ego." Poly [France]. October/November 2010.

2009    
American Patrons of the Tate. Annual Report 2009. New York, NY: American Patrons of the Tate, 2009.

Ardenne, Paul. "Quand l'artiste fait la fête, est-ce toujours la fête?" Esse arts + opinions [Canada] Fall 2009: 12, 13 (ill).

Batet, Janet. "Valor y precio." El Nuevo Herald. 8 February 2009.

Barson, Tanya. "Felix Gonzalez-Torres, "Untitled" (March 5th) #2 1991."American Patrons of Tate Annual Report 2008. New York: American Patrons of Tate, 2009: 10 (ill), 11, 23.

Benoit, Guillaume. "Deadline: La Critique." Evene. 17 Nov. 2009.

"Best Bets 01.2009." Aspen Magazine. January 2009: 37 (ill).

Blocker, Jane. Seeing Witness: Visuality and the Ethics of Testimony. Minneapolis, MN: University of Minnesota Press, 2009: xxii, 34 – 35, 36 – 38 (ill), 39 – 43, 44 (ill), 45, 46 (ill), 131 – 132.

Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book. London: Goodman, 2009: 88 (ill), 247.

Borecká, Filomena. "Deadline: Rozhovor s Odile Burluraux, kurátorkou Musée d’art moderne de la ville de Paris." Atelier. [Czech Republic]7 Jan. 2010.

Bovéron, Anne-Laure. "Deadline." Culture Cie. 11 Dec. 2009.

Brannac, Paul. "Deadline." Paris-Art.com.

Briegleb, Till. “Wie Vermeer mit Kuchenzeile." Sudeutsche Zeitung [Germany]. No. 168. 24 Jul. 2009: 11.

Carlson, Benjamin. "Oranges and Sardines." Frieze 103 May 2009: 120 (ill).

Clements, Alexis. "After Performa 09, What Remains?" The L Magazine 23 Nov 2009. Web.

Conley, Sue. "Art That Stays With You." The Evening Herald 8 Jan. 2009: n.p. (ill).

Dagen, Philippe. "Créer, intensément, avec la mort en face." Le Monde. [France] 10 Oct. 2009: 25.

"Deadline." Art Collection + Design. [China] 1 Jan. 2010: 86-89, 88 (ill.).

Deitcher, David. Floating Bolders and Other Magical Acts. David Deitcher. 2010. Web.

Demir, Anaïd. "Vite!" Jalouse. [France] 1 Nov. 2009: 34 (ill.).

Diez, Renato. "Deadline: La fine del viaggio." Arte. [Italy] Dec. 2009: 134-140, 136 (ill.).

Duponchelle, Valérie. "L’ultime élan vital de douze artistes." Le Figaro. [France] 10 Dec. 2009.

Dening, Eugene. "Young Artist From Alberta." Journal of LGBT Youth. Philadelphia: Routledge, 2009: 110, (ill)

Farine, Manou. "Deadline: inspiration expiration." L’oeil. [France] 1 Nov. 2009: 92 (ill).

"Félix González-Torres: Somewhere/Nowhere." ArtPulse Dec. 2009-Feb. 2010: 98 (ill).

Francblin, Catherine. "Deadline." ArtPress. [France]1 Jan. 2010: 78-79.

Guggenheim Museum: Art, Architecture and Innovation: Celebrating the Guggenheim Museum. D.A.P., 2009. DVD.

Haddad Akel, Denise & Morbin Goncalves Dulce. “9 Ano A Arte De Fazer Arte.” Sao Polo: Saraiva, 2009: 7 (ill).

Hagenmaier Boone, Emily. "'Untitled' (Queer Mourning and the Art of Felix Gonzalez-Torres)." At the Interface/ Probing the Boundaries: "Dying, Assisted Death and Mourning." Amsterdam – New York: Rodopi, 2009: 157-159, 160 (ill), 161, 162, 163 (ill), 164-167.

Haithman, Diane. "Male go-go dancer, silver lame shorts- it’s the Hammer Museum." Los Angeles Times 13 Jan. 2009: E1 (ill), E16.

Heighton, Luke. "Political/Minimal." Art Review Mar. 2009: 138 – 139 (ill).

Herrera, Adriana. "Rosa de la Cruz." Arte el dia International 129 2009. 63 (ill) and 65 (ill).

Hinkson, Lauren. "Acquisitions: Gift." Guggenheim Magazine Summer 2009: 4 (ill). [50th Anniversary edition].

Hinkson, Lauren. "Acquisitions: Purchase and Partial Gift." Guggenheim Magazine Winter 2009: 4 (ill).

Hockney, David. David Hockney 1960-1968: A Marriage of Styles. Nottingham: Nottingham Contemporary, 2009. 15 (ill).

Huseman, Beth, ed. Roni Horn aka Roni Horn. New York and London: Whitney Museum of American Art and Steidl Verlag, 2009: Catalogue: 20; Subject Index: 15, 56 – 57, 60, 61– 64, 66, 88, 139 (ill), 209, 211

Jackson, Matthew Jesse. “The Quick and the Dead." Artforum November 2009.

Gambardella, Steven James. "Felix Gonzalez-Torres, mourning, and the 'Cultural War for the Soul of America'." Object: Graduate Research and Reviews in the History of Art and Visual Culture 2009: 6 (ill), 7 – 16, 17 (ill), 18 – 23.

Getlein, Mark. Living With Art: Ninth Edition. New York: McGraw-Hill, 2009: 48 (ill).

Irish Museum of Modern Art. "New Art/Old Museum: Contemporary Artists Engaging the Encyclopedia." Curating Now. Dublin: Irish Museum of Modern Art, 2009: 125-127, 142-143 (ill). [Essay by James Rondeau.]

MacMillan, Kyle. "'See It': Exploring the essence of art." The Denver Post [Denver] 23 Jan. 2009, Entertainment sec.: 5D, 16D.

Mack, Joshua. "Robert Gober, Felix Gonzalez-Torres: A Shadow Leaving an Object." Art Review Apr. 2009: 86.

Marcadé, Bernard. 53 Oeuvres Qui Ébranlèrent Le Monde. Paris: Beaux Arts Editions/TTM Editions, Paris, 2009. 73 (ill); 230-233 (ill).

Mead, Rebecca. The New Yorker 11 May 2009: 58-65.

Mohal, Anna. "Das Spiel ist aus." Kunstzeitung. [Germany] 1 Nov. 2009: 5000.

Mourby, Adrian. "Revealed: The very modern treasure in Venice’s coffers." Independent [United Kingdom] 7 Jun. 2009: 68.

Ng, David. "Bruce Nauman wins a Golden Lion at Venice Biennale." Blog. Culture Monster 6 Jun. 2009. Los Angeles Times. Web.

Nieves, Marysol. "Michael Linares: Found and Lost." Arte al Día International 128 2009: 30-31.

Omori, Toshikatsu. Basic Action. Tokyo: Hiromiyoshii, 2009: 24 (ill).

O’Reilly, Sally. The Body in Contemporary Art. London: Thames & Hudson, 2009: 186(ill), 187 (ill)

Ralston, Mark. "L’art ultime se met en scène à Paris." XXI. [France] 21 Dec. 2009: 26.

Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné. New York: Museum of Modern Art, 2009: 134 (ill).

Rush, Michael. "Museums lending to commercial galleries: the debate." Opinion. The Art Newspaper Feb. 2009.

Segalot Philippe & Franck Giraud. The Impossible Collection The 100 Most Coveted Artworks of the Modern Era. New York: Assouline Publishing, 2009: 88 (ill).

Selby, Aimee, ed. Art and Text. London: Black Dog Publishing, 2009: 119 (ill), 147 (ill).

Sennewald, J. Emil. "Deadline." Kunst Bulletin. [Germany] Dec. 2009.

Sharp, Robert V., Elizabeth Stepina and Susan E. Weidemeyer. "Felix Gonzalez-Torres." The Essential Guide. Chicago: The Art Institute of Chicago, 2009. 146 (ill).

Shepherd, Kate. "Works on Paper renders compelling sketch of 20th century artistic innovation." The Chicago Marooon 10 Apr. 2009. Web.

Sokol, Brett. "Heads Up: Rehousing a Miami Collection." The New York Times 29 Nov. 2009: Travel, p. 3.

Stange, Raimar. Maria Anwander: My Most Favourite Art. Bilbao, Spain: Fúndación Bilbao Arte Fundazioa, 2009: n. pag.

Tejada, Roberto. Celia Alvarez Munoz. Los Angeles: UCLA Chicano Studies Research Center Press, 2009: 4, 60, 61 (ill), 62.

"The Quick and the Dead." The Art Newspaper 9 April 2009.

Thomas, Elizabeth. Matrix/Berkeley: A Changing Exhibition of Contemporary Art. Berkeley: University of California Press, 2009. 345-347 (ill). [Group Material installation of AIDS Timeline is also discussed.]

Trebay, Guy. "Lost to AIDS, but Still Friended." New York Times. 13 Dec. 2009:13.

"Walker Art Center Announces Exhibition that Examines the Magic and Mysteries of Conceptual Art." Art Daily.org 25 Apr. 2009. Web.

Wharton, Glenn and Harvey Molotch. "The Challenge of Installation Art." Conservation: Principles, Dilemmas and Uncomfortable Truths. Ed., Alison Richmond and Alison Bracker. London: Butterworth-Heinemann. 2009: 213 (ill), 216-217, 220, 226.

Wolin, Joseph R. "Robert Gober, Felix Gonzalez-Torres, 'A Shadow Leaving an Object.'" Time Out New York 22 – 28 Jan. 2009: 47 (ill).

Vázquez, Ralph. "Second San Juan Poly/Graphic Triennial: Latin America and the Caribbean, 2009." Arte al Día International 128 2009: 79.

Vicente, Anne-Lou. "Last But Not Least: Deadline au MAMVP." Trois couleurs. [France]1 Nov. 2009: 64-65

2008    
Adam, Georgina. "Re-assessing the value of art." The Art Newspaper. 3 December 2008: 5.

"Algún lugar, ningún lugar." Página 12. [Argentina] 26 Aug. 2008.

Austin, Tom. "Dollar Signs, Moral Symbols." 7 December 2008: 3M.

ARTAIDS (Barcelona), ed. More to Love: The Art of Living Together. Bangkok, Thailand: ARTAIDS, 2008: 16 (ill).

Battistozzi, Ana Maria. "Instrucciones para una muestra." Ñ [Argentina], 4 Oct. 2008: 30.

Bourriaud, Nicolas. "Paradigmas de la cohabitación." Página 12 [Argentina], 9 Sep. 2008: 37.

The Buhl Collection Calendar 2008. The Buhl Collection, 2008: n. pag.

Casanovas, Laura. "Invitan al público en el Malba a llevarse parte de las obras." La Nación [Argentina], 5 Sep. 2008: 10.

Center for Curatorial Studies. Program for Master of Arts in Curatorial Studies, Bard College, 2008 – 2009. Annandale-on-Hudson, NY: Bard College, 2008: 27 (ill).

Clark, Ron, et al. Independent Study Program: 40 Years, Whitney Museum of American Art: 1968 – 2008. New York: Whitney Museum of American Art, 2008: 40, 41 (ill).

Clavijo, Raisa. "Pivot Points in Contemporary Art: A Selection from MOCA’s Collection." Wynwood: The Art Magazine 30 May 2008. Web.

"Cubano en el Malba." La Nación Revista. 5 Oct. 2008: 10 (ill.)

Department of Visual and Environment Studies, Harvard University. Faculty & Courses, ’08 – ’09. Cambridge, MA: Harvard University, 2008: 48 (ill).

Dunne, Aidan. "The shining stars who burned out too soon." Rev of Now's the Time at Dublin City Gallery, Dublin, Ireland. The Irish Times 27 Nov. 2008: 20.

Elliot, Rand. "Stray Dogs." Guest Editorial. Contract Jul. 2008: cover (ill), 30.

Encabo, Clara. "Todo artista es politico." Veintitrés [Argentina], 10 Oct. 2008:12 (ill).

Feinsilber, Laura. "Malba exhibe muestra del enigmático González Torres." Ambito Financiero [Argentina], 5 Sep. 2008: 3.

Fiel, Cecilia. "Lo público y lo privado." Barzón Dec. 2008: 48 – 53 (ill).

Fuchs Miriam and Craig Howes, eds. Teaching Life Writing Texts. New York: The Modern Language Association of America, 2008: 174 (ill), 175 (ill).

Genocchio, Benjamin. "Celebrating the Beach, Whether in Paint or Sand." New York Times Jul. 27, 2008.

Getlein, Mark. Living with Art. 8th ed. New York: McGraw-Hill, 2008: 49 (ill), 246.

González, Valeria. "González-Torres en su lugar." Otra Parte [Argentina], Summer 2008-2009: 19, 20 (ill), 21.

Groothuis, Marjan. "Cuban-American Glee." Buenos Aires Herald [Argentina], 12 Oct. 2008: 11(ill).

Guglielmino, Giorgio. How to Look at Contemporary Art (...and like it). Venice, Italy: Umberto Allimandi & C., 2008: 162-165.

Haapala, Leevi. "New Yorkin Makuja." Elle [Finland] 2008: 45.

Heartney, Eleanor. Art & Today. New York: Phaidon Press, 2008: 378, 399 (ill), 402 (ill).

Hyun, Jane, and Elizabeth Hamilton, eds. This Is Not To Be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles. Los Angeles: The Museum of Contemporary Art, Los Angeles, 2008: endsheets (ill), 118 – 119 (ill).

Jacobson, Heidi Zuckerman. "Now You See It." Aspen Magazine. Holiday 2008-2009: 66.

Janhonen, Ulla. "Amerikan herkkua." Anna [Finland] 2008: 10 (ill).

Johnson, Ken. "A Celebration of Sand in Vast Quantities or One Grain at a Time." New York Times Jul. 11, 2008: E32.

Kiasma Ohjelmisto [Kiasma Programme]. Helsinki: Kiasma Nykytaiteen museo [Kiasma Museum of Contemporary Art], 2008.

"La superficie del amor." Página 12. 12 Sep. 2008: 14 (ill.).

Maunuksela, Arja. "Taide: Minimalismin klassikot." Glorian Antiikki [Finland] 7 (2008): 54-6.

"Minimalismo subjetivo." Ñ. 13 Sep. 2008: 5 (ill.).

Molina, Daniel. "Evocacíon de la ausencia." ADN [Spain], 4 Oct. 2008: 26 (ill).

Navarro, Santiago García. "Un cubano en Nueva York." Revista Inrokuptibles [Argentina], 11 Sep. 2008: 20.

"Neo-Conceptual Art." The Encyclopedia of Modern & Contemporary Art. Spec. issue of Bijutsu Techo (BT) Magazine 2008: 109 (ill).

"New Yorkin Makuja." Elle [Finland] 2008: 45.

Oksenhorn, Stewart. "Blindness isn't an option." The Aspen Times. 18 Dec. 2008: 6-7 (ill).

"Openings This Week." Time Out 12-18 December 2008: 15.

Oybin, Marina. "La agitada trastienda de una insólita muestra en el Malba." Clarín [Argentina], 3 Sep. 2008: 36.

Pauls, Alan. "Arte y vida." Radar [Argentina], 31 Aug. 2008: 16 (ill), 17 (ill).

Quijano, Ana Martínez. "Félix González-Torres: Unlimited Art." Arte al día, Dec. 2008:30, 31 (ill), 32, 33 (ill), 34 (ill), 35 (ill).

Pohl, Frances K. Framing America: A Social History of American Art. 2nd ed. New York: Thames and Hudson, 2008: 11, 542 (ill).

Reckitt, Helen, ed. Not Quite How I Remember It. Toronto, Canada: The Power Plant, 2008: 17 – 18.

Ravi, Reetta. "Täyskädellinen laadukasta kuvataidetta." Kymen Sanomat [Kotka] 15 Oct. 2008.

Ravi, Reetta. "Täyskädellinen laadukasta kuvataidetta Kiasmassa." Ilkka 15 Oct. 2008.

Rosenberg, Karen. "Yes, the Live Music is Lovely, but Will the Plants Like It?" New York Times Aug. 8, 2008.

Sánchez, Julio. “Algún Lugar/Ningún Lugar." Arte al día, Oct. 2008:?? (ill).

San Francisco Museum of Modern Art: September/October 2008. SFMOMA: San Francisco, CA, 2008: 5 (ill).

Savloff, Judith. “Crítica de arte: Somewhere/Nowhere Algún Lugar/Ningún Lugar." Nota [Argentina], 19 Sep. 2008: 32 (ill).

"Selected New Acquisitions." The Israel Museum, Jerusalem Magazine Winter 2008 - Spring 2009: 36.

Selser, Claudia. “Somewhere/Nowhere/Algun Lugar/Ningun Lugar." Revista Viva. 21 Sep. 2008: 28 (ill.).

Solís, Violeta. “Remember: Félix González-Torres." Revista 192 [Mexico City] Nov. – Dec. 2008: 74 – 77 (ill).

Thornton, Sarah. “How will Miami’s art scene weather the economic storm?" The Art Newspaper 12 Apr. 2008, Art Basel Miami Beach daily ed. Web.

Urquiza, Mercedes. “Conceptual y minimalista, pero latino." Perfil [Argentina], 31 Aug. 2008: 14 (ill).

Valjakka, Timo. "Minimalismin kova ydin Kiasmassa." Helsingin Sanomat [Finland] 17 Oct. 2008.

von Heydebreck, Amélie, ed. Stations: 100 Meisterwerke Zeitgenössischer Kunst [100 Contemporary Art Masterpieces]. Köln [Cologne], Germany: DuMont Buchverlag, 2008: 32, 33 (ill).

Williamson, Damien Alexander. "Now You Don't." Time Out 19-25 Dec. 2008: 8-9.

"10 Recommended Shows for October and November." Art World Oct. & Nov. 2008: 46.

"Exhibition." The Sunday Business Post [Cork] 18 Jan. 2009: 33.

2007    
Arend, Ingo. "Felix Gonzalez-Torres." Kunstforum International [Germany] Dec. 2006 – Feb. 2007: 304-306.

Arestizabal, Irma. "The Venice Biennale." Arte al Dia International Aug. – Sep. 2007: 70 – 73 (ill)

Baer-Bogenschutz, Von Dorothee. "Rembrandts Trolley." Esslinger Zeitung [Esslingen am Neck, Germany] 15 Jun. 2007.

Balfour Barbara. Written Iteration: Signatures and Lists. [Canada]: Pro Forma: Language/Text/Visual Art, YYZ Books, Volume 2 2007: 18, 19 (ill).

Barry, Colleen. "Felix Gonzalez-Torres represents adopted country at the Biennale Posthumously." Vancouver Sun 14 Jun. 2007.

Bermann, Ann. "But Is It (Still) Art if it Decomposes?" The Shuttle Sheet January 2007: 6 (ill). 9.

Berwick, Carly. "Art Talk: Wrappers Delight." Art News Jun. 2007: (ill).

Bonami, Francesco. "Pillole di Biennale (Dimenticando Sgarbi)." Vanity Fair [Italy] 7 Jun. 2007.

Bourriaud, Nicolas. Relacijska Estetika Postprodukcija.[Slovenia] 2007: 36, 45-55, 65.

The Buhl Collection Calendar 2007. The Buhl Collection, 2007: n. pag. [“Jun. 4-10”] (ill).

Cahan, Susan, ed. I Remember Heaven: Jim Hodges and Andy Warhol. St. Louis: Contemporary Art Museum, St. Louis, 2007: 29.

Carey-Kent, Paul. "Review: Exhibitions." Art World Oct. – Nov. 2007: 132.

Casadio, Mariuccia. "Regesto." Vogue Italia May 2007: 180-185.

Cherry, Deborah. "Spatial Conversations: Candy Spills by Felix Gonzalez-Torres." Arte & Ensaios: Special Issue Transnational Correspondence. [Brazil] 2007: 96 (ill), 97-109, 105 (ill).

Cherubini, Laura. "Biennale: Rittorno alla Pittura ma con poca Figura.” Il Giornale [Italy] 7 Jun. 2007.

Coslovich, Gabriella. "Walk on the wild side." The Age 23 Jun. 2007. Web.

Cumming, Laura. "Sometimes the World Makes Sense." London Observer 17 Jun. 2007 (ill).

Di Genova, Arianna. "Ai Nastri di Partenza la Sarabanda della Biennale." Il Manifesto [Italy] 6 Jun. 2007.

Dorment, Richard. "The best Venice for Years." Daily Telegraph [United Kingdom] 12 Jun. 2007: 27.

Doyle, Jennifer. "Venice Biennale: The US Pavilion." Frieze 109 Sep. 2007: 134 (ill).

Dunne, Aidan. "Stressing the Tense within the Bling." Irish Times 16 Jun. 2007.

"En la Bienal de Venecia..." Vanidades [Mexico] 19 Jun. 2007 (ill).

Enright, Shane. "Felix Gonzalez-Torres." Interview 37:5 Jun. 2007: 82-83 (ill).

"Exhibition of the Week: Venice Biennale." The Week [United Kingdom] 23 Jun. 2007 (ill).

Frigo, Sergio. "Biennale Tutta ‘Crazy', Tra Bizzaria e Denuncia." Il Gazzettino Venice [Venice, Italy] 9 Jun. 2007: 25 (ill).

Gielen, Denis, and Laurent Busine. Atlas of Contemporary Art for Use by Everyone. Leuven, Belgium: Exhibitions International, 2007: 75 (ill), 348.

Gardner, Belinda Grace. "Starke Frauen." Kunst Zeitung 17 Jun. 2007.

Gibbons, Joan. Contemporary Art and Memory: Images of Recollection and Remembrance. London: I.B. Tauris, 2007: 24-28, 27 (ill), 52.

Gignoux, Sabine. "Une Biennale de Venise Politiquement très correcte." La Croix [Paris] 12 Jun. 2007.

Goetzman, Isabelle ed. "On fait le mur…" Espace de l’art Concret [Mouans-Sartoux] Jun. 2007. 9 (ill); 23.

Gopnik, Blake. "Lighting the Way: The U.S. Pavilion Offers a Glowing Tribute to the Artist and US." Washington Post 11 Jun. 2007: C1, C2.

Gopnik, Blake. "Red, White and subdued: The U.S. Pavilion Offers a Glowing Tribute to the Artist and US." Houston Chronicle 8 Jul. 2007.

Gonzalez-Torres, Felix. "Interview by Maurizio Cattelan." Mousse Magazine [Italy] 9 Summer 2007: 40 – 43 (ill).

Graham-Dixon, Andrew. "Installation Politics: Art Venice Biennale." Sunday Telegraph [United Kingdom] 17 Jun. 2007.

Graves, Jen. "The One That Got Away: Felix Gonzalez-Torres and the Case of the Disbanded Art Jury." The Stranger [Seattle] 13 Jun. 2007.

Gregos, Katerina. “52nd Venice Biennale." Flash Art Jul. – Sept 2007: 63-65 (ill).

Guez, Alain. "T comme Temps." Les Cahiers de la recherché architecture et urbaine [French] numero 20/21 March 2007: 148, 149, 150 (ill), 151.

"Guggenheim Collection: 1940s to Now at NGV." Artdaily 31 Jul. 2007. Web.

Halkias, Telly. "WCMA Intern Prepares World AIDS Day Exhibit." Manchester Journal 7 Dec. 2007: n. pag.

Hanley, William. "Venice Biennale Guide: Highlights at the Giardini." Art Info 11 Jun. 2007.

Heald, David. “Felix Gonzalez-Torres.” L’Uomo Vogue [Italy] May – Jun. 2007:

Herbert, Martin. “Below the Waterline.” Frieze 109 (Sep. 2007).

Hopkins, Randi. "The Candy Man." The Phoenix 23 Oct. 2007. Web.

Horowitz, Jonathan. "Felix Gonzalez-Torres by Julie Ault." Modern Painters Feb. 2007: 103 (ill), 104.

Hunter, Sam. "The Venice Biennale: First Course." Articulous 3 Aug. 2007. Web.

Johnson, Ken. "In Venice, Sober Art amid the Spectacle." Boston Globe 17 Jun. 2007: N.1.

Johnson, Ken. "Biennale Spreads Calm in Conflicted Art World." Chicago Tribune 17 Jun. 2007 (ill).

Kimmelman, Michael. "That Unruly, Serendipitous Show in Venice." New York Times 15 Jun. 2007: E29, E34.

Kennedy, Randy. "Tough Art with a Candy Center." New York Times 7 Jun. 2007: E1, E5 (ill).

Kennedy, Randy. "With a Wink, and Artist Slips into Venice." Herald Tribune 7 Jun. 2007 (ill).

Knight, Christopher. "Gonzalez-Torres crowds out others at American pavilion." Los Angeles Times 29 Jun. 2007.

Kuhn, Nicola. "Stadt der Frauen." Tagesspiegel [Germany] 9 Jun. 2007.

La Fondazione la Biennale de Venezia. Think with the senses, feel with the mind: Art in the present tense, Volume III: Pages in the Wind: A Reader; Texts Chosen By the Artists of the 52nd International Art Exhibition. Venezia [Venice], Italy and New York: Marsilio and Rizzoli International, 2007: 39.

Ligon, Glenn. "My Felix." Artforum 45:10 Summer 2007: 125-126, 128 (ill).

Lind, Ingela. "Konsthandelserna Avloser Varandra." Dagens Nyheter [Sweden] 9 Jun. 2007.

Logan, Kent. Impulse: Works on Paper from the Logan Collection. Vail, CO: The Logan Collection, Vail, 2007: 17, 20, 74 – 81 (ill).

Lorent, Claude. "Une Biennale tres Classique." La Libre Belgique [Belgium] 8 Jun. 2007.

Macri, Teresa. "Le Caramelle ‘Global’ Aggirano le Frontiere." Alias [Italy] 2 Jun. 2007 (ill).

Maneker, Roberta. "100 Top Collectors Who Are Making a Difference." Art & Antiques Mar. 2007: 75 – 107, 93 (ill).

Mangan, John. "Last chance to gaze on Guggenheim." The Age 7 Oct. 2007. Web.

Mathonnet, Philipe. "A Venise, l'art s'humanise." Le Temps. 9 Jun. 2007: 19.

Mavor, Carol. Reading Boyishly: Roland Barthes, J.M. Barrie, Jacques Henri Lartigue, Marcel Proust, and D.W. Winnicott. Durham, NC and London: Duke University Press, 2007: 160 (ill), 161.

McQuaid, Cate. "Sweet but Not Sugarcoated." Boston Globe 13 Dec. 2007: n. pag.

Megla, Maja. "Gobalni Brikolaz." Delo [Slovenia] 16 Jun. 2007 (ill).

Milroy, Sarah. "Meet the Art World’s Latest Sensation." The Globe and Mail [Canada] 18 Jun. 2007: R1, and R4.

Minervino, Fiorella. "Il Paradiso Spezzato della creativita." La Stampa [Turin, Italy] 11 Jun. 2007.

Panero, James. "A(nother) Very Political Show." Wall Street Journal 26 Jun. 2007: D5. Online.

Pagnacco, di Andrea. "La Biennale di Venezia e I suoi dinamici giorni di aperture." L’Eco [Italy] 20 Jun. 2007.

Patt, Lise, ed. Searching for Sebald: Photography After W.G. Sebald. Los Angeles: The Institute of Cultural Inquiry, 2007: 38, 39 (ill), 350 – 353, 351 (ill), 354 – 359 (ill).

Paul, Benjamin. "Felix Gonzalez-Torres." Springerin [Austria] Jan. 2007.

Phaidon Press, eds. The Art Book for Children: Book Two. New York: Phaidon Press, 2007: 16 – 17 (ill), 77.

"Playground." E-flux. 23 Oct. 2007. Web.

Phillips Catherine, Untitled Moments: Theorizing Incorporeal Knowledge in Social Work Practice. Qualitative Social Work Research and Practice. Volume 6 Number 4 December 2007: 447-464, 458 (ill).

Princenthal, Nancy. "Summer Art: The Grand Tour." Art in America 95:6 Jun. – Jul. 2007: 39.

Quijano, Ana Martinez. "Félix González-Torres: Unlimited Art [El Art Ilimitado]." Arte al Dia International Nov. – Dec. 2008: 30, 31 (ill), 32, 33 – 35 (ill).

Rakier Mischa, Schavemaker Margriet, ed. Right About Now Art & Theory Since the 1990’s. Amsterdam: Valiz, 2007: 17 (ill), 18-23, 25.

Roberts, Rebecca, ed. MoMA: Highlights Since 1980. New York: The Museum of Modern Art, 2007: 92 (ill).

Robinson, Walter. "Kvetch Fest." Artnet 8 Jun. 2007.

Rosenberg, Karen. "Modern Photography in a Brand-New Space." The New York Times [New York City] 28 Sep. 2007.

Rothstein, Edward. "Celebrating Hispanics from Both Sides of a Hyphenated Identity." The New York Times 21 April 2007.

Saltz, Jerry. "The Alchemy of Curating." Artnet 17 Jul. 2007. Web.

San Martín, Francisco Javier, and Charles Baudelaire. "Evil Returns." Exit Imagen y Cultura Quarterly [Madrid] Feb. – Apr. 2007: 52-55 (ill).

Sanderson, Natalie. "Reflections on the 2007 Venice Biennale." Santa Barbara Independent 19 Jul. 2007.

Schjeldahl, Peter. "Big Ideas: The Venice Biennale." The New Yorker 25 Jun. 2007.

Schor, Gabriele, ed. Held Together With Water: Art from the Sammlung Verbund. Ostfildern, Germany: Hatje Cantz Verlag, 2007: 28 (ill), 29.

Schmerler, Sarah. "Met’s Photo Galleries Make Enlargement." New York Post 25 Sep. 2007. Web.

Searle, Adrian. “Venice Takes Flight." Guardian [United Kingdom] 12 Jun. 2007.

Shore, Joan. "Once a Decade, an Avalanche of Art." New York Sun 7 Jun. 2007.

Shipmon, Ron. "Those Merchants of Venice." Metrosource Apr. – May 2007: 71-72 (ill).

Sokol, Brett. "As his art collection grows, so too does the scope of his theme." Miami Herald 9 Dec. 2007.

Sooke, Alastair. "The hottest month for art in a decade." The Daily Telegraph [United Kingdom] 2 Jun. 2007.

Sommer, Tim, ed. "Venedig als Buhne der Weltkunst: die Hohepunkte der 52. Biennale." Art: das kunstmagazin Jun. 2007: 42.

Spector, Nancy. "Inside Outrage: Do you need to infiltrate a system in order to change it?" Frieze 108 Jun. – Aug. 2007: 31.

Stadler, Michael. "Touristen im Spiegel." Abendzeitung [Munich, Germany] 11 Jun. 2007 (ill).

Stewert, Ian Charles. "Americans in China." Artworld Salon 16 Mar. 2007.

Sooke, Alastair. "The Hottest Month for Art in a Decade." Daily Telegraph [United Kingdom] 2 Jun. 2007.

Sullivan, Edward. "The Language of Objects in the Art of the Americas." New Haven and London: Yale University Press, 2007: 217, 218 (ill). 219.

Suttisultum, Samila. "When in Venice . . ." The Bangkok Post [Thailand] 19 Jun. 2007.

Tellez Herrera, Adriana. "The Iconoclasts." Hispanic Oct. 2007: 38 (ill).

Thornton, Sarah. "Merchants in Venice." ArtForum.com 9 Jun. 2007.

Turner, Elisa. "A Posthumous Honor for a Cuban-born Artist." Miami Herald 3 Jun. 2007 (ill).

"Vereinigte Staaten: Felix Gonzalez-Torres." Monopol 6 Jun. 2007 (ill).

Viego, Antonio. Dead Subjects: Towards a Politics of Loss in Latino Studies. Durham, NC and London: Duke University Press, 2007: cover (ill).

Walshe, Suzie. "The Venice Biennale." Art Fairs International Sep. – Oct. 2007: 28 – 29.

Wetzel, Michael. "Photographically Correct: Zur Intervention des öffentlichen Bildes bei Felix Gonzalez-Torres.” Ästhetik + Politik. Neuaufteilungen des Sinnlichen in der Kunst [Germany], ed. Michaela Ott and Harald Strauß. Hamburg: textum, 2007: 102-111, 104 (ill), 108 (ill), 111 (ill).

"What is the Venice Biennale and Why is it such a Big Deal?" Independent [United Kingdom] 7 Jun. 2007.

Wullschlager, Jackie. "American Evolution." Financial Times [United Kingdom] 9 Jun. 2007: 8.    

2006    
Art Now: 2007 Taschen Calendar. Köln [Cologne], Germany: Taschen, 2006: n. pag. [Feb. 10th].

Ault, Julie. "Felix Gonzalez-Torres." Books on Art & Culture. New York: D.A.P, Spring/Summer 2006: cover, inside cover, 109.

Ault, Julie, et al. Wolfgang Tillmans. Chicago, IL: Museum of Contemporary Art; Los Angeles: Hammer Museum; Hirshhorn Museum and Sculpture Garden, Washington, D.C., 2006: 38.

Bishop, Claire, ed. Participation. London and Cambridge, Massachusetts: Whitechapel Gallery / The MIT Press, 2006: 167-8, 190.

Bollen, Christopher. "Artists in Residence." The New York Times Magazine 16 Apr. 2006.

Bulloch, Angela. Prime Numbers: Angela Bulloch. Eds. Christoph Gurk, Clemens Krümmel, Christy Lange, and André Rotman. Köln [Cologne], Germany: Verlag der Buchhandlung Walther König, 2006: 21, 103 – 106.

Cohen, David. "Gallery-Going: The Gallery as Swatch Card." The New York Sun 5 Jan. 2006: Arts & Letters, p. 14.

Cook, Rachel. "Sin Cera." Art Lies. Winter 2006.

Cotter, Holland. "Artists in Midcareer and Beyond Are Showing That Experience Matters." New York Times 21 Apr. 2006: E31, E39.

Cotter, Holland. "Still Crazy, But That Was the Concept." New York Times 10 Nov. 2006: E33.

Crippa, Antonella. "Where are we going?" Tema Celsete Jul. – Aug. 2006: 93.

"Cuban-American Artist To Be Featured at International Exhibit." Washington File. Web. <usinfo.state.gov>

Davis, Serena. “The art of darkness casts its spell." Daily Telegraph [United Kingdom] Jul. 2006: 23.

"Dark Matter." ArtsGate. Web.

"El Museo del Barrio, Felix Gonzalez Torres: Early Impressions." Time Out New York 16 – 22 Mar. 2006: 82.

"Felix Gonzalez-Torres, 'Early Impressions'."Time Out New York 23 Feb. – 1 Mar. 2006: 66.

"Felix Gonzalez-Torres: Early Impressions." Advertisement. Time Out New York 16 – 22 Mar. 2006: 84.

Falcão, Pedro, and Miguel Wandschneider. Rui Toscano. Lisbon, Portugal: Cristina Guerra Contemporary Art, 2006: 98-99.

Falconer, Morgan. "Dark Matter." Modern Painters Oct. 2006: 106 (ill).

Fiac 2006. Grand Palais, Cour Carrée du Louvre. Paris: Reed Expositions France, 2006: n. pag. (ill).

Freunde, Anthony Barzilay. "Power 2006." Art and Auction Dec. 2006: 132 (ill).

Garneau, Nathalie. “Mensonges de l’autoportrait: mirages d’un projet autobiographique." Esse arts + opinions [Canada] Autumn-Winter 2006: 36 – 39.

Hanley, William. "MoMA Aims to Reassert Its Contemporary Presence with Return of Projects Series." Artinfo 18 Oct. 2006. Web.

Hernández, Edgar. "La Disfrutable levedad del arte en Chapultepec." Nuevo Excelsior 3 May 2006: 4.

Hubbard, Sue. "Mono Mania." The Independent 7 Aug. 2006: 12-13.

Hudson, Suzanne. "Felix Gonzalez-Torres: El Museo Del Barrio." Artforum 44:9 May 2006: 293 (ill).

Janson, H.W., and Anthony Janson, eds. A Basic History of Western Art. 7th ed. Upper Saddle River, New Jersey: Pearson Education, 2006: 647-648.

Jones, Amelia. ed. A Companion to Contemporary Art Since 1945. Malden, MA; Oxford: Blackwell Publishing, 2006:174, 178, 350-1, 395. [Hardcover and paperback].

Katz, Vincent. "A Genteel Iconoclast." Tate Etc. Autumn 2006: 38 – 40, 41 (ill).

Katzeff, Miriam, Thomas Lawson, and Susan Morgan, eds. Real Life Magazine: Selected Writings and Projects, 1979 – 1994. New York: Primary Information and D.A.P., 2006: xxi, 272 – 273 (ill), 282 (ill).

Kaufman, Jason Edward. "State Department bows to art world demands on biennales." The Art Newspaper May 2006: 7.

Klaasmeyer, Kelly. "Grave Matters.” Houston Press 26 Jan. – 1 Feb. 2006: 42.

Komis, Dmitry. "Whitehot: Felix Gonzalez-Torres, Isa Genzken, Francesco Vezzoli @ the 52nd Venice Biennale." Whitehot Magazine Jul. 2007. Web.

"La afectividad reencontrada (the found again affectivity)." Vision Art Mag Oct. – Nov. 2006.

Lambert-Beatty, Carrie. "Part Object Part Sculpture." Artforum 44:6 Feb. 2006: 203 (ill).

Lambert-Beatty, Carrie. "Previews: Felix Gonzalez-Torres at Hamburger Bahnhof, Museum für Gegenwart." Artforum 45:1 Sep. 2006: 190.

Lapp, Axel. "Felix Gonzalez-Torres." Art Monthly Dec. 2006 – Jan. 2007.

Lau, Vanessa. "Read All About It." Women’s Wear Daily Sep. 2006: 28.

Lindemann, Adam. Collecting Contemporary. Köln [Cologne], Germany; London: Taschen, 2006: 106, 107, 110 (ill), 143-144, 260.

Loreck, Hanne. "Massvolle Melancholie." Texte zur Kinst [Germany] 64 Dec. 2006.

Marien, Mary Warner. Photography: A Cultural History. 2nd ed. Upper Saddle River, NJ: Pearson Prentice Hall, 2006: xiii (ill), xiv, 512.

Marshall, Richard D. Jack Pierson: Desire/Despair. New York: Rizzoli International Publications, 2006: 19 (ill), 20.

"News Briefs." ARTnews Jun. 2006: 88

Mitchell, Phoebe. "Turning the Everyday into the Evocative." Amherst Bulletin 24 Feb. 2006: n. pag (ill).

Nickas, Bob. "Felix Gonzalez-Torres: All The Time In The World." Flash Art International Jan. – Feb. 2006: 90-94 (ill).

Nungesser, Michael. "Offener Dialog." Kunstzeitung [Germany] Nov. 2006.

Pasquariello, Lisa. "New Class of Collectors." Whitewall Spring 2006 (Premiere Issue): 32-33.

Perrée, Rob. “Felix Gonzalez-Torres." Kunstbeeld Het Tijdschrift Voor Beeldende Kunst [The Netherlands] Jul. – Aug. 2006: 62 (ill).

Pollack, Barbara. "Social Studies: Sixty Artists Overhaul the Concept of National Monuments." Time Out New York 19 – 25 Jan. 2006: 67.

Quin, John. “Felix Gonzalez-Torres." Contemporary 2006: 72 – 73 (ill).

Rosenblum, Robert. "Ground for Reflection: The Landscape Surrounding Howard and Cindy Rachofsky’s Dallas Home Gives a Series of Artworks It's Ideal Setting." House & Garden Jan. 2006: 104 – 111.

Saunders, Gill, and Rosie Miles. Prints Now: Directions and Definitions. London: V & A Publications, 2006: 92, 100 (ill), 101 (ill), 109, 112 (ill), 113 (ill).

Sautman, Amy. "Gallery Cards: Transformation." School Arts Jan. 2006: 45 (ill), 46.

Skolnik, Lisa. "A Feast 4 the Eyes." I4 Design Fall 2006: 47 – 48.

The Solomon R. Guggenheim Foundation. Annual Report 2005. New York: Guggenheim Foundation, 2006: 40 (ill).

Sonna, Birgit. "Die Überreste der Schlachtplatte." Süddeutschr Zeitungn [Germany] 2 Oct. 2006.

Sousa, Jean. Faces, Places and Inner Spaces: A Guide to Looking at Art. New York: Abrams Books for Young Readers, 2006: 32 (ill), 33, 46 (ill).

Steidl. "Felix Gonzalez-Torres, by Julie Ault." Spring/Summer 2006. Göttingen, Germany: Steidl, 2006: 130-131.

Therond, Eve. "Interview with François Pinault: The Possessed." Whitewall 2006. 3rd issue: 54 – 65.

"The Dark Arts." Hackney Gazette 6 Jul. 2006: 48.

Vogel, Carol. "For Venice Biennale: Felix Gonzalez-Torres." New York Times 7 Apr. 2006: E30.

Von Walde, Gabriela. “Bonbon für alle!" Berliner Morgenpost [Berlin] 18 Oct. 2006.

Weisberger, Edward. The Guggenheim Collection. New York: Guggenheim Museum Publications 2006: 308 (ill).

"White Cube presents Dark Matter." ArtDaily. 10 Jul. 2006. Web.

Wullschlager, Jackie. "Mortal concerns against a dark background." Financial Times 14 Jul. 2006, Arts sec.: 11.

Zanichelli, Elena. "Felix Gonzalez-Torres." Exit Express Nov. 2006.

Zuffi, Stefano. La Storia dell’Arte: L’Arte Americano 16. [Italy] Milan: Mondadori Electa, 2006: 801–804 (ill).

2005    
Amy, Michael J. "'You talkin' to me?' Violence in Contemporary Art." DITS: Violence Winter – Spring 2005: 18 – 31.

Bishop, Claire. Installation Art: A Critical History. New York: Routledge, 2005: 112, 113 - 116, 119.

Bjelajac, David. American Art: A Cultural History. 2nd ed. Upper Saddle River, NJ: Pearson Prentice Hall, 2005: 453 (ill), 541.

Bonetti, David. "Minimalism Then and Now: It’s minimal to the max and two local museums." St. Louis Post-Dispatch 20 Nov. 2005: F3.

Bouruet-Aubertor, Véronique. L’art contemporain. Paris: Éditions Autrement, 2005: 28 – 29.

Buhr, Elke. "Eir sind alle da." Frankfurter Rundschau [Frankfurt am Main, Germany] 2 Oct. 2005.

Butt, Gavin, ed. After Criticism: New Responses to Art and Performance. Malden, MA; London: Blackwell Publishing, 2005: 48, 54 – 56, 58, 60- 61.

Byrne, Blake and Maria Hummel, ed. "Blake Byrne on Building a Collection." The Contemporary Jun. – Aug. 2005: 3.

Cohen, David. "Gallery-Going: When the Rule Ruled." New York Sun 3 Mar. 2005.

Connelly, John. "Bringing Psychedelia up to Date, His Installation at Last Year’s Whitney Biennial Instantly Made Assume Vivid Astro Focus the Art World’s Newest Discovery." Vogue Hommes [France] Spring – Summer 2005: 114-117.

Cooper, Ivy. "Art: Current Shows: Minimalism and Beyond." River Front Times [St. Louis, MO] 30 Nov. – 6 Dec. 2005: 43.

Cotter, Holland. "'Logical Conclusions': 40 Years of Rule-Based Art." New York Times 18 Mar. 2005: E42.

Delgado, Dan. "Gays v. Roe: It’s totally gay, sort of." News Weekly [Australia] 27 Jul. 2005: 49.

Demos, T.J. "The Art of Darkness: On Steve McQueen." October 114 Fall 2005: 61 – 89.

Domino, Christophe. "Centre d’art La douce accélération du Plateau. L’institution parisienne propose de prendre son temps et de se plonger dans l’univers d’une douzaine d’artistes francais et étrangers." Le Journal des Arts 4 – 17 Feb. 2005.

"Don’t Miss! Felix Gonzalez-Torres and Joseph Kosuth." Time Out New York 3 – 9 Feb. 2005: 60.

Doran, Anne. "Mirage." Time Out New York 30 Jun. – 6 Jul. 2005: 60.

Enjalran, Muriel. "Ralentir vite." Paris-art.com 1 – 3 Jan. 2005.

Fallows, James. "Success." Atlantic Monthly Jan. 2005: 110.

Fuentes, Elvis. "Felix Gonzalez-Torres In Puerto Rico: An Image to Construct." Art Nexus Dec. 2005 – Feb. 2006: 90 – 94 (ill).

Fugami, Tracey. "Reviews: Midwest: Chicago: 'Universal Experience: Art, Life, and the Tourist’s Eye.'" Art Papers May – Jun. 2005: 50.

Getlein, Mark. Gilbert’s Living with Art. 7th ed. New York: McGraw-Hill, 2005: 49.

Gianelli, Ida, and Marcella Beccaria, eds. Castello di Rivoli: 20 Anni d’Arte Contemporanea. Milan: Skira Editore, 2005: 219, 321-322, 323 (ill), 335.

"Goings on About Town: Felix Gonzalez-Torres/Roni Horn." The New Yorker 2 May 2005: 26.

"Goings on About Town: Realm of the Senses." The New Yorker 10 Jan. 2005: 18, 22.

Gnemii, Edoardo. Sarah Sze. Milan: Fondazione Davide Halevim, 2005: 21 (ill), 22.

Herrera T., Adriana. "Artes & Letras Galería: El Arte y la Percepción del Tiempo." El Nuevo Herald [Miami] 6 Jun. 2005.

Herzogenrath, Wulf. Monet und Camille: Frauenportraits im Impressionismus [Monet and Camille: Portraits of Women in Impressionism]. Munich, Germany: Kunsthalle Bremen and Hirmer Verlag, 2005: 49, 50 (ill).

Hodges, Jim, and Jeanne Klein. Asap: Artists Salute Artpace. San Antonio, TX: [ArtPace], 2005: n. pag (ill).

Hoffmann, Jens, and Joan Jonas. Art Works: Perform. London: Thames and Hudson, 2005: 20, 53 (ill).

Janku, Laura Richard. "Felix Gonzalez-Torres at Fraenkel Gallery." artUS 2005: 16.

Johnson, Patricia, C. "Art and material matters." Houston Chronicle 14 Nov. 2005: E1, E5.

Kimmelman, Michael. "For a Cinderella Art, A Fairy Godmother." New York Times 7 Jan. 2005: E39, 41.

Lentini, Lara Kristin. "Reviews: Northeast: Boston." Art Papers Nov. – Dec. 2005: 53.

Lowry, Glen. Masterworks of Modern Art from The Museum of Modern Art. New York: Scalavision/ibooks, 2005: 280 (ill).

Mack, Joshua. "In View: Felix Gonzalez-Torres and Roni Horn: Andrea Rosen Gallery, New York, NY." Modern Painters Jul. – Aug. 2005: 100 (ill), 101.

Martin, Elliott Zooey. "Felix Gonzalez-Torres and the Interrogation of the Public Sphere." Chicago Art Journal 15 (2005): 16 (ill), 17-21, 22 (ill), 23-24, 25 (ill), 26, 27 (ill), 28-29.

Mayer, Jane. "Outsourcing Torture." The New Yorker 14 – 21 Feb. 2005: 95-99.

Montornes, Frederic. "Dos simples bombillas." Suite 32 (Feb. 2005): 28-29.

The Museum of Modern Art. The Museum of Modern Art Appointment Calendar. New York: The Museum of Modern Art, 2005: n. pag. [Week of January 17-23].

Nefkens, Han. Twee lege stoelen [Two Empty Chairs]. Utrecht, the Netherlands: Uitgeverij de Graaff and Met dank aan het Aids Fonds, 2005: cover.

Noever, Peter, ed. Schindler by MAK: Prestel Museum Guide. Munich, Germany: Prestel Verlag, 2005: 4, 48.

Pfisterer, Ulrich, and Valeska Von Rosen. Der Künstler als Kunstwek: Selbsporträts vom Mittelalter Bis Zur Gegenwart. Stuttgart, Germany: Philipp Reclam, 2005: 184, 185 (ill), 201.

Purves, Ted, ed. What We Want Is Free: Generosity and Exchange in Recent Art. Albany, NY: State University of New York Press, 2005: ix, 3, 102, 165, 171, 177-178, 179.

Ramos Collado, Lilliana. "Sin Titulo: Retrato de Félix González-Torres en Puerto Rico, 1980-1983." Art Premium May – Jun. 2005: 68 – 72 (ill).

Raven, Lucy. "Felix Gonzalez-Torres and Roni Horn." Bomb 92 (Summer 2005): 18.

Richardson, Brenda. A Robert Gober Lexicon. Vol. 1. Gottingen, Germany and New York: Steidl and Matthew Marks Gallery, 2005: 42.

Robertson, Jean, and Craig McDaniel. Themes of Contemporary Art: Visual Art After 1980. Oxford, United Kingdom: Oxford University Press, 2005: 29, 43, 95, 141, 206.

Rothfuss, Joan, and Elizabeth Carpenter. Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Minneapolis, MN: Walker Art Center, 2005: 241 (ill), 553.

Rothkopf, Scott. "Personal Affects: T.J. Wilcox Curates." Artforum 43:8 Apr. 2005: 164 – 171, 171(ill).

Schmeltz, Jeanne. "Ralentir vite: Exposition d’auteur." Art 21 Jan. – Feb. 2005.

Schwendener, Martha. "Felix Gonzalez-Torres and Roni Horn." Time Out New York 28 Apr. – 4 May 2005: 75.

Ségalot, Philippe. "'Empreinte Moi' curated by Philippe Segalot." Galerie Emmanuel Perrotin, Paris Dec. 2005 – Mar. 2006: 56 – 59.

Sennewald, Jens E. "'Ralentir vite' im Plateau." Kunst Bulletin [Germany] Jan. – Feb. 2005.

Soutif, Daniel, ed. L’Art du XXe siècle, 1939-2002: De l’art moderne à l’art contemporain. Paris: Éditio-Éditions Citadelles & Mazenod, 2005: 559, 563-564 (ill).

Spiher, David. "Realm of the Senses." Gay City News [New York] 6 Jan. 2005.

Taylor, Brandon. Art Today. London: Laurence King Publishing, 2005: 156.

Temin, Christine. "Getting in touch with their feelings." Boston Globe 22 May 2005: N1, N5.

Triff, Alfredo. "Every Second Counts: Exploring timeless art of appreciation." Miami New Times 9 – 15 Jun. 2005: 44.

Tsatsos, Irene. Joe Sola: Taking a Bullet. Los Angeles: Los Angeles Contemporary Exhibitions, 2005: 10 (ill).

Turner, Elisa. "Art on a Grand Scale – 'Marking Time: Moving Images' at MAM is Meant to Be Savored." Miami Herald 19 Jun. 2005: 3M, 10M.

Uhlig, Bettina. "Der Bonbonberg ist wie das Lieben." Die Grundschul Zeitschrif [Germany] Jun. – Jul. 2005: 14-16 (ill), 17.

Van Duyn, Edna, ed. If Walls Had Ears: 1984-2005. Amsterdam, the Netherlands: De Appel Amsterdam, 2005: 217 – 225.

Wang, Shi-Pu. "A Pile of Candies: On Teaching Conceptual Art." Journal of Aesthetic Education 146: 24-27.

Young, Alison. Judging the Image: Art, Value, Law. London; New York: Routledge, 2005: 79, 88 – 96. [Hardcover and paperback].

2004     
Adams, Brooks. "International Style: 'Ralentir vite'." Artforum 10 Dec. 2004. Online.

Arnason, H. H. History of Modern Art. 5th ed. Upper Saddle River, NJ: Pearson Prentice Hall, 2004: 740 (ill), 741, 746.

"Art and Appreciation." Bijutsu Techo (BT) Magazine Feb. 2004: 48-49.

Baker, Kenneth. "Spectrums of thought that span billboards." San Francisco Chronicle 17 Apr. 2004: E-1.

Baker, Kenneth. "Critics Choices 2004: Art." San Francisco Chronicle. 26 Dec. 2004: 13.

Baker, Kenneth. "SFMOMA approaches art with fresh eye." San Francisco Chronicle 7 Jul. 2004.

Benet, Carol. "Logan Collection at SFMOMA Offers Surprises." The Ark [Ann Arbor, MI] 14 Jan. 2004.

Bergjord, Geir Egil. Berlin 15.02.- 30.04.2003. Stavanger, Norway: Det Norske Samlaget, 2004: inside cover.

Bourgeois, Caroline, et al. Le Plateau Fonds régional d’art contemporain d’Ile de France Programmation 2004 – 2005. Paris: Fonds regional d’art contemporain d’Ile-de-France, Le Plateau, 2004: n. pag.

Coetzee, Mark. Not Afraid: Rubell Family Collection. London: Phaidon Press, 2004: 43 (ill), 178 (ill), 184 (ill).

Conran, Terence, and Max Fraser. Designers on Design. London: Conran Octopus, 2004: 56.

Cotton, Charlotte. The Photograph As Contemporary Art. London: Thames and Hudson, 2004: 118-119.

Couturier, Elisabeth. L’Art Contemporain: Mode d’Emploi. Paris: Éditions Filipacchi, 2004: 8, 244.

Depocas, Alain, Jon Ippolito, and Caitlin Jones. Permanence Through Change: The Variable Media Approach. New York: The Solomon R. Guggenheim Foundation; Montreal: The Daniel Langlois Foundation for Art, Science, and Technology, 2004: 92-99.

Elderfield, John. Modern Painting and Sculpture: 1880 to the Present at the Museum of Modern Art. New York: The Museum of Modern Art, 2004: 305, 324 (ill).

"Entropia: il Dissolvimento dell’opera." Avision.it [Italy] 28 Oct. 2004.

"Entropie: uber das Verschwinden des Werkes." Tageszeitung [Germany] 17 Sep. 2004.

"Entropie: über das Verschwinden des Werkes: Das Unstabile und Zufällige." Dolomiten [Italy] 18- 19 Sep. 2004.

"Entropie oder das flüchtige Werk." Zett [Germany] 17 Oct. 2004.

Foster, Hal, Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh. Art Since 1900: Modernism, AntiModernism, and PostModernism. London: Thames and Hudson, 2004: 608, 610 (ill), 611, 665.

Frank, Patrick. Prebles’ Artforms An Introduction to the Visual Arts. Upper Saddle River, New Jersey: Pearson Educational, Inc., 2004: 12 (ill).

Fuentes, Elvis. "Breve cronología de Félix González-Torres en Puerto Rico 1976-1988." Revista Instituto Cultura Puertorriquena Jul. – Dec. 2004: 50 – 59.

Goldberg, RoseLee. "Not for sale." Museums New York Spring 2004: 75 (ill).

Gortzak, Roos. "Bouwen aan een Europa zonder dubbele standard." VK 9 Dec. 2004.

Guagnini, Nicolas. "Southern Exposure: MoMA began collecting Latin American art in 1935. The mixed results are now on view at El Museo." Time Out New York 1 – 8 Apr. 2004: 59-60.

Guzmán, Kristine. El edificio [The Building]. Léon, Spain: Museo de Arte Contemporáneo de Castilla y Léon, 2004.

Heartney, Eleanor. Postmodern Heretics: The Catholic Imagination in Contemporary Art. New York: Midmarch Arts Press, 2004: 99. – 104, 176.

Hoban, Phoebe. "Open Houses, Miami Style: 7 BRs, Ocn Vu, WrldClass Art." New York Times 14 Mar. 2004.

Hughes, Jeffrey. "Reviews: Cincinnati, Ohio." Art Papers Jan. – Feb. 2004: 50.

Hunter, Sam, John Jacobus, Daniel Wheeler, eds. Modern Art: Painting, Sculpture, Architecture, Photography. 3rd ed. Upper Saddle River, New Jersey: Pearson Prentice Hall, 2004: 425-426.

Jana, Reena. "Four-Ply, Andrea Rosen Gallery." Time Out New York 26 Aug. – 2 Sep. 2004: 61.

Johnson, Ken. "'Reflecting the Mirror' at Marian Goodman Gallery." New York Times 16 Jul. 2004.

Logan, Kent. Robert Cole Scott & Glenn Ligon: From the Logan Collection, The University of Denver, Victoria H. Myhren Gallery, January 9-February 27, 2004. Denver, CO: Victoria H. Myhren Gallery, The University of Denver, 2004: 9.

Mack, Joshua. "Violent Ends: Must all art in a country like Colombia be about conflict or dislocation?" Modern Painters Dec. 2004 – Jan. 2005: 54-56.

Mayr, Bill. "'Work Ethic' showcases pieces that toy with very nature of art." Columbus Dispatch 18 Sep. 2004: C1, C2

McQuaid, Cate. "Spacious ‘Immersion’ delights, but distracts." The Boston Globe 12 Dec. 2004. Web.

Meyer, Chris. "SFMOMA's 'Supernova' burns bright." Stanford Daily 16 Jan. 2004: 11.

Milwaukee Art Museum. Milwaukee Art Museum Collection Guide. Milwaukee, WI: Milwaukee Art Museum, 2004: 43 (ill).

Moore, Patrick. Beyond Shame: Reclaiming the Abandoned History of Radical Gay Sexuality. Boston, MA: Beacon Press, 2004: 165-173.

Olveira, Manuel. A Mares: Olladas Océanicas en el arte contemporaneo. Brazil: Museo Mar De Galicia, 2004: 14 (ill).

Petry, Michael, ed. Hidden Histories: Twentieth Century Male Same Sex Lovers in the Visual Arts. London: ArtMedia Press, 2004: 32 (ill), 33, 92 (ill), 93.

Powhida, William. "Creative Time." The Antiquer Apr. 2004: 30 – 33.

Relyea, Lane. "Theory and Painting." Flash Art Nov. – Dec. 2004: 63 – 64, 65 (ill).

Rogers, Henry, and Aaron Williamson, eds. Art Becomes You: Parody, Pastiche and the Politics of Art; Materiality in a Post-Materiality Paradigm. Birmingham, AL: Article Press, UCE Birmingham, 2004: 19, 22-25, 28-43, 46-49, 51.

Sardar, Zahid. "Dialogues with Art Above the Golden Gate." Western Interiors and Design Jul. – Aug. 2004: 92 – 101.

Siegel, Katy, and Paul Mattick. Art Works: Money. London: Thames and Hudson, 2004: 162-163 (ill), 164,196.

Solomon, Andrew. The Art in Embassies Program: 40 Years. Washington, D.C.: Art in Embassies Program, United States Department of State, 2004.

Spiegler, Marc. "Psst! Electronic Art: Will digital editions become the art world’s new headache?" Slate 23 Nov. 2004. Web.

Tsai, Eugenie, and Cornelia Butler. Robert Smithson. Los Angeles and Berkley, CA: The Museum of Contemporary Art, Los Angeles, in conjunction with the University of California Press, Berkeley and Los Angeles, and the California College of the Arts 2004: 233, 234.

Varadinis, Mirjam. Parkett – 20 Years of Artists’ Collaborations. Zurich, Switzerland: Kunsthaus Zurich/Parkett Publishers, 2004: n. pag. (ill), 200.

Vignocchi, Cristina. "Il gesto d’arte non è eterno Frammenti di entropia raccolti n galleria Museo." Corriere dell’Alto Adige [Italy] 17 Sep. 2004.

Weinberg, Jonathan. Male Desire: The Homoerotic in American Art. New York: H. N. Abrams, 2004: 158 (ill), 175, 177 (ill).

Wheelock, Katherine. "Shopping Flight Club." Time Out New York 9 – 16 Sep. 2004: 64 – 65.

Wye, Deborah. Artists & Prints: Masterworks from The Museum of Modern Art. New York: The Museum of Modern Art, 2004: 245 (ill).

2003    
Boutoux, Thomas, ed. Hans Ulrich Obrist: Interviews. Vol. 1. Florence, Italy; Milan, Italy: Fondazione Pitti Immagine Discovery; Charta, 2003: 308 – 316.

Boyce, Roger. "Neither Here Nor There: ‘Mirror Mirror’ at Mass MoCa." Art New England Feb. – Mar. 2003: 16 – 17, 75.

Brenneman, Christine. "Living Art: SFMOMA exhibit features works that reflect globalization, technology and life in modern society." Marin Independent Journal 11 Dec. 2003: 3E, D2.

Brooks, Adams. Subjective Realities: Works from the Refco Collection of Contemporary Photography. New York and Chicago: Refco Group, 2003: 118-119.

Buskirk, Martha. The Contingent Object of Contemporary Art. Cambridge, MA: MIT Press, 2003: 154-158, 198, 199.

Caballero, German Rubiano. "Felix Gonzalez-Torres: Writing as Metaphor in his Work." Art Nexus 2003: 82, 83 (ill).

Cadavid, Fresia Rodriguez. "Artwork Relating to Cuban’s Story to be Shown in Washington." Hispanic Link Weekly Report 28 Jul. 2003: 3.

Cameron, Dan. Living Inside the Grid. New York: The New Museum of Contemporary Art, 2003: 28.

Cattelan, Maurizio, Massimiliano Gioni, and Ali Subotnik, eds. Charley 02. Dijon, France: Les Presses ru Réel, 2003.

"Contemporary at the Modern." Advertisement for Artist’s Choice: Mona Hatoum, Here is Elsewhere at The Museum of Modern Art in Queens, New York, NY. Visual Arts Journal Fall 2003: 48.

Cork, Richard. Annus Mirabilis?: Art in the Year 2000. New Haven and London: Yale University Press, 2003: 142-146.

Cotter, Holland. "Where Small Shows Offer Big Ideas: Summer Epiphanies in the Boston Area." New York Times 15 Aug. 2003: B27, B29.

Cros, Caroline. l’ABCdaire de la Sculpture du Xxe siècle. Paris: Flammarion, 2003: 58-59.

Dallas Museum of Art. "A Challenge to Shape the Future." Dallas Museum of Art, 100 Years. [Commemorative brochure].

Danto, Arthur C. The Abuse of Beauty: Aesthetics and the Concept of Art. Chicago and LaSalle, IL: Open Court, Carus, 2003: 138-139.

Deitcher, David. "Stacked." Time Out New York 13 – 20 Mar. 2003.

de Diego, Estrella, and Marta Muñoz Recarte. La guía Caja Madrid para el arte ahora mismo. Madrid, Spain: Obra Social, 2003: 43 (ill), 44.

Dixon, Glenn. "'Untitled' (For Jeff)." Washington City Paper 23:31 1 – 7 Aug. 2003: 48.

Elrick, Laura. sKincerity. San Francisco: Krupskaya, 2003: cover.

"Exhibicion." El Tiempo Latino 8 Aug. 2003: B10.

Fox, Larry, Michael O’Sullivan. "Got Plans?" Washington Post 10 Jan. 2003: 31.

Fraenkel Gallery. "Not exactly Photographs." Advertisement. Artforum Mar. 2003: 117.

Garret, Craig. "Moving Pictures." Flash Art Mar. – Apr. 2003: 47.

Harvey, Anthony L. "Dupont North Graced by Temporary Outdoor Art from Hirshhorn Museum." Intowner [Washington, D.C.] Aug. 2003: 1, 10.

Hauser, Gerolf. "Mythisieren der Wirklichkeit." Volks Blatt Medienkonferenz Nachrichten [Austria] 28 Jun. 2003: 9.

"The Hirshhorn Reaches Out." Washington Post 16 Jul. 2003: B1.

Hudson, Suzanne Perling. "Beauty and the Status of Contemporary Criticism." October 104 (Spring 2003): 115 – 129.

Hyman, James. "Up In Smoke.” ArtReview, International Edition 1.6 (Apr. 2003): 62 – 64, 65 (ill).

Independent Curators International (iCI). "The Gift: Generous Offerings, Threatening Hospitality." iCI: New Traveling Exhibitions of Contemporary Art 2003: 8.

Jacobson, Louis. "Gyroscope." Washington City Paper 22-28 Aug. 2003: 28.

Joselit, David. American Art Since 1945. London: Thames and Hudson, 2003: 211-212.

Liebs, Holger. "Weiter so, Sisyphos: Mythen in Eimern: Frankfurt zeight die Ausstellung ‘Das lebendige Museum.'" Süddeutsche Zeitung [Germany] 17 – 18 May 2003: 13.

Lloyd, Anne Wilson. "The Art That’s Living in the House that Hadid Built." New York Times 8 Jun. 2003: 29.

Mar, Alex. "Gallery Going: 'Puddle-Wonderful' at Artemis Greenberg Van Doren Gallery.” New York Sun 14 Aug. 2003: 15.

McCabe, Bret. "Art: All In A Day’s Work: The BMA Unpacks Ideas About Artistic labor and a Whole Lot More in ‘Work Ethic.'" Washington City Paper 15 Oct. 2003: 37.

Merritt, Laura. "Visual Statement: Large Outdoor Hirshhorn Exhibit Part of Museum’s 30th Anniversary." Roll Call Around the Hill 16 Jul. 2003.

Meyer, Richard, ed. Representing the Passions: Histories, Bodies and Visions. Los Angeles: The Getty Research Institute, 2003: 181, 182 (ill), 198-200, 199 (ill).

Monk, Jonathan. The Project Book Project. Bristol, United Kingdom: Arnolfini Gallery, 2003: n. pag. (p. 34).

Nuland, Sherwin B. "Artist, Heal Thyself (and Then Everybody Else)." New York Times 6 Jul. 2003, sec. 2: 1.

O’Sullivan, Michael. "BMA Tests Audience’s 'Work Ethic'." Washington Post 27 Oct. 2003, weekend ed.: 43, 44.

O’Sullivan, Michael. "Putting a New Spin on the Hirshhorn." Washington Post 11 Jul. 2003, weekend ed.: 53, 54.

Pace, Linda, et al. Dreaming Red: Creating ArtPace. San Antonio, TX: ArtPace, 2003: 58, 59 (ill), 60-71, 124-127 (ill), 135, 190, 248 (ill), back jacket (ill).

Pagel, David. "Questions, few answers." Los Angeles Times 23 Apr. 2003: 2.

de Pastino, Blake. "The Year in Art: Top Ten." Washington City Paper 17 Dec. 2003.

Pitts, Jonathan. "Palm Reading." Baltimore Sun 16 Oct. 2003: 1C, 3C.

Poli, Francesco. Arte Contemporanea: Le Ricerche Internazionali dalla fine degli anni ’50 a oggi. Milan: Mondadori Electa S.p.A., 2003: 219, 313, 321-323, 335.

"Pulse: Boston." Tema Celeste May – Jun. 2003: 111.

Relyea, Lane. "All Over and at Once." X-Tra 6.1 (Fall 2003): 2 – 24.

Rimanelli, David. "Time Capsule – 1986 – 1990." Artforum 41:8 Apr. 2003: 103 (ill).

Ritchie, Matthew. "80’s Again." Artforum Apr. 2003: 78.

Rodriguez, Jack. "Archaik und Utopien: Thema Migration im Kunstmuseum Liechtenstein." Neues Deutschland Berlin 31 Jul. 2003.

Roelandt, Els. "Objecten van Idolatrie." Actuelle Kunst 4 Jun. 2003.

Schilling, Caroline. "Von Menschen und anderen Menschen: Das Kunstmuseum Liechtenstein stelt sich dem Phanomen 'Migration'.” Sudkurier Siegener Zeitung [Germany] 14 Aug. 2003.

"So vielschuchtig wie die Migration." Liechtensteiner Vaterland [Liechtenstein] 28 Jun. 2003: 31.

"Spanglish Art: The Sacred Cows: Felix Gonzalez-Torres." Neo 2 Apr. – May 2003: 77, 191.

Taylor, Tess. “Billboard, Disrupted." Print Magazine Jul. – Aug. 2003: 110-113, 121-122.

"U.S. Summer Group Show Preview." Flash Art May – Jun. 2003: 78.

Vancouver Art Gallery. "The Big Picture: Recent Acquisition from the Collection of Alison and Alan Schwartz.” Annual Report 2003. Vancouver, British Columbia: Vancouver Art Gallery, 2003: 22.

Watier, Éric. "Un art de la reproductibilité technique. Felix Gonzalez-Torres." Revue Esthétique: Les artistes contemporains et la philosophie 44 (2003): 107 – 115.

Watson, Queta Moore, ed. "Acquisitions and Highlights." Dallas Museum of Art: Annual Report 2001 – 2002. Dallas, TX: Dallas Museum of Fine Art, 2003: 31 (ill).

Williams, Gilda, ed. Cream 3: Contemporary Art in Culture: 10 curators, 100 contemporary artists, 10 source artists. London: Phaidon, 2003: 5, 7, 8, 132, 228, 232, 426 (ill), 427 (ill).

Wust, Karl. "'Migration' Im Kunstmuseum Liechtenstein: Utopien, Befindlichkeit." Der Landbote 28 Jun. 2003: 21.

Wust, Karl. "Zwischen Identitat und Anpassung." Schaffhauser Nachrichten [Switzerland] 1 Jul. 2003: 13.

Yanez, Isabel. “Pero Que Arte Tienes My Broder." Neo 2: Fashion Por Lo Nuevo 2003: 76-77.

2002    
"Acquisitions." Vancouver Art Gallery Annual Report 2002. Vancouver, Canada: Vancouver Art Gallery, 2002: 24.

Ault, Julie, ed. Alternative Art New York, 1965 – 1985: A Cultural Politics Book for the Social Text Collective. Minneapolis, MN: University of Minnesota Press, 2002: 58, 59, 98, 99, 232, 292.

Baker, Kenneth. "Viewers experience artist’s loss by eating his candy." San Francisco Chronicle 2 Nov. 2002: D-10.

Borbeau, Anne. "Shimmering Substance at Arnolfini." Decode Magazine 3 (2002).

Burton, Johanna. "'Sunday Afternoon’ at 303 Gallery." Time Out New York 27 Jun. – 4 Jul. 2002: 56.

Campus Chronicle 25 Jan. 2002: 7.

Cobb, Chris. "Touch – Relational Art from the 1990s to Now." Stretcher [San Francisco, CA] Nov. 2002.

Coerver, Chad, ed. SFMOMA Painting and Sculpture Highlights. San Francisco, CA: the San Francisco Museum of Modern Art, 2002: n. pag. (ill).

Crimp, Douglas. Melancholia and Moralism: Essays on AIDS and Queer Politics. Cambridge, MA: MIT Press, 2002: cover (ill).

Downey, Anthony. "Felix Gonzalez-Torres at Sadie Coles HQ, London, 20 March – 20- April 2002." Contemporary Jun. – Aug. 2002: 155 (ill).

Evans, Gareth. "Rushes: Between the Lines: Dial T for Trauma." Sight and Sound 12:3 1 Mar. 2002: 7.

Glueck, Grace. "Painting Exuberant Forms With a Palette of Light." New York Times 1 Mar. 2002.

Godfrey, Marian A. Philadelphia Culture: The Pew Charitable Trusts. Philadelphia, PA: The Pew Charitable Trusts, 2002: 13.

Guggenheim: Guide to the Guggenheim Museum. New York: Guggenheim Museum Publications, 2002.

Halle, Howard. "Lite show: The Gugg's new Conceptual exhibit is a crowd pleaser – but lacks oomph." Time Out New York 5 – 12 Sep. 2002: 52.

Helfand, Glen. "Touch: Relational Art from the 1990s to Now." Artforum Nov. 2002.

Heller, Nancy G. Why a Painting is Like a Pizza: A Guide to Understanding and Enjoying Modern Art. Princeton, NJ: Princeton University Press, 2002: 106-8, 111, 144-47.

Herbert, Martin. "Felix Gonzalez-Torres at Sadie Coles HQ." Time Out London 3 – 10 2002.

Hochfield, Syliva. "Sticks and Stones and Lemon Cough Drops." ARTnews Sep. 2002: 116 – 122.

Hunt, Ian. "Shimmering Substance at Arnolfini." Art Monthly Jun. 2002: 39 – 41.

James, Bruce. "Between the Glitter and the gloom..." Sydney Morning Herald 30 Oct. 2002: 15.

Kertess, Klaus. Photography Transformed: The Metropolitan Bank and Trust Collection. New York: Abrams, 2002: 95 (ill).

Kinetz, Erika. "European Taste Lured to New York by American Money." New York Times 21 Apr. 2002: 6.

Koichi, Ono. Art Mall - The Basic Study of Molding. Tokyo: Art Mall and the Musashino University of Art, 2002: 88-89 (ill).

Marien, Mary Warner. Photography: A Cultural History. Upper Saddle River, NJ; London: Prentice Hall; Laurence King Publishing, 2002: xiii – xiv, 496.

Matsui, Midori. Ato: Geijutsu ga owatta ato no ato [Art: Art in a New World]. Tokyo, Japan: Asahishuppansha [Asahi Press], 2002: 95, 136-142, 159, 169, 199.

McShine, Kynaston, and Anne Umland, ed. To Be Looked At: Painting and Sculpture from The Museum of Modern Art, New York, NY. New York: The Museum of Modern Art, 2002: 142.

Meyer, Richard. Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art. New York and Oxford, U.K: Oxford University Press, 2002: 267, 268-271 (ill), 343.

Morrill, Apollonia, ed. Josiah McElheny: The Metal Party: reconstructing a party held at the Bauhaus in Dessau on February 9, 1929. New York and San Francisco, CA: Public Art Fund and Yerba Buena Center for the Arts, 2002: 9, 55, 61.

Motoyama, Sono. "Daily Plan-It for Wednesday 09/04/02: On Exhibit: Collectors' Items." Philadelphia Daily News 4 Sep. 2002.

Nosan, Gregory, ed. The Art Institute of Chicago, Museum Studies. Chicago, IL: The Art Institute of Chicago, 2002: 86 – 87.

Ottman, Klaus. "Spiritual Materiality: Contemporary Sculpture and the Responsibility of Forms." Sculpture Apr. 2002: 36-41.

Pohl, Frances K. Framing America: A Social History of American Art. New York: Thames and Hudson, 2002: 510.

Richard, Frances. "Felix Gonzalez-Torres at Andrea Rosen Gallery." Artforum Apr. 2002. Online.

Schneede, Marina. Mit Haut Und Haaren: Der Körper In Der Zeitgenössischen Kunst. Köln [Cologne], Germany: DuMont, Literatur und Kunst Verlag, 2002: 47-49, 48 (ill).

Schwabsky, Barry. "London Gallery Beat.” Art on Paper Jul. – Aug. 2002: 78-79.

Sheff, Jean. "Let’s Go To… The Hudson River Art Museum." Westchester Family Apr. 2002.

Smith, Roberta. "'Five Sculptures' at D’Amelio Terras." New York Times 11 Jan. 2002: E44.

Sonkin, Rebecca. "Gonzalez-Torres’s Time." Art & Auction May 2002: 118 (ill).

Stroud, Marion Boulton. New Material As New Media: The Fabric Workshop and Museum. Cambridge, MA: M.I.T. Press. 2002: 20, 44- 45, 46 (ill), 47, 106, 107 – 113 (ill), 134, 277, 311.

Sumpter, Helen. "Varnishing Acts." The Big Issue 15 – 21 Apr. 2002: 32.

Tebbs, Paul. "Reviews: 'Trauma'." Contemporary Visual Arts Jan. 2002.

"Trauma." Tema Celeste 90: 112.

Trigg, David. "Shimmering Substance." Decode May – Jun. 2002.

Tuttle, Richard and Susan Harris, ed. Richard Tuttle: Memento center. Porto, Portugal and Santiago de Compostela, Spain: Xunta de Galicia and Fundação de Serralaves, 2002: 22 (ill).

Vanderlip, Dianne Perry, Dean Sobel, Kent and Vicki Logan, Lewis Sharp. "Insights/Dialogues." Colorado Contemporary Arts Collaboration 2002: 24.

Wadsworth Atheneum Museum of Art. Wadsworth Atheneum Museum of Art Member's Quarterly. [Hartford, CT] Oct. – Dec. 2002: 10.

Wolf, Sylvia. Michal Rovner: The Space Between. New York: Whitney Museum of American Art, 2002: 102 (ill).

Zimmer, William. "Show Turns Spotlight on Light Itself in All Forms.” New York Times 17 Feb. 2002.

2001    
Allen, Helen. "Contemporary Artists Command High Prices at Recent Auctions." Flash Art Jan. – Feb. 2001: 47 (ill).

American Federation of Arts. "Free Enterprise." 2001 Exhibitions Program: 66 – 69.

Ardenne, Paul. "Platiques Urbaines International: L’Art ‘Inorganic'." Esse arts + opinions [Canada] Fall 2001: 41-51.

Art & Aktoer (Autumn 2001).

"Artists who are drawn to the sea." Evening Leader [United Kingdom] 19 Jul. 2001.

Baker, Kenneth. “Embodying a multitude of talents." San Francisco Chronicle 1 Dec. 2001.

Benhamou-Huet, Judith. The Worth of Art: Pricing the Priceless. New York: Assouline, 2001: 28-29.

Bird, Nicky. "Trauma at Dundee Contemporary Arts." Art Monthly Sep. 2001: 48 – 50.

Blistene, Bernard. "L'Art Aujourd’hui." Beaux Arts Magazine, spec. ed.: Une Histoire de L’Art Du XXe Siècle. Paris: Centre Pompidou, 2001: 159-184.

Blumenstein, Ellen. "Waiting: Ellen Blumenstein on the exhibition." KW Magazine, spec. ed: Mediarealities, Vol. 2 (2001): 11- 15, 16-17 (ill), 18-23.

Brody, Jacqueline. "Paper: Today and Forever." DieuDonné Pulp 33 (2001): 6-8.

Butler, Cornelia. "A Lurid Presence: Smithson’s Legacy and Post-Studio Art." Robert Smithson. Los Angeles: Museum of Contemporary Art, 2001: 233 – 235.

Calcutt, John. "Trauma at Dundee Contemporary Arts." Scotland on Sunday 15 Jul. 2001: 13.

Cohen, Michael, and Suzi Yoonessi. "Land Minds." Surface Spring 2001: 226.

Colard, Jean-Max. "Tenue de Rigueur." Les Inrockuptibles Dec. 2001: 4 – 10.

Coomer, Martin. "From Palate to Palette." Eat 3 (2001): 58, 59 (ill).

Dueñas, Issa Maria Benitez. "'Versions of the South: F(r)ictions.' at Reina Sofia, Madrid." Art Nexus 2001: 86 – 88.

Dueñas, Issa Maria Benitez. "Perverting Minimalism: It’s Not Just What You See." Art Nexus 2001: 89 – 90.

Eberl, Robert. "trend: Wie die Kunst zur Party wird." Maxi May 2001: 14.

Echavarria, Marcella. "The Collector: Leo Katz." LatinArte Magazine May – Jun. 2001: 14-15.

"Exhibitions: At Sea."The Gazette [Blackpool, United Kingdom] 12 Jul. 2001.

Gauville, Herve. "Culture: Dijon Se Joue Des Genres." Libération [France] 30 Nov. 2001: 33 – 34.

Getlein, Mark. Gilbert’s Living With Art. 6th ed. New York: McGraw-Hill, 2001: 27 (ill), 541 (ill).

Grosenick, Uta, and Burkhard Riemschneider. Art Now: 137 Artists at the Rise of the New Millennium. Köln [Cologne], Germany: Taschen, 2001: 180, 181 – 183 (ill).

Guerrin, Michel. "Fabricants d’images et briseurs d’icones." Le Monde [France] 16 Jan. 2001: 32.

Halpert, Peter Hay. "Image Conscious: Contemporary dealers look at–and to–photography." Art & Auction Dec. 2001: 72, 74.

Hickling, Alfred. "Art: 'At Sea'." Guardian [United Kingdom] 16 Jul. 2001.

"If you could have any five artworks for your home, what would you choose?" Frieze Nov. – Dec. 2001: 65-75, 76 (ill), 77-80.

"I Love Dijon." Le Monde Aden [France] Nov. 2001: 14-20.

"I Love Dijon, un automme d’arta contemporains en Bourgogne." L’humanite hebdo [France] 24 – 25 Nov. 2001: 53.

Independent Curators International. iCI: New Traveling Exhibitions of Contemporary Art 2001. New York: Independent Curators International (iCI), 2001: 9.

Jean, Marie-Josée. "Interférences." À Montreal: Le Mois de la Photo Sep. 2001: 31 – 37.

Jeffrey, Moira. "The world of wounds." The Herald 13 Jul. 2001.

Jones, Neil. "Art and society interact in this 'must see' show." Halstead Gazette [United Kingdom] 5 Oct. 2001: 18.

Joos, Jean-Ernest. "De la disparition de l’objet." Esse arts + opinions [Canada] Fall 2001: 6 – 8, 9 (ill).

Kim, Jinyoung. "Open Museum in New York City: Public Art." Haute May 2001: 120-124.

Knödler-Pasch, Margarete, ed. Zeit: Ein Geheimis wird hinterfragt. Leipzig, Germany: Ernst Klett Schulbuchverlag Leipzig GmbH, 2001: 70-75.

Lewisohn, Cedar. "In Memoriam: The New Art Gallery, Walsall." Flash Art Jan. – Feb. 2001: 66.

Mac Giolla Leith, Caoimhin. "'Trauma' at Dundee Contemporary Arts." Artforum Dec. 2001: 132.

Mahoney, Elizabeth. "Scared for Life."The Guardian [United Kingdom]14 Jul. 2001: 4.

Mitchell, Charles Dee. "Social Fabric." Dallas Morning News 21 Mar. 2001: 8C.

Moure, Gloria. "Felix Gonzalez-Torres: The Public Side of The Private." Quaderns [Spain] Jan. – Apr. 2001: 153 – 181.

Namba Sachiko. "Yokohama 2001: International Triennale of Contemporary Art." Art Monthly Oct. 2001: 22 – 24.

Olivares, Rosa, ed. Exit Imagen y Cultura Quarterly Jan. – Mar. 2001: 171 (ill), 174.

Pagel, David. "Exhibition accents a Modern Masterpiece." Los Angeles Times 24 Mar. 2001: F18.

Poli, Francesco. "Let’s Entertain." Tema Celeste Mar. – Apr. 2001: 54-59.

Popovic, Yann. "Felix Gonzalez-Torres: L'oeuvre Eternelle." Quartier Libre- Le Bien Public 30 Nov. – 6 Dec. 2001.

Regel, Günther, Frank Schulz, Johannes Kirschenmann, and Harald Kunde. "Kunst als Basis fur Reaktionen." Moderne Kunst: Zugänge zu ihrem Verständnis. Leipzig, Germany: Ernst Klett Schulbuchverlag, 2001: 221.

Riemschneider, Burkhard, and Uta Grosenick, eds. Art Now. Köln [Cologne], Germany: Taschen, 2001: 58-59.

Román, David. "Editor’s Comment: Theatre and Visual Culture." Theatre Journal 53.1 (Mar. 2001): cover (ill), iv-viii.

Rondeau, James, and Olga M. Viso. Robert Gober: The United States Pavilion: 49th Venice Biennale. Chicago, IL: The Art Institute of Chicago, and Washington, D.C.: The Smithsonian Institution, 2001: 18, 24, 25 (ill).

Roulette, Tod. "Felix Gonzalez-Torres Was Here." Next Magazine 19 Jan. 2001: 26-27.

Schwartz, Shelia, ed. American Visionaries: Selections from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 2001: 121.

Siegel, Katy. "Consuming Art” Art: 21, Art in the Twenty-first Century. New York: H. N. Abrams, 2001: 164 – 207.

Stonard, John-Paul. "Felix Gonzalez-Torres." New Grove Dictionary of Art, 2001.

Tebbs, Paul. "Trauma." Contemporary 2001: 94 – 95.

Valdez, Sarah. “Everybody Now: The Crowd in Contemporary Art." Time Out New York 15 – 22 Nov. 2001: 90.

Westbrook, Adele, ed. A Creative Legacy: A History of the National Endowment for the Arts; Visual Artists’ Fellowship Program, 1966-1995. Los Angeles: Abrams, 2001: 23, 24, 63 (ill).

"Wie die Kunst zur Party wird." Maxi Magazine May 2001: 14.

Wye, Deborah, and Susan Tallman. Parkett Collaborations & Editions since 1984. Zurich, Switzerland and New York: Parkett Publishers, 2001.

Yamamura, Midori. "Art's Report from New York, NY." 3.306 (2001): 129.

Young, Alison. "'Into the Blue': The Image Written on Law." Yale Journal of Law & The Humanities 13.1 (2001): cover (ill), 305 – 327.

2000    
Alfonso-Sierra, Edgar. "Felix Gonzalez-Torres cede todo su cuerpo al mundo." El Nacional [Caracas, Venezuela] 29 Mar. 2000.

Alfonso-Sierra, Edgar. "El arte contemporaneo tambien es sitio de ternuras." El Nacional [Caracas, Venezuela] 1 Apr. 2000.

Allen, Richard. "Art that’s to everyone’s taste – as long as you like caramel." Evening Standard [London] 5 Jun. 2000: 19.

Antonelli, Paola. Laura Hoptman. "Matter." MoMA Magazine Nov. 2000: 10 - 13.

Antoni, Brian. "Collect Call. Q & A Don Rubell." Smock Magazine 2000: 30, 32, 34, 36.

Arrhenius, Sara. "The '90s What Was It All About?" Nu: Nordic Art Review 1 (2000): 81-82.

Arning, Bill "On the Loss of a Three-Letter Word." Foodculture: Tasting Identities and Geographies in Art. Ed. Barbara.Fischer. Toronto, Canada: YYZ Books, 2000: 80 – 87.

Barrios, Jose Luis. "The Oblivion of Suffering? Representations of Crime and Fault in Global Societies." Exit, Imagen, y Cultura 1 (2000): 142 – 179.

Bevan, Roger. "Post-War and Contemporary Art sales, New York: A hot market getting hotter." The Art Newspaper Dec. 2000: 61 – 63.

Bleys, Rudi C. Images of Ambiente: Homotextuality and Latin American Art, 1810 – Today. London & New York: Continuum, 2000: 206-211, 213.

Boyer, Charles-Arthur. "Hommage à Felix Gonzalez-Torres (1957-1996)." Beaux Arts Magazine 2000: 236 (ill), 237.

Brockington, Horace. "Let’s Entertain: Life’s Guilty Pleasures." New York Arts May 2000:75.

Byrd, Cathy. "'Do It’ puts artists to the text in collaborative effort." Creative Loafing [Atlanta, GA] 7 Oct. 2000: 47.

Caplan, Nina. "Art: Felix Gonzalez-Torres." Metro 5 Jun. 2000.

"Changer de Mains." Art 21: 154 – 157.

"Christmas is coming…or is it?" Camden New Journal 1 Jun. 2000.

Collesel, Daniel Garcia. "Inauguren una muestra del artista Felix Gonzalez-Torres." El País [Spain] 2 Dec. 2000: 14.

Sotheby’s Contemporary Art Auction. Advertisement. Artforum Nov. 2000: 67.

Cooper, Emmanuel. "Spectacles and Ideas." Tribune 7 Jul. 2000.

Cork, Richard. "For the Joy of Life and Its Blue, Remembered Ills." London Times 21 Jun. 2000: 21.

Cullum, Jerry. "Collaborations between artists who never meet." Atlanta Journal-Constitution 3 Nov. 2000: Q8.

Cumming, Laura. "All sweeties and light (not to mention the go-go dancer)." Observer Review [United Kingdom] 11 Jun. 2000.

Czarnecki, Laura. "Lease on Leisure." Minnesota Daily 10 Feb. 2000.

Darwent, Charles. "Minimalism spelt out in sweeties." Independent on Sunday 11 Jun. 2000: 5.

Davies, Jennifer A. "Lighting the Way." Ham & High [Hampstead and Highgate, United Kingdom] 16 Jun. 2000.

Davies, Patricia Wynn. "The Sweetness of Lie." British Medical Journal 8 Jul. 2000.

Deitcher, David. "What Does Silence Equal Now?" Art Matters: How the Culture Wars Changed America. Wallis, Brian, Marianne Weems, and Philip Yenaqine, eds. New York and London: New York University Press, 2000: 92-123.

Di Maggio, Nelson. "Doble actividad en el Museu del Parque Rodo." La República [Peru] 11 Dec. 2000.

Dorment, Richard. "Beauty and joy in the face of death." Daily Telegraph [United Kingdom] 7 Jun. 2000: 23.

Dorment, Richard. "Richard Dorment in the Telegraph on Felix Gonzalez-Torres." Guardian [United Kingdom] 16 Jun. 2000.

Dunne, Aidan. "When the sky’s not the limit." Irish Times 12 Aug. 2000.

Ellis, Samantha. "Last Chance." Evening Standard [London] 12 Jul. 2000.

Ellis, Samantha. "Lord of the dance floor." Evening Standard [London] 31 May 2000: 55.

Ellis, Samantha. "Camden sees the ligh." Evening Standard [London] 19 May 2000: 51.

"Exhibition of the Week: Felix Gonzalez-Torres at Serpentine Gallery." Arts 17 Jun. 2000: 22.

Fallon, Roberta. "Of This Earth: “The Sea and the Sky" is whatever you want it to be." Philadelphia Weekly 1 Mar. 2000.

Fanelli, Francesco. "Speciale: Castello di Rivoli; Quotidiana: Gli antieroi de ‘900." Il Giornale Dell’Arte [Italy] 2000: 2-3.

"Felix Gonzalez-Torres." Camden Arts Centre Events Apr. – May 2000.

"Felix Gonzalez-Torres." The New Yorker 25 Dec. 2000 – 1 Jan. 2001: 33.

"Felix Gonzalez-Torres at Museu de Arte Moderna de São Paulo." Arte y Parte: Revista de Arte Aug. – Sep. 2000: 145.

"Felix Gonzalez-Torres at the Serpentine Gallery." News Line [United Kingdom] 9 Jun. 2000: 9.

Fusco, Coco. Corpus Delecti: Performance art of the Americas. London: Routledge, 2000.

Freedman, Cheryl. "Felix Gonzalez-Torres at the Serpentine Gallery." What’s On In London 14 Jun. 2000.

Friis-Hansen, Dana, et al. Outbound: Passages from the 90’s. Houston: Contemporary Arts Museum, Houston, 2000: 95 (ill).

"Gallery Choice." Metro 16 Jun. 2000.

Gelman, Alexander. Subtraction: Aspects of Essential Design. East Sussex, United Kingdom: RotoVision S.A., 2000: 32-33 (ill).

Giroud, Véronique. "Le Sens de L'Histoire: La Photographie Destinée À L'Archive." Art Press 21 (2000): 110 – 113, 114 (ill), 115.

"Gonzalez-Torres and Neshat at the Serpentine." Tema Celeste 81 (Jul.-Sep. 2000): 114.

Grande, John K. "Montreal: Head Over Heels: A Work of Impertinence." Sculpture Apr. 2000: 74 – 75.

Green, Rachel. "We have liftoff: The Whitney Independent Study Program is the launching pad for tomorrow's artists." Time Out New York 18 – 25 May 2000: 73 – 74.

Hainley, Bruce. "Erase and Rewind: Bruche Hainley on Elaine Sturtevant." Frieze Jun. – Aug. 2000: 82 – 85, 86 (ill), 87.

Houle, Alain. L’Humaniste Copmbattant Winter 2000: 18 – 19.

"How to spend $1,000,000 on Art." Kansas City Star 20 Feb. 2000: K1, K3.

Hartigan, Marianne. "Where the sea meets the sky in breathtaking art." Sunday Tribune 23 Jul. 2000.

Hunter, Sam, John Jacobus, and Daniel Wheeler, eds. Modern Art. 3rd rev. ed. New York: Abrams, 2000: 425 (ill).

Johnson, Ken. "Innuendo at Dee/Glasoe." New York Times 7 Jul. 2000.

Johnston, Thomas Alix. "Symposium: Graphic Arts in the 90's."Grapheion Mar. – Apr. 2000.

Jones. Jonathan. "Exhibitions: Felix Gonzalez-Torres." Guardian [United Kingdom] 23 May 2000: 19.

Jones, Ronald. "’Regarding Beauty' at the Hirshhorn Museum, Washington D.C." Artforum Jan. 2000: 109 – 110.

Joo, Eugenie. "Let's Entertain at the Walker Art Center." Art Press May 2000: 10 – 12.

Kent, Sarah. "Life is sweets: A Taste of the Late Felix Gonzalez-Torres." Time Out London 7 – 14 Jun. 2000: 54.

"Last Chance." Time Out London 12 Jul. 2000.

Lequeux, Emmanuelle. "Une Quasi-Betise Exeplaire." Aden-du 20 December 2000 – 2 January 2001.

Lezcano, Juan Rene. "Artecase: Miami Art Homes." Abitare May 2000: 184-215, 186-187 (ill), 191 (ill).

Lieberman, Claire. "That Food Thing You Do." Sculpture Dec. 2000: 46-53.

Low, Valentine. "Choc of the new at suck it and see art show." Evening Standard [United Kingdom] 30 May 2000.

Mavrikakis, Nicolas. "L'art de s'infiltrer." Voir [Montreal, Canada] 25 Nov. 2000: 52, 53.

McEwen, John. "Felix Gonzalez-Torres." Sunday Telegraph 9 Jul. 2000.

Merewether, Charles. "A Lasting Impression." Trace: The Liverpool Biennial of Contemporary Art. Liverpool: Liverpool Biennial/Tate Gallery, 2000: 167-168.

"Millenium Bugging." Artforum Jan. 2000: 54.

Munroe, Alexandra, and Jon Hendricks. Yes- Yoko Ono. New York: Japan Society and Harry Abrams, 2000: 35 (ill), 36.

Morton, Tom. "Tom Morton says it may be chocolate, but is it great chocolate art?" Scotsman [Scotland] 2000.

Mosquera, Gerardo. “Painting on the Edge." Parkett 60 (2000): 135 (ill).

Moyes, Jojo. "Gallery's 1,200 lbs of chocolate caramels pose sticky dilemma: What is art and can you eat it?" Independent [United Kingdom] 30 May 2000.

Neri, Louise, Lynne Cooke, and Thierry de Duve, eds. Roni Horn. London: Phaidon, 2000: 120, 121 – 122 (ill), 123.    

Nickas, Bob. Vivre libre ou mourir: Sélection de texts, 1985-1999. Paris: Les presses du réel, 2000: 67-75.

Oakley, Jason. "Felix Gonzalez-Torres at Douglas Hyde Gallery." SSI Newsletter Jan. – Feb. 2000: 24-25.

Palmer, Judith. "Art? It all boils down to a matter of taste." Independent 13 Jun. 2000.

Parkes, James Cary. "Talkin 'Bout His Gay Generation." Gay Times Jun. 2000: 16 – 17.

Pedrosa, Adriano. "Felix Gonzalez-Torres at Serpentine Gallery, London." Artforum Dec. 2000: 157 (ill).

Pérez Oramas, Luis. "La Caverne Moderne: Histoires de Pénétrables." Art Press Spécial 2000: 27, 29-30, 31(ill).

“Play with it please." Tate Magazine Summer 2000.

Prin, Mardolei. “Grandes creadores estaran al alcance del publico masivo." El Nacional [Caracas, Venezuela] 25 Jan. 2000.

Pulkka, Wesley. "'La Luz' offers dazzling overview of Latino art in U.S." Sunday Journal [Albuquerque, NM] 3 Dec. 2000: F5.

Rice, Robin. "Natural Wonders: Searching or sublimity in sea and sky." Philadelphia City Paper 8 – 16 Mar. 2000: 38 – 39.

Rojas, Pedro J. "Arte personal, esencia publica." El Globo [Caracas, Venezuela] 31 Mar. 2000.

Rojas, Pedro J. "Las dinamicas artisticas en el MAO." El Diario de Caracas [Caracas, Venezuela] 22 Feb. 2000.

Sanchez, Aixa. "Plastica sin ghetto: El curador Carlos Basualdo define estrategias para mercadear el arte latino." Tal Cual (Caracas) 4 April 2000.

Sanchez, Aixa. "Plastica sin ghetto." Talcualdigital.com 4 Apr. 2000.

Searle, Adrian. "All This, and Free Sweets Too." Guardian [United Kingdom] 6 Jun. 2000: 12 – 13.

Sewell, Brian. "How sweet reason turned to pure tosh." Evening Standard [United Kingdom] 23 Jun. 2000: 34-35.

Shave, Staurt. "Hey Loverboy." ID Magazine Jun. 2000.

Sheets, Hilarie M. "Baffled, Bewildered – and Smitten." ARTnews September 2000: 130 – 134.

Siegel, Katy. "Felix Gonzalez-Torres at Serpentine Gallery." Artforum May 2000: 53 (ill).

Sirgado, Miguel A. "El universo de Felix Gonzalez-Torres." El Nuevo Herald [Miami] 11 Jun. 2000: 2E.

Sirmans, Franklin. "Untitled (Sculpture) at Luhring Augustine." Time Out New York 10 – 17 Feb. 2000: 69.

Smithson, Helen. "Bed and board." Hamspstead and Hihgate Express 23 Jun. 2000.

Sumpter, Helen. "Choice." Hot Tickets 26 May 2000.

Taylor, John Russell. "The Big Show: Felix Gonzalez-Torres." London Times 17 Jun. 2000.

Temkin, Ann, Susan Rosenberg, and Michael Taylor. Twentieth Century Painting and Sculpture in the Philadelphia Museum of Art. Philadelphia: Philadelphia Museum of Art, 2000: 146 (ill).

"The Independent Recommends: The Show: Felix Gonzalez-Torres." Independent [United Kingdom] 6 Jun. 2000.

Thompson, William R. Outbound: Passages from the 90’s. Houston, TX: Contemporary Arts Museum, 2000: 95.

Verzotti, Giorgio. "'Le Temps, Vite!' at Centre Georges Pompidou." Artforum May 2000: 175.

Villamar, Marlenys. "Felix Gonzalez-Torres or the ode to candy." Todoahora.com 11 Jun. 2000.

Vogel, Carol. "Starts of the Last 30 Years Shock and Sell at Christie’s Contemporary Sale." New York Times 17 Nov. 2000: B4.

Wagner, Frank, et al. Hannah Wilke: 1940-1993. Berlin: Neue Gesellschat für Bildende Kunst, 2000: 43 (ill), 44 – 49.

Wullschlager, Jackie. "Time is the Essence: Our concepts of time and space are changing faster than ever before. Jackie Wullschlager catches up at the Pompidou Centre." Financial Times Weekend 25 – 26 Mar. 2000: VI.

1999    
"Andrea Rosen Gallery, Felix Gonzalez-Torres: December 4, 1998- January 16, 1999." New York Contemporary Art Report Jan. 1999: 68 – 69.

Arning, Bill "Featured Artist: Felix Gonzalez-Torres." Honcho Mar. 1999: 53 – 54.

Avgikos, Jan. "Best of the 90’s: Felix Gonzalez-Torres." Artforum Dec. 1999: 120, 121 (ill).

Berube, Stephanie. "Question de rire un peu." La Presse[Montreal, Canada] 20 Nov. 1999: 18.

Birnbaum, Daniel. "Best of the 90’s: Felix Gonzalez-Torres." Artforum Dec. 1999: 114.

Bokern, Anneke, and Petra Gördüren. Die Letzten Dinge: Jahrhundertwende und Jahrhundertende in der Bildenden Kunst um 1500 und 2000. Berlin: Gebr. Mann Verlag, 1999: cover, 97 – 101, 135, 139 – 143.

Bond, Anthony, Sophie Forbat, Kâren Jackson, and Michael Wardell. Trace: 1st Liverpool Biennial of International Contemporary Art. Liverpool, United Kingdom: Liverpool Biennial of Contemporary Art and Tate Gallery Liverpool, 1999: 167, 168.

Boyer, Charles-Arthur. "Hommage à Felix Gonzalez-Torres." Beaux Arts Magazine: Special Edition 15 Dec. 1999: 72 – 73 (ill).

Brun, Hans-Jakob, Jutta Nestegaard, and Øystein Ustvedt. Collection: Astrup Fearnley Muséet fur Moderne Kunst [Collection: Astrup Fearnley Museum of Modern Art, Oslo]. Oslo, Norway: Astrup Fearnley Muséet fur Moderne Kunst, 1999: 64 – 65 (ill).

Corzo, Miguel Angel. Mortality/Immortality?: The Legacy of 20th-Century Art. Los Angeles: The Getty Conservation Institute, 1999: 47 (ill), 48.

Dewan, Shaila. "Too Much for Words." Houston Press 10 – 16 Jun. 1999.

"End of Gravity." Hour Dec. 1999: 53.

Fischer, Barbara. Foodculture: Tasting Identities and Geography in Art. Toronto: YYZ Books, 1999: 81 – 87.

"From the Inside Out." The Guide 11 – 17 Dec. 1999: 32.

"Goings on About Town: Felix Gonzalez-Torres at Andrea Rosen Gallery." The New Yorker 11 Jan. 1999: 14.

Gopnik, Blake. "Anything Goes." Globe and Mail [Canada] 13 Nov. 1999: 17.

Grosenick, Uta, and Burkhard Riemschneider. Art at the Turn of the Millennium [L’Art au Tournant de l’An 2000]. Köln [Cologne], Germany: Taschen, 1999: 186 – 187, 188 – 189 (ill).

Johnson, Ken. "Felix Gonzalez-Torres at Andrea Rosen Gallery." New York Times 8 Jan. 1999: E42.

Johnson, Ken. "Turning a Museum Into a Vast Menorah." New York Times 1 Jan. 1999: E39.

Kunitz, Daniel. "Changing faces." ARTnews Mar. 1999: 106 – 111.

Lamarche, Bernard. "L'irreverendce faite oevre." Le Devoir 27 Nov. 1999: 3.

Lawrence, Lee. "Conservation Conundrum: Preserving 20th –century art is a challenge with no easy answers." Art & Antiques Dec. 1999: 48, 50 – 51.

Lehmann, Henry. "Impertinences: light-hearted or light?" Gazette [Colorado Springs, CO] 24 Dec. 1999: 96

Mays, John Bently. "The Cheek of It." National Post [Canada] 30 Nov. 1999: B6-7.

Mosquera, Gerardo. "Comiendo." 11 Once Jan. 1999: n. pag.

Muñoz, Jose Estaban. Disidentifications: Queers of Color and the Performance of Politics. Minneapolis: University of Minnesota Press, 1999: 170-177 (ills.)

Nemeczek, Alfred. Das Bild der Kunst: Vom Pattern Painting zum Crossover Künstler, Szene und Tendenzen 1979 – 1999; Eine Bilanz zum Ende des 20 Jahrhunderts. Hamburg, Germany: ART – Das Kunstmagazin, 1999: 200, 206 (ill), 264.

Olivares, Rosa. XXIV Bienal de São Paulo: Núcleo Histórico: Antropofagia e Histórias de Canibalismos. São Paulo, Brazil: Fundaçāo Bienal de São Paulo, 1999: 513 – 514, 515 (ill), 516 – 517.

Owens, Kieran. "A Passion for the Truth." Event Guide 15 Dec. 1999 – 4 Jan. 2000.

Pignalosa, Marica C. "Exposicion de Felix Gonzalez-Torres en las calles." El Tiempo Bogotá 9 Nov. 1999: 1C, 6C.

"Questa sera si replica al Carnegie." Il Gironale Dell’Arte [Italy] Nov. 1999: 30.

Rigney, Robert. "Factory Outlet: Erika and Rolf Hoffmann have filled an industrial space in Berlin with art that provokes." ARTnews Summer 1999: 118 – 119 (ill).

Rondeau, James. The Art Institute of Chicago: Museum Studies - The Lannan Collection at The Art Institute of Chicago. Chicago, IL: Art Institute of Chicago, 1999: 84 – 85.

Ruthe, Ingebord. "Atme tief, die Luft ist selten." Berliner Zeitung 21 Oct. 1999.

Schjeldahl, Peter. "Beauty Contest: The Perils of Pleasure." The New Yorker 1 Nov. 1999: 108 – 110. “

Seidner, David. Artists’ Studios. Paris: Éditions Assouline, 1999: 184, 186 – 191.

Serraller, Francisco Calvo. "Las Corrientes del Arte Reciclable." El País [Spain] 24 Jul. 1999: 16.

Spaid, Sue. "In the Spirit of Felix Gonzalez-Torres." Art Journal 58.1 (Spring 1999): 84, 85 (ill).

Steward Heon, Laura, Peggy Diggs and Joseph Thompson, ed. Billboard: Art on the Road. North Adams, Massachisetss: Mass MoCA Publications, 1999: 23, 54 81 - 82 (ill).

Tobler, Jay. The American Art Book. London: Phaidon, 1999: 165 (ill).

Wallis, Brian, Marianne Weems, and Philip Yenawine, eds. Art Matters: How the Culture Wars Changed America. New York: New York University Press, 1999: 92 (ill), 115, 116 (ill).

Widdicombe, Ben. "Home is Where the Art Is." Australian Art Collector Jan. – Mar. 1999: 20.

1998    
Arenas, Amelia. Is This Art? A Guide for the Bewildered. Kyoto, Japan: Tankosha Publishing, 1998: 54.

Arnason, H.H., and Marla F. Prather. History of Modern Art. 4th ed. New York: Harry N. Abrams, Inc., 1998: 786.

"Ars Longa, Vita Brevis." Time Out New York 29 Jan. – 5 Feb. 1998: 4.

"Artists, Printers, Dealers, and Writers Gather on April 18 for Thinking Art: Issues in Contemporary Printmaking." Henry Art Gallery Newsletter Apr. – Jun. 1998: 7 (ill).

Auty, Giles. "Stripped Bare." The Weekend Australian 14 – 15 Feb. 1998: 25.

Basualdo, Carlos. "Felix Gonzalez-Torres at Sprengel Museum." Art Nexus Jan. – Mar. 1998: 124 – 125.

Basualdo, Carlos. "Felix Gonzalez-Torres at Sprengel Museum." Artforum Jan. 1998: 110 (ill), 111.

Basualdo, Carlos. "Insertions: Notes Towards the Dematerialization of the Art Exhibition." Arkipelag. Stockholm: Cultural Capital of Europe, 1998.

Bortolotti, Maurizio. "Wounds: Una Prospettiva Contemporanea." Juliet [Italy] Jun. 1998: 30 – 33.

Bourriaud, Nicolas. Relational Aesthetics. Paris: Les Presses du Réel, 1998: 14.

Bradley, Jessica, and Matthew Teitelbaum. The Art of Betty Goodwin. Toronto, Canada: Douglas & McIntyre and The Art Gallery of Ontario, 1998: 32 (ill), 33.

Breynard, Shane. "bird notes." Broadsheet 27.2 (Winter 1998): 14 – 15.

Bright, Deborah, ed. The Passionate Camera: Photography and Bodies of Desire. London & New York: Routledge, 1998: 299, 313-314.

Buchhart, Dieter. "Dazwischen." Vernimage Oct. 1998.

Camacho Suarez, Eduardo. "Canasta Cultural." Excelsior Magazine 18 Sep. 1998: 6.

The Campaign Against Living Miserably. London: Royal College of Art Gallerie, 1998: 28 – 29.

"'Candy spills' at the 20er Haus." Austria Today 10 Sep. 1998.

Chapman, Christopher. "Loverboy." Outrage Feb. 1998: 64.

Constantine, Mildred. "Preserving the Legacy of 20th Century Art." Conservation: The Getty Conservation Institute Newspaper 13.2 (1998): 4, 5 (ill).

"De zwarte motor." Metropolis Aug. – Sep. 1998.

Edders, Otto. "Ein Virus im Kulturgetriebe." Volksstimme [Germany] 15 Oct. 1998.

Feaver, William. "Artranspennine: North Poles." The Observer [United Kingdom] May 1998.

Finkel, Jori. "Over There." Express [Washington, D.C.] 3 Oct. 1998: 54.

Frieze Mar. – Apr. 1998.

Frohmann, Gunther. "Kunst zum Verzehr: Museum des 20 Jahrhunderts, Wien: Felix Gonzalez-Torres." Salzburger Nachrichten [Salzburg, Austria] 2 Oct. 1998.

George, Carl. "You Can Take It With You." POZ Dec. 1998: 68 – 71.

Gerlach, Gunnar F. "Baselitz entfernt." Hamburger Rundschau [Hamburg, Germany] 17 Dec. 1998: 49 – 50.

Gleadowe, Teresa. The Campaign Against Living Miserably. London: Pale Green Press, 1998.

"Gonzalez-Torres: Kunst mit ganz personlichen Bezugen." Neue Vorarlberger Tageszeitung [Austria] 5 Sep. 1998.

Gould, Claudia & Valerie Smith, eds. 5000 Artists Return to Artists Space: 25 Years. New York: Artists Space, 1998: 141, 177, 184, 185, 186.

Grzonka, Patricia. "Bittersusse Zuckerln." Stadtzeitung Wien [Vienna] 38 (1998).

Hammond, David. "Tate views are more impressive than ever!" Huddersfield Examiner [United Kingdom] 22 May 1998.

Hofleitner, Johanna. "Liebe, Tod & Verganglichkeit." Die Presse [Austria] 11 Sep. 1998.

Horny, Henriette. "Kunst fur hungrige Besucher: Unzerstorbare Werke von Felix Gonzalez-Torres im Museum des 20 Jahrhunderts." Kurier [Austria] 13 Sep. 1998.

Hunt, David. "Dannheisser Collection." Flash Art Mar. – Apr. 1998: 55, 58.

James, Bruce. "How Queer This Art." Sydney Morning Herald 7 Feb. 1998: 14S.

Jenkins, Russell. "New at the Tate: a pile of sweets and a boat wreck." London Times 1998: 37.

Kinsella, Eileen. "Object of the week: candy is dandy." Wall Street Journal 5 Jun. 1998: W14.

Kohlmeyer, Agnes, ed. The Edge of Awareness. Milan: Edizionia Charta, 1998: 115 (ill).

Krumpl, Doris. "Transzendenz-Bobbons: Felix Gonzalez-Torres sowie Constanze Ruhm im MMK im 20er Haus." Der Standard [Austria] 15 Sep. 1998. 15 September 1998.

Lauf, Cornelia, Brian Wallis, and Clive Phillpot, eds. Artist/Author: Contemporary Artist’s Books. New York: D.A.P. and The American Federation of Arts, 1998: 66 – 79, 92 – 101.

Leon Diez, Hector. "Felix Gonzalez-Torres en el Museo Rufino Tamayo: Fotografiasconceptuales: simbolos de la generosidad y tributo al eclecticismo." La Cronica [Mexico] 22 Sep. 1998: 14.

MacMasters, Merry. "Exponen su arte conceptual en la Rufino Tamayo: Felix Gonzalez-Torres no gustaba de 'nada que fuera acerca de nada'."La Jornada [Mexico] 21 Sep. 1998: 31.

Magasin 3 Stockholm Konsthall. Magasin 3 Stockholm Konsthall: 10 Ǻr Years, 1988 – 1998. Stockholm: Stockholms Frihamm, 1998: n. pag. (ill).

Melchart, Erwin. "Im 20er haus: Felix Gonzalez-Torres: Kunst fur Naschkatzen." Kronen Zeitung [Austria] 11 Oct. 1998.

"New Traveling Exhibitions of Contemporary Art 1998-2001." New York: Independent Curators International, Fall 1998: 8-9.

On Paper Mar. – Apr. 1998.

O’Sullivan, Aidan. Appreciation and History of Art. Dublin: Gill and MacMillan, 1998: 164 (ill).

    Pacheco, Patrick, et al. "Agnes Gund." Art & Antiques, Spec. Issue: The Top 100 Collectors in America, Mar. 1996: 62.

Poerschke, Ralf. "Die kunst auf dem Trimmpfad." Berliner Morgenpost [Berlin] 30 Nov. 1998: 25.

Radok, Stephanie. "Wooden heart." The Adelaide Review [Australia] Jul. 1998: 35 – 36.

Ruiz, Blanca. "Exhibition herencia de Gonzalez-Torres." Reforma [Mexico] 22 Sep. 1998: 40.

S, K.H. "Naschwerk: Wien: Felix Gonzalez-Torres." Kunstzeitung [Germany] 26 Oct. 1998: 9.

Scully, David. "Of noxious fumes and nails." Art Newspaper Jun. 1998: 21 – 22.

Seyfarth, Ludwig. "Konzeptuelle Strickbilder: Fast Forward." Hamburger Rundschau [Hamburg, Germany] 4 Jun. 1998.

Sotriffer, Kristian. “"Symbole des Abschieds zum Mitnehmen." Die Presse 21 Sep. 1998.

Stafford, Amy. "Second Thought." Surface 12 (1998): 126, 128-130.

Szabo, Julia. "Deep Purple." Elle Décor May 1998: 228 – 229, 230 (ill), 231.

Tornquist, Kristine. "Gewinnen durch Verlieren." Graz Kleine Zeitung 17 Sep. 1998.

Villa Merkel 1999 Museum Calendar. Esslingen, Germany: Villa Merkel, Galerie der Stadt Esslingen am Neckar, 1998: 44.

Ward, David. "Gallery reopens with art to satisfy the palate." The Guardian [United Kingdom] 20 May 1998.

1997    
Alice Magazine 1 (1997): 10 – 13.

Arning, Bill “To Have and to Hold: MoMA Goes PoMO with a Gift of New Art." Time Out New York 16 – 23 Oct. 1997: 46.

Arning, Bill. "a/drift." World Art 13 (1997): 74 – 75.

Aukeman, Anastasia. "Small Budgets, Large Ambitions." ARTnews Jan. 1997: 54 (ill).

Av, Anmeldt. "A Messy House." Bergus Tidende [Norway] 5 May 1997.

Avgikos, Jan. "'The Crystal Stopper' at Lehmann Maupin." Artforum Sep. 1997: 124.

Baker, Kenneth. “Nine Artists’; Lessons of Recalling the Past in 'Present Tense'." San Francisco Chronicle 13 Sep. 1997: B1, 7.

Basualdo, Carlos. "Felix Gonzalez-Torres at Andrea Rosen Gallery." Art Nexus Apr. – Jun. 2007: 143 – 144.

Berndt, Hans. "Todesschusse und Bonbons." Handelsblatt [Germany] 12 Aug. 1994.

Bessling, Rainer. "Karge Form mit voller Seele: Felix Gonzalez-Torres: Eine Werkschau im Sprengel Museum Hannover." Syker Zeitung. And Verdener Aller-Zeitung. And Leine Deister Zeitung 6 Aug. 1997.

Bonetti, David. "Art at the millennium." San Francisco Examiner 11 Sep. 1997: D1, 9.

Boyer, Charles-Arthur. "Vers un lieu moins sombre." Collection Metiers de l’exposition. Rennes, France: Presses Universitaires de Rennes, 1997.

Bufill, Juan. "Miedos, nacimientos y extinciones." La Vanguardia 14 Feb. 1997.

BT Magazine Nov. 1997: 33.

Cambron, Tricia. "SFMoMA stays simple in the 'Present Tense'." Journal 15 Sep. 1997.

Cotter, Holland. "Felix Gonzalez-Torres at Andrea Rosen Gallery: Through a beaded curtain, conceptually." New York Times 17 Jan. 1997: C27.

Dany, Hans-Christian. "Felix Gonzalez-Torres at Sprengel Museum." Springer 3 (March 1997).

Drolet, Owen. "Broken Home at Greene Naftali, New York, NY." Flash Art Dec. 1997: 75.

Farr, Sheila. "The Hit List." Visual Arts Guide 3 Dec. 1997.

Filler, Martin. "Speaking Her Mind About Art, and Giving It." New York Times 28 Sep. 1997: 35.

Friedman, Roberto. "Caldendare." Bay Area Reader [San Francisco] Sep. 1997.

Glanz, Alexandra. "Kunst Events im Sprengel Museum Hannover: Felix Gonzalez-Torres." Hannoversche Allgemeine Zeitung [Hanover, Germany] 2 Jun. 1997.

Glanz, Alexandra. "Kunst Events im Sprengel Museum Hannover: Felix Gonzalez-Torres." Peiner Allgemeine Zeitung [Peine, Germany] 2 Jun. 1997.

"Goings on About Town: Felix Gonzalez-Torres at Andrea Rosen Gallery." The New Yorker 27 Jan. 1997: 16

Gonzalez, Fernando. "Collecting with a civic spirit." Miami Herald 1997: 11, 51.

Grundberg, Andy. "Present Tense: Nine Artists in the Nineties at San Francisco Museum of Art." Artforum Feb. 1997: 87 – 88.

Hackett, Regina. "Simplicity has become more complicated." Seattle Post-Intelligencer 18 Nov. 1997.

Helfand, Glen. "Just a moment: Nine artists quietly endure millennium tension." San Francisco Bay Guardian 24 Sep. 1997: 65, 67

Helfert, Heike. "Rite de Passage." Neue Gesellschaft fur Bildende Kunst Aug. – Sep. 1997.

Hieber, Lutz. "Identifikation mit Trauerrand." Tageszeitung 22 Jul. 1997.

Holm Flach, Eva-Lotta. "Oslo Report: Laying Low in the Minimal Terrain." Material 32 (Spring 1997): 12.

Horne, Steven. "Istanbul Biennial." Canadian Art Spring 1997: 98.

Hoyningen-Huene, Paul. "Wissensfortschritt? Fortschritt der Skepsis." Du Magazin [Germany] Oct. 1997: 1.18 (ill), 1.36 (ill).

Kokkin, Jan. "Art to Look Down At." Dagens Naeringsliv [Norway] 12 Apr. 1997: 30.

Kontova, Helena. "From Istanbul with Love and Beauty." Flash Art Nov. – Dec. 1997: 47, 55.

Kreibohm, Joachim. "Gesprach mit Ingvild Goetz." Artist Kunstmagazin 32 (1997): 12 – 15.

"Felix Gonzalez-Torres." Kunstverein Programm 1997. Kunstmuseum St. Gallen, Switzerland: 3

Laddaga, Reinaldo. "Moral Objects: Identity As Cliché, Argentina 1920-1994." Trans 1/2.3/4 (1997): 132, 134, 136, 138, 140, 142.

Lebovici, Elisabeth. "L'intimité fait son lit." Libération [Paris] 28 – 29 Jun. 1997: 14 – 15.

Mack, Gerhard. "Susse, bittere Todesbonbons." St. Galler Tagblatt [St. Gallen, Switzerland] 6 Sep. 1997.

MacMillan, Ian. "I Remember You." Modern Painters Spring 1997: 46 – 48.

Marcoci, Roxana, Diana Murphy, and Eve Sinaiko, eds. New Art. New York: Abrams, 1997: 57 (ill), 58.

McQuaid, Cate. "Sweet but not sugarcoated." Boston Globe 13 December 2007.

Meyers, Todd. "About Place: Recent Art of the Americas/Acerca del Lugar: Arte Reciente de America." Poliester [Mexico] Summer 1997: 52 – 53.

Muller, Franz. "Liebe, Lust und Tod." Schädelspalter [Hanover, Germany] Jun. 1997.

"New Work: Words & Images." Miami Art Museum News May – Jun. 1997: 3, insert (4 pp.).

Nilsson, Hakan. "NDXLRTE." Flash Art Summer 1997: 98.

Olonetzky, Nadine. "Chronik von Chronos." Du Magazine [Germany] Oct. 1997: 2.42 – 3.48.

Pedersen, Victoria and Tim Griffin. "Art & Commerce." Paper Jan. 1997: 101 – 106.

Poirier, Jean-Francois. "Felix Gonzalez-Torres." Encyclopaedia Universalis 1997: 477 – 478.

Puvogel, Renate. "Felix Gonzalez-Torres." Kunstforum International [Germany] Dec. 1997 – Mar. 1998: 344, 345 – 346 (ill), 347.

Queren, Henning. "Kunst aus Bonbons, die verschwindet." Neue Presse 3 Jun. 1997.

Rego, Juan Carlos. "Entrevista a Octavio Zaya: Interview with Octavio Zaya." Noticias de Arte Feb. 1997: 2 – 5.

Rei, Francisco. Yearbook: April 1995 – April 1997, Centro Galego de Arte Contemporánea. Santiago de Compostela, Spain: Xunta de Galicia, Consellerín de Cultura e Comunicación Social, 1997: 41 – 43 (ill).

Rimanelli, David. "On the Edge: The Werner and Elaine Dannheisser Collection." Artforum Sep. 1997: 53.

Rimanelli, David. "A/Drift." Artforum Feb. 1997: 83.

Rummel, Ralf. "Das multiplisierte Original." CN 30 Sep. 1997.

Saltz, Jerry. "Felix Gonzalez-Torres, 'Untitled' (Beginning), 1994." Time Out New York 23 – 30 Jan. 1997: 41.

Samuelsen, Geir Harald. "The Art of Strewing." Morgenbladet [Norway] 18 Apr. 1997: 11.

Sanchez, George. "Felix Gonzalez-Torres." Generation Ñ Mar. 1997.

Schulz, Bernhard. "Bonbonhaufen in Raumecke: Das Sprengel Museum Hannover zeigt das Werke von Felix Gonzalez-Torres." Der Tagesspiegel [Germany] 2 Jul. 1997.

Schulz, Bernhard. "Das Sprengel Museum Hannover zeigt das Werke von Felix Gonzalez-Torres." Potsdamer Neueste Nachrichten [Potsdam, Germany] 2 Jul. 1997.

Sirmans, Franklin. "Remixing the Art World: Art in the Global Marketplace." Flash Art May – Jun. 1997: 69 – 71, 72 (ill).

Smith, Roberta. "The Modern’s Trendy Windfall." New York Times 3 Oct. 1997: E33

Spiegel, Olga. "El Macba abre la tercera muestra con fondos de su coleccion." La Vanguardia [Spain] 6 Feb. 1997.

Stafford, Barbara Maria. "Noli me tangere." Art Issues Apr. – May 1997: 14 – 17, 18 (ill).

Stafne, Annelise. "When One Lies Low." Aftenposten [Norway] 13 Apr. 1997.

Stange, Raimar. "Felix Gonzalez-Torres." Artist Kunstmagazin 32 (1997): 44 – 47.

Steele, Margaret, and Cindy Estes. The Art of Colors: For Children and Adults. Los Angeles: The Museum of Contemporary Art, 1997: n. pag.

Storr, Robert. "The Here and Now That’s Here To Stay." MoMA Magazine Fall 1997: 18 – 21.

Studio Voice Magazine [Japan] May 1997: 84.

Sundell, Margaret. "The Crystal Stopper." Art Nexus Jul. – Sep. 1997: 115 – 116.

Updike, Robin. "Minimalist sculpture in a spacious room: Poles, lights and lipstick fill the Henry." Seattle Times 14 Nov. 1997.

Vogel, Carol. "A Night of records for 8 Contemporary Artists." New York Times 20 Nov. 1997: B12

Volle, Wenche. "Conversations with Modernism." Dagbladet [Norway] 20 Apr. 1997.

Weibel, Peter ed. Inklustion: Exklusion - Versuch einer neuen Kartografie der Kunst im Zietalter von Postkolonialismus und globaler Migration, Cologne: Dumont, 1997: 206-9 (ills.)

Winter, Peter. "Spiegel, Bonbon, Lebensuhr." Frankfurter Allgemeine 11 Aug. 1997.

Worat, Jorg. "Liebe, Tod and Bonbons: Die starke Kunst des Felix Gonzalez-Torres." Prinz [Germany] Jul. 1997.

Wustenhagen, Kathe. "Lichterketten und Bonbon-Berge: Sprengel Museumzeigt erstmals den Kubaner Felix Gonzalez-Torres." Mindener Tageblatt [Minden, Germany] 24 Jun. 1997.

Yearbook: April 1995-April 1997. Santiago de Compostela, Spain: Centro Galego de Arte Contemporánea, 1997: 42-43.

Zaya, Octavio. "Transterritorial: The Spaces of Identity and the Disaspora." Art Nexus Jul. – Sep. 1997: 52 – 57.

Zimmer, Klaus. "Was man sieht ist was man sieht.” Schaumburger Zeitung and Deister-und Wasser Zeitung 3 Jun. 1997.

Zimmer, Klaus. "Es geht um Verletzlichkeit-Aber auch um die Moglichkeit der Erneuerung." Cellesche Zeitung [Celle, Germany] 5 Jun. 1997.

1996    
"Abstract Eroticism, Touch Me." Art & Design 47 (1996).

Ardenne, Paul. "do it: Frac des Pays de la Loire." Art Press Jan. 1996: 74 – 75.

Atkins, Robert. "Goodbye Lesbian/Gay History, Hello Queer Sensibility – Meditating on Curatorial Practice." Art Journal 55.4 (Winter 1996): 80 – 85.

Baltz, Lewis. "(sans titre), Felix Gonzalez-Torres." L’Architecture d’Aujourd’hui [Boulogne, France] Sep. 1996: 12 – 15.

Barnes, Lucinda, et al. Between Artists: Twelve Contemporary American Artists Interview Twelve Contemporary American Artists. Los Angeles: A.R.T. Press, 1996: 79-101.

Breerette, Geneviève. "Felix Gonzalez-Torres. Un activiste doux." Le Monde [Paris] 20 Jan. 1996.

Bremner, Ann, ed. Earth Grows Thick. Columbus, OH: Wexner Center for the Arts, 1996: 65 – 69

"CGAC." La Voz de Galicia [A Coruña, Spain] 18 Jan. 1996: 14 – 15.

Chapman, Christopher. "Personal Effects: on aspects of work by Felix Gonzalez-Torres." Contemporary Visual Arts + Culture Broadsheet 25.3 (Spring 1996): 16 – 17 (ill).

Cruz, Amada. "Felix Gonzalez-Torres, 1957 – 1996." New Art Examiner [Chicago] Feb. 1996: 11.

"Curtain-Plakat." Kunstforum International 135 [Germany] (Oct. 1996 – Jan. 1997): 532.

Damian, Carol. "Defining the Nineties." Art Nexus Jul. – Sep. 1996: 97 – 98.

"Defining the 90’s: Consensus Making in New York, Miami and Los Angeles.” MoCA Defines the Nineties. Miami, FL: Museum of Contemporary Art North Miami (MoCA NoMI), 1996: 4, 11.

Deitcher, David. "Death and the Marketplace." Frieze Jul. – Aug. 1996: 40 – 45.

Dewan, Sheila. "Quiet, Please." Houston Press 3 – 9 Oct. 1996: 45.

"Eine Plakataktion mit Felix Gonzalez-Torres." Plakatjournal 3 (Jul. – Sep. 1996): 24.

"Felix Gonzalez-Torres." Blocnotes [France] (Sep. – Oct. 1996).

"Felix Gonzalez-Torres." Print Collector’s Newsletter Mar. – Apr. 1996: 29.

"Felix Gonzalez-Torres et l’inattendu." Beaux-Arts Magazine [Paris] May 1996.

Felshin, Nina. Embedded Metaphor. New York: Independent Curators International, 1996: 18 – 20.

Finkel, John. "Food for Thought." SOMA Magazine Jul. – Aug. 1996: 52 – 53.

Fleck, Robert. "Poese d’Une Fine De Siecle." E/W Avenue Magazine International 1996: 78 – 79.

Gal, Meir. "Felix Gonzalez-Torres 1957-1996." Studio Art Magazine Apr. – May 1996: 30 – 39.

Gispert, Carlos, et al. Historia del Arte, Vol. 16: Últimas Tendencias. Barcelona: Instituto Gallach de librería y Ediciones, 1996: n. pag (ill), 2994.

Gonzalez-Torres, Felix. "Felix Gonzalez-Torres: Auszug aus einem Video-Interview." Interview by Hans-Ulrich Obrist. Der Standard [Austria] 10 Jan. 1996: 8.

Guerra, Carles. "Felix Gonzalez-Torres: la malaltia sostenible." Avui [Barcelona] 8 Feb. 1996: 16.

Houdart, Celia. "Minimalisme et Guérilla Douce. Félix Gonzalez-Torres au Musée d’Art Moderne de la Ville de Paris." Verso [France] Jul. 1996: 4.

"Instantané: Felix Gonzalez-Torres." Etapes Graphiques [France] May 1996: 4.

Kravagna, Christian. "Felix Gonzalez-Torres, 1957-1996." Springer Mar. – Apr. 1996: 80.

Larson, Kay. "Art of the Modern Century - An Introduction-Chapter 34: The Fusion of Pop and Minimalism." Atelier Jan. – Feb. 1996: 60 – 64, 65 (ill), 66.

Lebovici, Elisabeth. "Felix nous a apporté des bon bons." Libération [Paris] 20 – 21 Apr. 1996: 26 – 27.

Lebovici, Elisabeth. "Mort de l’artiste Felix Gonzalez-Torres." Libération [Paris] 13 – 14 Jan. 1996: 33.

"Just Past: The Contemporary in the Permanent Collection, 1975 – 76." The Contemporary (Museum of Contemporary Art, Los Angeles) Fall 1996: cover (ill), n. pag.

Mack, Gerhard. "Am Fusse des Kulturpalastes." St. Galler Tagblatt [St. Gallen, Switzerland] 30 Oct. 1996.

Maclear, Kyo. "Fashioning Care and Other Acts of Memory." C Magazine Oct. – Dec. 1996: 24 – 35.

Maderuelo, Javier. "El Arte Militante de Gonzalez-Torres." Babelia en El País [Spain] 20 Jan. 1996: 21.

Monteil, Sara Maneiro. "La Huella Como Metafora: Felix Gonzalez-Torres 1957-1996." Estilo Apr. – May 1996: 49 – 51 (ill).

Mosquera, Gerado. "Remember my Name." Artforum May 1996: 19, 20 (ill).

"Multiples & Objects & Books." The Print Collector’s Newsletter Mar. – Apr. 1996: 29.

Myers, Terry. "NowHere." World Art 4 (1996): 94 – 95.

Nuridsany, Michael. "Gonzalez-Torres et sa poesie lumineuse." Le Figaro 14 May 1996.

Olveira, Manuel. "Arte viva: Caramelos e Abrigos." El Correo Gallego [Santiago de Compostela, Spain] 25 Jan. 1996: 2.

Pasternak, Ann. "Public/Private." Bomb Summer 1996: 48 – 52, 53 (ill), 54 – 55.

Phaidon Press, ed. The 20th Century Art Book. London: Phaidon, 1996: 170 (ill).

Sanders, Joel, ed. STUD: Architectures of Masculinity. Princeton, NJ: Princeton Architectural Press, 1996: 304 – 307.

Schjeldahl, Peter. "Art." Village Voice 30 Jan. 1996: 73.

Smith, Roberta. "Felix Gonzalez-Torres, 38, A Sculptor of Love and Loss." New York Times 11 Jan. 1996: D21.

Smith, Roberta. "Savoring a Medium Whose Bite Has Grown With Age." New York Times 21 Jun. 1996: C28.

Spector, Nancy. "Felix Gonzalez-Torres (1957-1996)." Guggenheim Magazine Summer 1996: 48, 49 (ill).

Spector, Nancy. "Felix Gonzalez-Torres: Unha homenaxe todo o tempo do mundo." El Correo Gallego [Santiago de Compostela, Spain] 1 Feb. 1996: 17 – 20.

Stange, Raimar. "'Sex & Crime' at the Sprengel Museum, Hannover." Flash Art Oct. 1996: 75.

Storr, Robert. "Setting Traps for the Mind and Heart." Art in America Jan. 1996: cover (ill), 70 – 77 (ill), 125.

Tallman, Susan. Silent and Violent: Selected Artists’ Editions. Zurich: Parkett, 1996: 64-65 (ill), 170.

Tallman, Susan. The Contemporary Print: From Pre-Pop to Postmodern. London: Thames and Hudson, 1996: 212, 213-214, 240 (ill).

Taylor, John Russell. "A question of lights and death." London Times 9 Jan. 1996: 31.

Weber, John. "Felix Gonzalez-Torres 1957 – 1996." See 2.2 (1996): 26 – 27.

Weintraub, Linda, Arthur Danto, and Thomas McEvilley. Art on the Edge and Over: Searching for Art’s Meaning in Contemporary Society. Lichtfield, CT: Art Insights, Inc., 1996: 114 (ill).

Wylie, Charles. "Books in Review: The Contemporary Print: From Pre-Pop to Postmodern. By Susan Tallman." On Paper Sep. – Oct. 1996: 40 – 41.

"Year in Review." MoCA Miami Sep. – Dec. 1996: n. pag.

1995    
"Also Of Note." New York Times, 13 Oct. 1995.

Amor, Monica. "Felix Gonzalez-Torres: Towards a Postmodern Sublimity." Art Nexus Jan. – Mar. 1995: 56 – 61 (ill).

Amor, Monica. "Félix González-Torres: De viaje hacia una sublimidad postmoderna [Towards a Postmodern Sublimity]." Art Nexus Jan. – Mar. 1995, Spanish ed.: 56 – 61 (ill).

Amor, Monica. "Felix Gonzalez-Torres: Towards a Postmodern Sublimity." Third Text 30 (Spring 1995): 67 – 78.

Artner, Alan G. "What’s it all about?" Chicago Tribune 12 Feb. 1995: 14 – 15.

Asmundsson, Asmundur, and Justin Blaustein. 101 Artists’ Quotes. New York: Akureyri, USA, 1995: n. pag.

"Aufsteiger ’95." Focus 23 Oct. 1995): 149.

Azen, Karla. "Flash Mundo: International Latin American Art Exhibitions in Brief." Flash Art May – Jun. 1995.

Baker, Kenneth. "Mortality Theme Runs Through Guggenheim." San Francisco Chronicle 4 Mar. 1995: E1, E6.

Bensley, Lis. "SITE Santa Fe: Mixed-media visual circus stretch Santa Fe’s imagination." Santa Fe New Mexican 9 Jul. 1995: E1, E4.

Bijutsu Techo Magazine (B.T.). Jan. 1995: 78 – 81, 162-163.

Bleckner, Ross. "Felix Gonzalez-Torres." Bomb Spring 1995: 42 (ill), 43 – 44, 45 – 46 (ill), 47.

"Boltanski y Gonzalez-Torres, dos artistas con puntos de contacto, en Compostela." La Voz de Galicia [Spain] 12 Dec. 1995: 42.

Bonami, Francesco. "Felix Gonzalez-Torres/Ross Bleckner." Flash Art May – Jun. 1995: 108.

Bravo, Armando Alvarez. "arte de regalo." El Nuevo Herald [Miami] 30 Apr. 1995: 4E, 8E.

Breitz, Candice. "Visualizing the Invisible: Felix Gonzalez-Torres." Chicago Art Journal: v.5. [Chicago] 1993: 57-59.

Carvalho, Mario Cesar. "Arte brasileira parte para a globalozacao." Fohla de São Paulo [São Paulo, Brazil] 28 Mar. 1995: 1.

Castro, Jan Garden. "New Alterations." Riverfront Times [St. Louis, MO] 26 Apr. – 2 May 1995.

Chuvieco, Quique. "Dos exposiciones se inauguran hoy en el CGAC." El Ideal Gallego [Spain] 12 Dec. 1995: 9.

Cotter, Holland. "Also of note." New York Times 13 Oct. 1995: C23.

Crump, James. "Site Santa Fe: Nearby or So Faraway?" THE Magazine Aug. 1995: 65-67.

Cullinen, Helen. "Bold show throws civil rights issues in viewer’s face." The Plain Dealer [Cleveland, OH] 10 Jun. 1995: 10E.

Damian, Carol. "Rosa and Carlos de la Cruz - A Burlap Bag, Plaster Shirts and a String of Lights." ARTnews May 1995: 87, 88, 90.

Damian, Carol. "Miami: Latin American Art in Miami Collections: The Lowe Art Museum." Art Nexus Apr. – Jun. 1995: 123 – 124.

Decter, Joshua. "Mesa Vanguardism, SoHo Alternatives." Flash Art Nov. – Dec. 1995: 66 – 69.

Deitcher, David. "Cumulus: Sense and Sentimentality." Parkett 44 (1995): 212 – 216.

Demos, T.J. "The Aesthetics of Mourning: Christian Boltanski, Ross Bleckner and Felix Gonzalez-Torres." Flash Art Oct. 1995: 65 – 66 (ill), 67.

Dougherty, Linda Johnson. "'Civil Rights Now’ at Southeastern Center for Contemporary Art." Art Paper Jul. – Aug. 1995: 57.

Duffy, Robert. "Art Today, Gone Tomorrow: Gonzalez-Torres makes city his canvas." St. Louis Post-Dispatch 23 Apr. 1995: 8.

Duffy, Robert. "Art of the 90's." St. Louis Post-Dispatch 2 Apr. 1995: 1, 11.

"El Centro de Arte Contemporanea apuesta por la creation exterior." La Voz de Galicia [Spain] 13 Dec. 1995: 4.

"El CGAC acogeria una retrospecitva del artists cubano Felix Gonzalez-Torres." La Voz de Galicia [Spain] 9 Nov. 1995: 41.

"El CGAC presenta este mes una seleccion de la obra de Boltanski." El Ideal Gallego [Spain] 3 Dec. 1995: 10.

"Exhibitions: Felix Gonzalez Torres (March 3 – May 14, 1995)." Guggenheim Members News 1995: n. pag. (ill).

"Featured Acquisition." Milwaukee Art Museum News Sep. – Nov. 1995: 3.

"Felix Gonzalez-Torres." International Winter 1995.

Folland, Tom. "'In the Field’ at Margo Leavin." Art Issues Jan. 1995: 44.

"Fraga e Alborch abren as novas mostras do CGAC." El Correo Gallego [Spain] 13 Dec. 1995: 44.

"Galerias." Santiago 7 Dias [Santiago de Compostela, Spain] 16 Nov. – 15 Dec. 1995: 20.

Garcia, Angeles. "Boltanski y Gonzalez-Torres exponen en Santiago su vision sobre la muerte." El País [Spain] [Spain] 13 Dec. 1995: 38.

Gary, Roy. "New Works for a New Space: Annette Messager, Felix Gonzalez-Torres, Jesse Amado." Art Lies Feb. – Mar. 1995: 35.

Gennari, Flaminia. "Controtendenze USA: Gonzalez-Torres, forza politica di un’arte effimera." Il Manifesto [Italy] 25 Apr. 1995.

Giuliano, Charles. "Fresh Paint." The Improper Bostonian 30 Aug. – 12 Sep. 1995.

"Goings On About Town." The New Yorker Sep. 1995: 25.

"Goings On About Town: Sentimental Journeys." The New Yorker 20 Mar. 1995: 24.

"Gonzalez-Torres et Bleckner uptown, Tapies downtown." Le Journal des Arts [France] Mar. 1995.

Gonzalez-Torres, Felix. "Felix Gonzalez-Torres: Étre un espion." Interview by Robert Storr. Art Press [Paris] Jan. 1995: cover, 24 – 32.

Heller, Fran. "Confontational exhibit focuses on civil rights." Cleveland Jewish News 2 Jun. 1995: 29.

Hemphill, Clara. "New York Forum: About Museum Exhibits: Is It Art, or Is It Candy?" New York Newsday 18 Apr. 1995.

Hooks, Bell. Art on My Mind: Visual Politics. New York: The New Press, 1995: 49-50, 51 (ill), 52-53.

Ippolito, Jon. "Out of the Darkness and into the Loop." Flash Art Mar. – Apr. 1995: 69-70.

Kimmelman, Michael. "Bleckner’s Melodrama; A Minimalist’s Quietude." New York Times 10 Mar. 1995: C23.

Kinoshita, Kyoko. "Site Santa Fe." BT Magazine Dec. 1995: 114-121.

Kirschner, Judith Russi. "About Place: Recent Art of the Americas." Artforum Oct. 1995: 106.

Knight, Christopher. "Gonzalez-Torres Evokes a Poetry of Interaction." Los Angeles Times 5 May 1995: F1, F7.

Kuns, Armin. "Talmiglanz und denkanregung: Ross Bleckner und Felix Gonzalez-Torres in New York, NY." 9 Neue Zurcher Zeitung [Switzerland] 4 Apr. 1995.

"Kunst 'zum Mitnehmen' - Italienische Renaissance Bucher und...vieles mehr!" Freie Zeitung 31 Mar. 2009.

Kuspit, Donald. "Sintomas de decadencia nos Museus de Nova York." Artes & Leilões [Portugal] May 1995.

Levin, Kim. "Voice Choices: Felix Gonzalez-Torres at the Guggenheim Museum." Village Voice 14 Mar. 1995: 2.

Lewis, Jim. "Master of the Universe." Harper’s Bazaar Jan. 1995: 130 – 131 (ill), 132 – 135 (ill).

Macadam, Barbara. "Sweet Horrors." ARTnews May 1995: 40.

Martinez, Rosa, ed. Historia del Arte. Barcelona: Oceano-Instituto Gallach, 1995: 2994.

McQuaid, Cate. "'Home alone: ‘Currents’ should remember there’s no place like it." Boston Phoenix 11 Aug. 1995.

Merewether, Charles. "El pasado por venir: En Torno a la Obra de Felix Gonzalez-Torres [Felix Gonzalez-Torres: The past is yet to come]." Atlantica Revista de Arte y Pensamiento [Canary Islands] Winter 1995: Spanish: 40, 40 – 44 (ill), 45; 41-44 (ill), English: 148 – 151 (ill).

Meyers, Todd. "'About Place: Recent Art of the Americas’ at the Art Institute of Chicago." Poliester [Mexico] Summer 1995: 52 – 53.

Morgan, Susan. "Private Messages: Felix Gonzalez-Torres Makes Art That Speaks to You As Intimately As a Friend." Elle Feb. 1995: 62 (ill), 68 (ill).

Otero, Fatima. “Galeria de arte: Sen titulo." El Correo Gallego [Spain] 1995: 4.

Pacheco, Patrick. "SITE Specific." Los Angeles Times 30 Jul. 1995: 53, 56.

Pacheco, Patrick. "America’s Top 100 Collectors." Art & Antiques Mar. 1995: 63 - 92, 100 – 111.

"Painter explores the light and darkness." Sun-News 29 Apr. 1995.

Patterson, Tom. "Eye on Art: Powerful civil-rights exhibition is one of the best ever at SECCA." Winston-Salem Journal 19 Mar. 1995: E2.

Patterson, Tom. "Powerful Civil Rights’ worth the trip." Charlotte Observer 26 Mar. 1995: 1F-2F.

Pedersen, Victoria. "Gallery Go’Round: Felix Gonzalez-Torres at Andrea Rosen Gallery." Paper Oct. 1995:132.

Pedersen, Victoria. "Gallery Go’Round: Felix Gonzalez-Torres at the Guggenheim Museum." Paper Mar. 1995: 105.

Pedrosa, Adriano. "Longing and Belonging: From the Faraway Nearby." Frieze Nov. – Dec. 1995: 73-74.

Porges, Tim. "Felix Gonzalez-Torres at the Rennaisance Society." New Art Examiner [Chicago] Jan. 1995: cover, 36 – 37.

"Portraits of the Artists as Young Men." GQ Feb. 1995: 168 (ill).

"Public/Private." Museums New York Mar. – Apr. 1995: 9.

Reeve, Charles. "Felix Gonzalez-Torres at The Solomon R. Guggenheim Museum, New York, NY." Parachute 80 (Oct. – Dec. 1995): 62 – 63.

Rimanelli, David. "Ross Bleckner and Felix Gonzalez-Torres." Frieze May 1995.

Russell, John. "Portraits that Beckon to the Cross-Examiner." New York Times 11 Aug. 1995.

Samangela, A. Ritzi. "Vaciamiento y pasion de las formas." Diario 16 Cultura December 30 1995: 9.

Schjeldahl, Peter. "Tender Sentience." Village Voice 21 Mar. 1995: 76.

Schmerler, Sarah. "Gonzalez-Torres Spills into the Guggenheim." Art & Auction Feb. 1995: 98.

Shearin, Margaret. "Civil Rights Now." Triad 15 Mar. 1995: 8-9.

"Showing off at SFMOMA." San Francisco Focus Jan. 1995: 50 – 51, 102.

Silver, Joanne. "ICA exhibit shatters traditional ideas of home." Boston Herald 28 Jul. 1995.

Smith, Roberta. "The New, Irreverent Approach to Mounting Exhibitions." New York Times 6 Jan. 1995.

Sonna, Birgit. "Muncher Kultur: Aktuell in Munchner Galerien." Suddeutsche Zeitung [Germany] 7 Jun. 1995: 13.

Spector, Nancy. "Dous artistas para a fin do milenio." El Correo Gallego [Spain] 12 Dec. 1995: 35.

"Sweet Revenge." Civilization Mar. – Apr. 1995: 15.

Temin, Christine. "'Familiar Places' at ICA: all over the map." Boston Globe 28 Jul. 1995.

Twardy, Chuck. "Art: Civil Rights Now." What’s Up 17 Mar. 1995: 21.

Tyson, Janet. "Restrained Representations." Fort Worth Star-Telegram 1995.

"Uma viagem na luz." Brazil Vogue 1995: 110 – 113 (ill), 132.

Ursprung, Philip. "The Seige of Materials Against Art." Daidalos Jun. 1995: 80 – 85, 86 (ill), 87.

W.B. "Suche nach der inneren Geographie: Gonzalez-Torres/Roni Horn in der Sammlung Goetz." TZ 16 May 1995.

Wakefield, Neville. "Felix Gonzalez-Torres at the Guggenheim Museum." Artforum Sep. 1995: 88 – 89.

Wallach, Amei. "Two Artists in Conflict: A sculptor and painter responding to AIDS." New York Newsday 10 Mar. 1995: B26.

Waters, Jack. "Homo Economics." Lesbian and Gay New York 8 May 1995: 18.

Weinstein, Matthew. "One x One: Felix Gonzalez-Torres." Trans>arts.cultures.media Fall 1995: 143 – 145, 146 (ill).

Wiedemann, Christoph. "Zwiegesprach der Gesten." Suddeutsche Zeitung [Germany] 20 Jun. 1995: 12.

Wiens, Ann. "Felix Gonzalez-Torres." New Art Examiner [Chicago] Mar. 1995: 36.

Zaya, Octavio. "Experiencia, Ausencia, Memoria." Diario 25 Mar. 1995.

1994    
Aldrich Museum of Contemporary Art. 30 Years; Art in the Present Tense: The Aldrich’s Curatorial History, 1964 – 1994. Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1994.

Amor, Monica. "The Space of Time: America's Space." Art Nexus Jan. – Mar. 1994: 246 – 247.

“Art." The Pink Paper [United Kingdom] 14 Jan. 1994.

Artner, Alan G. "Moving Minimalism: 'Traveling' takes viewers to a world where public-private distinctions slip away." Chicago Tribune 23 Oct. 1994: 23.

"Austrian Airlines News: Portrait of Austrian Airlines." Sky Lines Jan. 1994: 90.

Batchelor, David. "Symptômes d’intérferences, conditions de faisabilité." Art Press [Paris] Apr. 1994: 24 – 25.

Behr, Martin. "Licht am Ende der Black Box Flausch-Teppich und Tranen." Salzburger Packricker 2 Feb. 1994.

Berg, Els van den. "AIDS Related Art." Metropolis 3 (Jun. 1994): 42-47.

Bevan, Roger. "Londra." Il Giornale Dell'Arte [Italy] Jan. 1994.

Bijutsu Techo Magazine (B.T.) Dec. 1994: 137.

Bourriaud, Nicolas. "Modelling." Documents sur l’art contemporain 5 (Feb. 1994): 3 (ill), 55-58.

Bravo, Armando Alvarez. "Felix Gonzalez-Torres: El arte es dulce y mas." El Nuevo Herald [Miami] 27 Aug. 1994: 1E, 3E.

Burchard, Hank. "Conceptual Con Artist." Washington Post 24 Jun. 1994: 5.

Cottingham, Laura and Felix Gonzalez-Torres. "Letter to Oscar Wilde (After W.H. Auden)." Blocnotes 5 [France] (Winter 1994): 38, 39 (ill), 40, 41 (ill), 42, 43 (ill).

Davidson, Susan. "Art & Museums: Lighting Up Summer at the Hirshhorn." Washingtonian [Washington, D.C.] Jun. 1994: 21.

Donahoe, Victoria. "Felix Gonzalez-Torres at Beaver College." Philadelphia Inquirer 27 Feb. 1994.

Donohue, Marlena. "Cutting-edge photographers featured in exhibit." Outlook 29 Apr. 1994.

"Exhibitions: Felix Gonzalez-Torres (Jun. 16 - September 11, 1994)." Hirshhorn Museum and Sculpture Garden Calendar Spring – Summer 1994: 3 (ill).

Feaver, William. "The real frame of reference." The Observer [United Kingdom] 23 Jan 1994: 6.

Fuenmayor, Jesus. "Curator: Jesús Fuenmayor." Poliester [Mexico] Summer 1994: 54 – 59.

Fuenmayor, Jesus. "The Museo del Oeste: A New Museum for Caracas." Art Nexus Oct. – Dec. 1994: 82 – 83, 84 (ill).

Gonzalez-Torres, Felix. "Consummate Consumption." Interview by Jeffrey Slonim. Artforum Dec. 1994: 7 – 9.

Grant, Simon. "Reinhardt, Kosuth, Gonzalez-Torres: Camden Arts Centre." What's On 9 Feb. 1994.

"Graz: Rudolph Stingel und Felix Gonzalez-Torres in der Neuen Galerie Graz." Das Kunst-Bulletin [Switzerland] Jan – Feb. 1994.

Greene, David A. "No Confidence: The Gorgeous Politics of Felix Gonzalez-Torres." Los Angeles Reader 6 May 1994.

Gutierrez, Begona. "Escultor cubano lleva 'De Viaje' al Smithsonian." El Tiempo Latino [Washington, D.C.] 24 Jun. 1994: A12.

"Hispanic Calendar." Hispanic Magazine Jun. 1994: 76.

"A history lesson in contemporary paint." Financial Times 4 Feb. 1994.

Hollander, Kurt. "The Caracas Connection." Art in America Jul. 1994: 78 – 83.

Januszczak, Waldemar. "Video niceties." Sunday London Times 16 Jan. 1994: 9.

Jones, Garth. "Symptoms of Interference, Conditions of Possibility at Camden Arts Centre." Flash Art Mar. – Apr. 1994: 112.

Karcher, Eva. "Die nuenziger jahre: Kunstler als Forscher." Art [Germany] Jul. 1994: 50-59.

Kent, Sarah. "Three's Company: Symptoms of Interference." Time Out New York 19 – 26 Jan 1994.

Knaff, Devorah. "The complex feeling of loss." Press Enterprise 22 May 1994.

Knight, Christopher. "Gonzalez-Torres Evokes a Poetry of Interaction." Los Angeles Times 5 May 1994: 1, 7.

Kornblau, Gary. "Sweet Dreams on the Work of Felix Gonzalez-Torres." Art Issues Sep. – Oct. 1994: 52 (ill).

Kornbluth, Elena. "Penny from Heaven." Avenue Nov. 1994: 60 – 65.

"Kosuth - concept or con?" Ham & High [Hampstead and Highgate, United Kingdom] 21 Jan. 1994.

Kraft, Martin. "Ausstellungshinweise.Graz: Rudolf Stingel und Felix Gonzalez-Torres in der Neuen Galerie Graz." Das Kunst-Bulletin [Kriens-Genève, Switzerland] Jan. – Feb. 1994: 50.

Kravagna, Christian. "Felix Gonzalez-Torres/Rudolf Stingel." Kunstforum International [Germany] Mar. – Jun. 1994: 403 – 404.

Levin, Kim. "Voice Choices: Felix Gonzalez-Torres at Printed Matter." Village Voice 22 Nov. 1994: 8.

Lewis, Jo Ann. "'Traveling’ Light: Installation Artist Felix Gonzalez-Torres Shines at the Hirshhorn." Washington Post 10 Jul. 1994: G4.

Lewis, Jo Ann. "Wresting deep feelings about life and love and loss from mere lightbulbs." Washington Post 26 Jun. 1994.

Lippard, Lucy R. Mixed Blessings: New Art in a Multicultural America. New York: Pantheon, 1990.

MacRichie, Lynn. "A history lesson in contemporary paint." Financial Times 4 Feb. 1994.

Manor, Dalia. "Symptoms of Interference, Conditions of Possibility." Studio Magazine [Israel] Jun. – Jul. 1994.

"Matrix Gallery: Felix Gonzalez-Torres." University Art Museum Calendar (the University of California, Berkeley) Jan. – Feb. 1994: 4.

McWilliams, Martha. "Death by Metaphor." Washington City Paper 19 Aug. 1994.

Mesch, Claudia. "Politically Direct: Felix Gonzalez-Torres: Traveling." Chicago Reader 21 Oct. 1994: 27.

Niegelhell, Franz. "Felix Gonzalez-Torres and Rudi Stingel at Neue Galerie Graz." Flash Art Summer 1994: 65 (ill), 66.

Pacheco, Patrick. "America's Top 100 Collectors." Art & Antiques Mar. 1994: 47-52, 60-63, 72-76, 80-84, 92-97, 104-105.

Palmer, Andrew. "The Image Problem." The Independent [United Kingdom] 11 Oct. 1994.

Patner, Andrew. "On the Edge with Suzanne Ghez." Art & Antiques Dec. 1994: 28.

"Portrait of Austrian Airlines." Skylines Nov. – Dec. 1994: 90.

Princenthal, Nancy. "Multiple Choice." Art & Text [Australia] May 1994: 40 – 45.

"Rangliste der 100 Aufsteiger." Focus 13 Jun. 1994: 104 – 105.

Relyea, Lane. "Best & Worst 1994." Artforum Dec. 1994: 64-75.

Relyea, Lane. "What’s love got to do with it?" Frieze Sep. – Oct. 1994: 46 – 51 (ill).

Romer, Stefan. "Markets of Resistance - White Columns, New York, NY." Kunstforum International [Germany] Jan. – Feb. 1994: 384 – 385.

Sewell, Brian. "Wall-to-wall gibberish." Evening Standard [London] 27 Jan. 1994: 28.

Schwartzman, Allan. "The Informers." Artforum Dec. 1994: 58 – 61, 102 - 105.

Smith, Roberta. "The Annotated Calendar: Art." New York Times 11 Sep. 1994: H61.

Sozanski, Edward J. "Art with a message, needing an explanation." Philadelphia Inquirer 4 Mar. 1994: 32E.

Spector, Nancy. "Felix Gonzalez-Torres: Travelogue." Parkett 39 (1994): cover (ill), inside cover (ill), 22 (ill), 24 – 26, 27 – 32 (ill), 34 – 35 (ill), 37 (ill).

Spector, Nancy. "The Tradition of the New: Postwar Masterpieces from the Guggenheim Collection." Guggenheim Magazine Spring – Summer 1994: 22 – 28, 29 (ill).

Stallabrass, Julian. "Discrete Images." Art Monthly Nov. 1994: 35.

Tallman, Susan. "Felix Gonzalez-Torres: Social Work." Parkett 39 (1994): cover (ill), inside cover (ill), 58 – 60 (ill), 61 – 63 (ill), 64, 65 (ill).

Tanguy, Sarah. "Reviews: Washington, D.C.." Sculpture Sep. – Oct. 1994: 49.

Thorp, David. "Symptoms of Interference, Conditions of Possibility at Camden Arts Centre." Untitled Spring 1994.

"Traveling." The Renaissance Society at The University of Chicago Newsletter Fall 1994: cover (ill), n. pag (ill).

Troncy, Eric. "It’s Alive! Live Wires in Art’s Body Eclectic." Flash Art Summer 1994: 105 – 108.

Tumlir, Jan. "Wretched Access." Artweek 23 Jun. 1994: 12 – 13.

Viteri, Patricio. "Traveling, de Felix Gonzalez en el Museo Hirshhorn." Foro 23 Jun. 1994.

Washington Blade [Washington, D.C.] 1 Jul. 1994: 56.

Watney, Simon. "In Purgatory: The Work of Felix Gonzalez-Torres." Parkett 39 (1994): cover (ill), inside cover (ill), 38 – 41, 42 – 43 (ill), 44, 45 – 47 (ill), 48 – 49, 50 (ill), 51 – 52, 53 (ill), 54 – 55, 56 – 57 (ill).

Watson, Simon. "Kunst im Zeichen von Aids: Kämpfen, klagen und auch hoffen." Art [Germany] Dec. 1994: 52 – 53, 54 (ill), 55.

Y, M. R. Editor’s note. The University of Chicago Magazine Dec. 1994: 2.

1993    
"America's Top One Hundred Collectors." Art & Antiques Mar. 1993: 43 – 78.

Babias, Marius. "Politically Corrupt." Zitty Oct. 1993: 38 – 39.

Bartman, William S., ed. Felix Gonzalez-Torres. Los Angeles: ART Resources Transfer, Inc., 1993: 85.

Beck, Martin. "Österreich geht fremd Ein Beitrag zum Diskurs des Anderen." Texte zur Kunst 10 (Jun. 1993): 127 – 131.

Bonami, Francesco. "Felix Gonzalez-Torres at Andrea Rosen." Flash Art Nov. – Dec. 1993: 111.

Bourriaud, Nicolas. "Modelized Politics." Flash Art Summer 1993: 142 – 143.

Bravo, Armando Alvarez. "Una imagen vale mas que mil palabras." El Nuevo Herald [Miami] 29 Oct. 1993.

Campitelli, Maria. "Gonzalez-Torres." Juliet [Italy] Apr. – May 1993: 44.

Christoph, Horst. "Die Geschichte der AUA." Profil Dec. 1993: 96 – 97.

Coleman, A.D. "Gonzalez-Torres: on Photography." Juliet [Italy] Feb. – Mar. 1993: 56 (ill), 57.

Cottingham, Laura. "Letter to Oscar Wilde." Blocnotes 5 [Paris] (Winter 1993 – 1994): 38 – 42.

"Currents 22: Felix Gonzalez-Torres." Milwaukee Art Museum News May – Jun. 1993: 3.

Cuvelier, Pascaline. "En formes: Felix Gonzalez-Torres." Libération [Paris] 6 – 7 Nov. 1993: 31.

Czoppan, Gabi. "Aufsteiger des Jahres: Rangliste der 100 Besten." Focus 27 (5 Jul. 1993): 63 – 67.

"Felix Gonzalez-Torres." L’Arca International [Monaco] Jun. 1993: 104.

Galerie Peter Pakesch. Galerie Peter Pakesch, 1981-1993. Wien [Vienna]: Galerie Peter Pakesch, 1993: n. pag.

Gimmelson, Deborah. "Paintings by Numbers." Mirabella [New York] Feb. 1993: 40 – 43.

"Goings On About Town: Felix Gonzalez-Torres at Andrea Rosen Gallery." The New Yorker 17 May 1993: 20.

Gonzalez-Foerster, Dominique and Olivier Zahm. "It's More like Post-Art." Purple Prose 3 (1993): 22.

Grabner, Michelle. "Felix Gonzalez-Torres at Milwaukee Art Museum." New Art Examiner [Chicago] Nov. 1993: 41 – 42.

Grieves, Greg. "The Reliquary of Creative Genius: The everyday life of Felix-Gonzalez-Torres' untitled sculpture 1991." Chicago Art Journal: v.3. [Chicago] 1993: 51-51.

Heartney, Eleanor. "Galleries: The Emerging Generation - New York, The Art of Survival." Art Press Oct. 1993: 24 – 28, E7 – E10.

"Het is alleen maar een kwestie van tijd." Kunstbeeld [the Netherlands] 1 Dec. 1993: 32 – 34.

Hofleitner, Johanna. "Felix Gonzalez-Torres at Galerie Peter Pakesch." Artforum May 1993: 114.

"Just what is it that makes today's home so different, so appealing? at Galerie Jennifer Flay." Purple Prose 3 (1993): 89

Killam, Brad. "Felix Gonzalez-Torres: A Conversation With Strangers." Art Muscle 1993: 17.

Kimmelman, Michael. "A Few Artless Minutes on '60 Minutes'." New York Times 17 Oct. 1993: 39.

Kohen, Helen L. "Photos are linked by Cuban heritage." Miami Herald 29 Oct. 1993.

Krumpf, Doris. "Destinationder Geschichte." Donnerstag [Germany] 23 Dec. 1993.

Kunstmuseum Luzern 1992: 25

Levin, Kim. "Voice Choices - Felix Gonzalez-Torres." Village Voice 25 May 1993: 67.

Levin, Kim. "Art in Brief - Felix Gonzalez-Torres/Christopher Wool." Village Voice 20 Apr. 1993: 76.

Maillet, Florence. "Un passeport et des bonbons." Le Jour [Paris] 9 Nov. 1993: 111.

Moser, Ulli. "Felix Gonzalez-Torres - Republikanische Jahre." Kunstforum International [Germany] (1993): 441 – 442.

"Museum in Progress: Felix Gonzalez-Torres." Sky Lines 6 (1993): 39.

Myers, Terry R. "Felix Gonzalez-Torres at Andrea Rosen Gallery." Lapiz [Madrid] Summer 1993: 84.

"The News: New York, NY." Galeries Magazine Summer 1993: 13.

"Nightshade Family Show." Flash Art May 1993: 99

Risaliti, Sergio. "Flash Art News: I, Myself, and Others." Flash Art May 1993: 123.

Scanlon, Joseph, ed. A History of the Renaissance Society: The First Seventy-Five Years. Chicago, IL: The Renaissance Society at the University of Chicago, 1993: 118 (ill).

Smith, Roberta. "The Naming of the Colors." New York Times 14 May 1993: C26.

Steihaug, Jon Ove. "New York Fragmenter 1992-93." Billedkunstneren Sep. – Oct. 1993: 40 – 43.

Troncy, Eric. "Felix Gonzalez-Torres, Placebo." Art Press Jun. 1993: 32 – 36 (ill), E16 – E19 (ill).

Troncy, Eric. "Wall Drawings and Murals." Flash Art May – Jun. 1993: 68 – 70.

1992    
Aletti, Vince. "Voice Choices." Village Voice 8 Sep. 1992: 70.

Avgikos, Jan. "Seeing With Our Bodies." Tema Celeste 37 – 38 [Italy] (Autumn 1992): 38 – 43.

Blackman, Douglas A. "Readings." Harper’s Magazine Sep. 1992: 14 – 21.

Bogh, Mikkel. "Problemer i paradis." Information 22 Jun. 1992.

Bonetti, David. "Healing at Rena Bransten Gallery, San Francisco." San Francisco Examiner 29 May 1992: D11.

Borgstrom, Peter. "Hellre en kopp kaffe an Europa: Paradise Europe, Kopenhaumn." Dagens Nyheter [Sweden] 9 Jun. 1992.

Borgstrom, Peter. "Infiltrator med uppdrag att bedra - Gonzalez-Torres gor sig fortrolig." Dagens Nyheter [Sweden] 11 Oct. 1992: B3.

Bourriaud, Nicolas. "Catalogue Briefs: 'Not Quiet', Jennifer Flay, Paris." Flash Art Summer 1992: 154.

Bourriaud, Nicolas. "Fentes/Slits." Documents sur l’art contemporain [Paris] Oct. 1992: 30 – 33.

Bryant, Elizabeth. "'Missing Persons: Dissent, Difference and the Body Politic' at the Portland Museum of Art." Artweek 8 Oct. 1992: 21.

C., P. "Jeunes Artistes Américains: Post-Sixties." Libération [Paris] 5 Apr. 1992.

Cameron, Dan. "Before and After: Dan Cameron Enters the World of Post Human." Frieze Sep. – Oct. 1992: 16 – 19.

Castenfors, Marten. "I detta rum ar festen over." Svenska Dagbladet [Sweden] 24 Oct. 1992.

Chua, Lawrence. "To Probe and to Push: Wessel O’Connor." Flash Art Jan. – Feb. 1992: 133 – 134.

Cottingham, Laura. "Art Attack." QW Jul. 1992: 77 – 78 (ill).

Dahlqvist, Dennis. "Tillbaka till framtiden." Expressen [Sweden] 24 Nov. 1992: 5.

"Dissent, Difference and the Body Politic." Portland Art Museum Newsletter Jul. – Aug. 1992: 3.

Ehrnrooth, Catharina, Carl-Fredrik Harleman, and Sven-Olov Wallenstein. “På gränsen mellan det private och det offentliga." Material 11 (Nov. 1992): 1, 3.

Ericsson, Lars O. "Pa gransen mellan offentligt och privat." Fredag 23 Oct. 1992: 21.

"Felix Gonzalez-Torres at Massimo de Carlo, Milano." Umbrella Magazine Oct. 1992: 40.

Flinn, Jason B. "'Not Quiet' at Galerie Jennifer Flay." Tema Celeste 36 (Summer 1992): 87 – 88.

Galassi, Peter. "More Than One Photography: Works Since 1980 from the Collection." MoMA Members Quarterly Spring 1992: 12 – 13 (ill).

Giger, Romeo. "Junge Kunst in Zeitalter von AIDS." Neue Zürcher Zeitung [Zurich, Switzerland] 4 Nov. 1992.

"Goings On About Town." The New Yorker 8 Jun. 1992: 12.

"Goings On About Town." The New Yorker 29 Jun. 1992: 10.

"Goings On About Town." The New Yorker 6 Jul. 1992: 9.

Gonzalez-Torres, Felix. "Practices: The Problem of Divisions of Cultural Labor." ACME Journal 1.2 (1992): 44 – 49.

Heartney, Eleanor. "The Politics of Protest." New Art Examiner [Chicago] Sep. 1992: 14 – 17.

Hirsch, David. "An Impulse Toward Healing." Bay Area Reporter 14 May 1992: 31.

Janus, Elizabeth. "'Post Human’ at FAE Musée D'Art Contemporain, Pully/Lausanne." Artforum 1992: 119.

Jouannais, Jean-Yves. "1968: Divers lieux." Art Press International 1992: 74.

Kandel, Susan. "Felix Gonzalez-Torres, Albert Oehlen, Christopher Williams – theatre verite at Margo Leavin Gallery." Los Angeles Times 15 Oct. 1992: F7.

Kandel, Susan. "LA in Review." Arts Magazine Jan. 1992: 90-91.

Kerte, Jens. "Kunst pa reklame-tavlerne." Politiken [Denmark] 3 Jun. 1992.

Harper's 21 Sep. 1992: 21 (ill).

Heartney, Eleanor. "The Politics of Protest." New Art Examiner [Chicago] Sep. 1992: 14 – 17.

Hofmann, Isabelle. "AIDS lasst keine Zeit fur Nabelschauen." Berliner Morgenpost [Berlin] 12 May 1992.

"In Brief." Flash Art Summer 1992: 138

Kandel, Susan. "L.A. in Review." Arts Magazine [New York] 5 Jan. 1992: 90.

Kandel, Susan. "Three for the Show." Los Angeles Times 15 Oct. 1992: F7.

Knyphausen, A. "Kunstverein: Austellung zum Thema AIDS." Abendblatt 15 May 1992.

Kölle, Brigitte, ed. "Museum Fridericianum." Kassel: Museum Fridericianum, 1992: n. pag.

Kontova, Helena. "Spotlight: 'Post Human'." Flash Art October 1992: 93.

Kruger, Barbara. "A vous et a moi: 'I, Myself and Others' au Le Magasin (Grenoble)." Le Monde [France] 2 Oct. 1992: 25.

Mesquita, Ivo. "Nova York Gonzalez-Torres no MOMA." Guidas Artes Nov. – Dec. 1992: 45 – 46.

Messler, Norbert. "The Carpet Project at Tanja Grunert." Artforum May 1992: 130-131.

Meyer, Peter S. "Kunst pa reklamernes plads." Kristeligt Dagblad [Denmark] 11 Jun. 1992.

Meyer, Peter S. "Bizart in Copenhagen." Nordic Art Review March 1992.

Michelsen, Anders. "Paradise Europe, Bizart, Copenhagen." Art & Text [Australia] Sep. 1992.

Morrison, Ewan. "Read My Lips-An Interview with Simon Watney." Variant 1992: 4 – 7.

Moser, Ulli. "Felix Gonzalez-Torres' Installation Republikanische Jahre: Besser auf der Strasse." Kurier/Kulture 25 Oct. 1992: 13.

Nesbitt, Lois. "When Art Is Not Enough." Tema Celeste 37 – 38 (Autumn 1992): 50 – 52.

"News: Copenhagen - Paradise Europe." Flash Art Summer 1992: 132.

"News: MOMA Projects." Flash Art Summer 1992: 135

Newsweek 7 Sep. 1992.

Pagel, David. "Art & Eroticism." Shift 6.1 (1992): 20 – 29.

Politi, Giancarlo and Helena Kontova. "Post Human - Jeffrey Deitch's Brave New Art." Flash Art Nov. – Dec. 1992: 66 – 68.

"Redefining the fine art of life-or-death campaigning." Scotsman [Scotland] 19 Nov. 1992.

Romano, Gianni. "Felix Gonzalez-Torres: Projects 34." Zoom [Italy] Sep. – Oct. 1992: 74 – 79 (ill).

Savan, Leslie. "Op Ad: Adblisters." Village Voice 30 Jun. 1992.

Schollhammer, Georg. "Unbeschriebene Gesellschaft-Galerie Peter Pakesch: Felix Gonzalez-Ttorres, Politiker des Minimalismus." Der Standard [Austria] 11 Nov. 1992: 10.

Schulze, Von Karin. "Bush! Wir leben noch." Szene Hamburg [Hamburg, Germany] May 1992: 24 – 25.

"Shades.” The New Yorker 29 Jun. 1992: 6.

Shottenkirk, Dena. "Felix Gonzalez-Torres at MOMA Projects Room." Art in America Nov. 1992: 132 (ill).

Spector, Nancy. Guggenheim Museum: A to Z. New York: The Guggenheim Museum, 1992: 100, 101 (ill).

Troncy, Eric. "A Cowboy is Dead." Artscribe International [United Kingdom] Feb. – Mar. 1992: 56 – 58, 59 (ill).

Troncy, Eric. "'Not Quiet' at Galerie Jennifer Flay." Art Press Jun. 1992.

Ubl, Ralph. "Engagement und Dekadenz." Presse 1992.

Urbach, Marina. "Felix Gonzalez-Torres." Art Nexus Oct. 1992: 152 – 153, 212 – 213.

Vogel, Maria. "Gegen das Totschweigen von AIDS." Dienstag 6 Oct. 1992: 27.

Weil, Benjamin. "Felix Gonzalez-Torres - Projects: MOMA." Flash Art Oct. 1992: 97 – 98.

Weil, Benjamin. "Remarks on Installations and Changes in Time Dimensions." Flash Art Jan. – Feb. 1992: 104 – 109.

Zahm, Olivier. "Et l’on s’aimera encore, lorsque l’amour sera mort." Purple Prose [Paris] Autumn 1992: 27 – 29.

1991    
Adcock, Craig. "Pop Into Agit-Pop." Tema Celeste 30 [Italy] Mar. – Apr. 1991: 74 – 79.

Aletti, Vince. "Voice Choice: Felix Gonzalez-Torres." Village Voice 14 May 1991: 98.

"Amerikanischer Alltag." Tagesspiegel Der Berlin 20 Jan. 1991.

Arnter, Alan. "Our Bodies, Our Cells." Chicago Tribune 31 Mar. 1991.

"Aus Amerikas Kunstszene." Fuldaer Zeitung [Fulda, Germany] Feb. 1991.

Avigikos, Jan. "This is My Body: Felix Gonzalez-Torres." Artforum Feb. 1991: 79 – 83 (ill).

Babias, Marius. "Gewalt, Macht, Rhetorik." Zitty- Stadtmagazin [Berlin] Jan. 1991.

Berger, Maurice. "Open Art." Village Voice 6 Aug. 1991: 67.

Blase, Christoph. "Akzente: Gesellschaftskritik leicht gemacht." Das Kunst-Bulletin [Kriens-Genève, Switzerland] Feb. 1991: 10.

Braff, Phyllis. "The Treasures of A Private Collector Inspired by Acute Instinct." New York Times 6 Oct. 1991: 19.

Bravin, Karin. "SOHO: Untitled '92." New York Connection 40: 44-48.

de Bustos, Clara Isabel. "Once creadores muestran en Madrid su vision particular del arte de los noventa." ABC 22 Jan. 1991.    

Colombo, Corrado. "Esposizioni: Opere e ambienti a confronto nel Castello di Rivara." La Stampa [Italy] 5 Jul. 1991.

D., W. "Neue Kunst aus New York, NY." Hessisch/Niedersachsische Allgemeine Kassel-Program Feb. 1991.

Danvila, Jose Ramon. "El posible arte que viene." Diario [Italy] 16 – 23 Jan. 1991.

Decter, Joshua. "The Rhetorical Image." Arts Mar. 1991: 100.

Di Pietrantonio, Giacinto. "Benjamin Weil: Art Critic and Curator." Flash Art Nov. – Dec. 1991: 156.

"El jardín salvaje', una colectiva insolita en la Caixa." El Independiente 21 Jan. 1991.

Evans, Steven. "Felix Gonzalez-Torres at Massimo de Carlo, Milan." Flash Art Nov. – Dec. 1991: 160.

Faust, Gretchen. "New York in Review." Arts Magazine Jan. 1991: 95, 96 (ill).

Gross, Molly. "American Way of Life." Prinz 16 Jan. 1991.

Heft, Max, "Kultur in Deutschland." Termin [Germany] Mar. 1991.

Herrrmanns, Ralph. "God Kunst." Dagens Industri [Sweden] 24 Jun. 1991: 26.

Hixson, Kathryn. "The Subject is the Object: The Legacies of Minimalism." New Art Examiner [Chicago] May 1991: 29 – 32, 59.

Hixson, Kathryn. "...and the Object is the Body." New Art Examiner [Chicago] Oct. 1991: 20 – 24.

Iannacci, Anthony. "Felix Gonzalez-Torres at Massimo de Carlo, Milan." Artforum Dec. 1991: 111 (ill), 112.

Jimenez, Pablo. "Un Jardín entre la vida y el arte." ABC 24 Jan. 1991.

Johnson, Ken. "Report from New York, Generational Saga." Art in America Jun. 1991: 45 – 50.

Jouannais, Jean-Yves. "No Man's Time." A.R.T Press Oct. 1991.

Kuijken, Ilse. "Gonzalez-Torres: Beelden Van Angst en Isolatie." De Standaard [Belgium] 14 Apr. 1991.

"Kunst Zum Mitnehmen." Die Welt [Hamburg, Germany] 8 Mar. 1991.

Lambrecht, Luk. "Aids." Knack Weekend 17 (Apr. 1991): 17.

Larson, Kay. "A Shock to the System." New York Magazine 29 Apr. 1991: 86.

Larson, Kay. "New York: Whitney Biennial." Galeries Magazine Jun. – Jul. 1991: 68 – 71.

Larson, Kay. "Six Threads." Atelier Oct. 1991: 4 – 5, 14 – 17 (ill), 32 – 33 (ill), 39 – 41, 42 (ill), 43 – 44.

Lemaitre, Isabelle. "Felix Gonzalez-Torres and Michael Jenkins." Tema Celeste 32 (May – Jun. 1991): 105.

"Les Editions Nul Par..." Iam JS, France. 2 Apr. 1991. Radio.

Levin, Kim. "Art That Intervenes." Village Voice 15 Jan. 1991.

Levin, Kim. "Choices." Village Voice 8 Jan. 1991: 86.

McCoy, Pat. "Felix Gonzalez-Torres." Tema Celeste 30 (Mar. – Apr. 1991): 72.

Merril, R.J. "Rituals and Allegories: Felix Gonzalez-Torres at Luhring Augustine Hetzler." Artweek 14 Nov. 1991: 12.

Muller, Katrin Bettina. "Gott in der Gewehrkugel." Die Tageszeitung [Berlin] 25 Jan. 1991.

"Multiples & Objects & Books" Print Collector’s Newsletter Sep. – Oct. 1991: 143.

The New Yorker. 14 Jan. 1991: 10.

The New Yorker. 20 May 1991.

The New Yorker. 20 Sep. 1991.

Nickas, Robert. "Felix Gonzalez-Torres: All the Time in the World." Flash Art Nov. – Dec. 1991: 86 – 89 (ill).

"Neue politische Kunst aus New York, NY." Extra Tip [Kassel, Germany] 2 Feb. 1991.

Pagel, David. "World of Gonzalez-Torres Teeters on Joy and Despair." Los Angeles Times 7 Nov. 1991: F6.

Paris Review 120 (Fall 1991): cover (ill).

Passon, Michael. "Der Aufstand der Massen(ware)." Ausstellungen 3 (1991): 23.

"Projections at the Castello di Rivara." Flash Art Oct. 1991: 156.

Schipp, Renee. "Mit Kunst Gegen Konsun und Luxus." Berliner Morgenpost [Berlin] 8 Jan. 1991.

Schmitz, Rudolf. "Bazooka-Kaugummis und ein Grabhugel aus Bonbons." Frankfurter Allgemeine Zeitung [Frankfurt, Germany] 2 Feb. 1991.

Schwarze, Dirk. "Im Zeichen der Gewalt." HNA 19 Feb. 1991.

Serraller, F. Calvo. "El jardín de los salvajes." El País [Spain] 26 Jan. 1991.

Smith, Colin. "Felix Gonzalez-Torres and Donald Moffet." Parachute Apr. – Jun. 1991: 46 – 47.

Smith, Roberta. "Minimalism On the March: More and More, Less and Less." New York Times 26 Jan. 1991.

Smith, Roberta. "Group Exhibition." New York Times 20 Sep. 1991.

Spector, Nancy. "Felix Gonzalez-Torres." Galeries Magazine Apr. – May 1991: 80 – 81 (ill).

Tallman, Susan. "The Ethos of the Edition." Arts Magazine Sep. 1991: 13 (ill), 14.

Troncy, Eric. "No Man's Time." Flash Art Nov. – Dec. 1991: 119 – 122.

Troncy, Eric. "Soft Touch." Artscribe International Sep. 1991: 54 – 57.

Van de Sompel, Ronald. "Felix Gonzalez-Torres and Michael Jenkins." De Morgen [Belgium] 2 Mar. 1991.

Verzotti, Giorgio. "No Man's Time, Villa Arson." Artforum Nov. 1991: 148 – 149.

Wye, Deborah. "'Untitled' (Death by Gun) by Felix Gonzalez-Torres." Print Collector’s Newsletter Sep. – Oct. 1991: cover (ill), 118, 119 (ill).

1990    
"Art and Politics." !Aha!: Hispanic Arts News 102 (Dec. 1990 – Jan. 1991): 7 (ill).

Atkins, Robert. "New This Week: Felix Gonzalez-Torres." 7 Days 3.7 (21 Feb. 1990): 54.

Avgikos, Jan. "Nurse!...The Screens!!" Artscribe Nov. – Dec. 1990: 11 – 12.

Barckert, Lynda. "New Humanism." Chicago Reader 25 May 1990: 30, 33.

Chiodi, Stefano. "Spoleto. Art Tomorrow." Contemporanea 22 (Nov. 1990).

Chua, Lawrence. "To Probe and To Push: Artists of Provocation." Flash Art Jan. – Feb. 1990.

Cyphers, Peggy. "New York in Review." Arts Magazine Apr. 1990: 111 – 112.

Deitcher, David. Art Issues Sep. – Oct. 1990.

Faust, Gretchen. "New York in Review." Arts Magazine Mar. 1990: 117 (ill),

Ferguson, Russell, et al. Out There: Marginalization and Contemporary Cultures. New York and Cambridge, MA: The New Museum of Contemporary Art and MIT Press, 1990. [Images selected by Felix Gonzalez-Torres].

"Goings on About Town." The New Yorker 5 Feb. 1990.

"Goings on About Town." The New Yorker 12 Feb. 1990.

"Goings on About Town." The New Yorker 3 Jul. 1990.

Heartney, Eleanor. "Felix Gonzalez-Torres at Andrea Rosen." Art in America May 1990.

Hirsh, David. "Personal Monuments." The Native 12 Feb. 1990.

Kalin, Tom. "Prodigal Stories." Aperture Fall 1990.

Kalin, Tom. "Towards an AIDS Activist Aesthetic: Four Artists Who Invent, Intervene, and Inform." Views 11.3 (Summer 1990): 16-19.

Levin, Kim. "Choices." Village Voice 27 Feb. 1990: 46.

Lippard, Lucy R. Mixed Blessings: New Art in a Multicultural America. New York: Pantheon, 1990: 121.

Mahoney, Robert. Flash Art May – Jun. 1990.

McCoy, Pat. "Felix Gonzalez-Torres." Tema Celeste 25 Apr. – Jun. 1990: 64.

Myers, Terry. "From the Junk Aesthetic to the Junk Mentality." Arts Magazine Feb. 1990: 60 – 64.

"Portfolios: Sculpture by Felix Gonzalez-Torres." Shiny 1990: 11 – 14 (ill).

Smith, Roberta. "The Group Show as Crystal Ball." New York Times 6 Jul. 1990.

Smith, Roberta. "Jessica Diamond, Douglas La Tourette, David Robilliard, Felix Gonzalez-Torres." New York Times 19 Jan. 1990.

Wood, William. "Fast Forward." Canadian Art 7.3 (Fall 1990): 43.

Wulffen, Thomas. "Kunst und schwule Kultur in den USA." Kunstforum International [Germany] Apr. – May 1990: 309 – 310.

1989    
Arning, Bill. White Columns Update, 1988 – 1989. New York: White Columns, 1989: n. pag.

Atkins, Robert. "Art = Life." 7 Days 2.20 (24 May 1989): 67 – 68.

Brenson, Michael. "Felix Gonzalez-Torres." New York Times 28 Jul. 1989: C23.

Cameron, Dan. "The Look of Love." Shift 3.6 (1989): 4-11.

Deitcher, David. "How Do You Memorialize a Movement that Isn't Dead?" Village Voice 27 Jun. 1989: 93.

Evans, Steven. "Real World." Artscribe International [United Kingdom] Summer 1989: 82 – 83.

Faust, Gretchen. "New York in Review." Arts Magazine Oct. 1989: 102 – 103.

"Galleries: New York, NY." Flash Art Nov. – Dec. 1989: 162.

Hess, Elizabeth. "NY to Helms: Drop Dead." Village Voice 24 Oct. 1989.

"Never Forget." Print Collector’s Newsletter Jul. – Aug. 1989: 96 – 97.

Silver, Lisa. "Political Art?" Daily Californian 10 Feb. 1989: 7 – 9.

Spector, Nancy. "Felix Gonzalez-Torres." Contemporanea 2.4 (Jun. 1989): 96.

Spector, Nancy, and Steven Evans. "Double Fear." Parkett 22 (1989): 129 – 132.

Wagner, Frank. "Übers Sofa!" Magnus Dec. 1989.

Print Collector's Newsletter Jul. – Aug. 1989: Vol 20, No. 3.

1988    
Indiana, Gary. "Vile Days." Village Voice 28 Jun. 1988: 118.

Liu, Catherine. "Felix Gonzalez-Torres, Rastovski." Flash Art Oct. 1988: 130 – 131.

Trippi, Laura. "Installation by Felix Gonzalez-Torres". New York: The New Museum of Contemporary Art, 1988. [Essay for the exhibition at The New Museum, 16 Sep. – 20 Nov. 1988].

1987    
Ollman, Leah. "At the Galleries." Los Angeles Times 4 Dec. 1987.

Pincus, Robert L. "Is Installation Exhibit the end-of-an-age art?" San Diego Union 22 Nov. 1987.